Sangue, Suor e Pólvora (1972)

Young farmboy who always wanted to be a cowhand talks a tough trail boss into hiring him on a cattle drive.

Director:

Dick Richards

Writers:

Dick Richards (story), Eric Bercovici (screenplay)

Stars:

Gary Grimes, Billy Green Bush, Luke Askew

1 nomination.

Cast

Cast overview, first billed only:
Gary Grimes	...	Ben Mockridge
Billy Green Bush	...	Frank Culpepper (as Billy 'Green' Bush)
Luke Askew	...	Luke
Bo Hopkins	...	Dixie Brick
Geoffrey Lewis	...	Russ
Wayne Sutherlin	...	Missoula
John McLiam	...	Thorton Pierce
Matt Clark	...	Pete
Raymond Guth	...	Cook
Anthony James	...	Nathaniel
Charles Martin Smith	...	Tim Slater (as Charlie Martin Smith)
Larry Finley	...	Mr. Slater
Bob Morgan	...	Old John
Jan Burrell	...	Mrs. Mockridge
Hal Needham	...	Burgess

Storyline

Teenager Ben Mockridge feels life in a Wild West farm town has nothing better to offer than horse-cart racing with other hicks, so he naively begs cattle company owner Frank Culpepper to engage him as the youngest cowboy for a long cattle trail to a fort. His mother barely notices. Ben doesn't even seem to get it when he's told to report as 'little Mary' to the old cook, whose words, "Cowboy is something you do only if you have nothing better." gradually become clear. Instead of an exciting heroic macho life, it's endless hard work, dumb chores and embarrassment, even getting literally caught with his pants down, robbed of his horse, and witnessing unpunished crimes...

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Plot Keywords:

coming of age | new mexico territory | cow | minister | crying | 

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Taglines:

How Many Men Do You Have to Kill to Be the Great American Cowboy?

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Genres:

Western

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Details

Country:

USA

Language:

English Spanish

Release Date:

14 January 1974 (Portugal)

Also Known As:

Sangue, Suor e Pólvora

Filming Locations:

Sonoita, Arizona, USA

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

92 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Directorial debut of Dick Richards.

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Goofs

During the final shootout, a cowboy clubs another from horseback using a rifle and the arresting cable to prevent the cowboy from falling under the horse can be seen.

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Quotes

Frank Culpepper: You just like to travel.
Luke, Drover: The best part is getting into town or getting out of town. In between is lousy.

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Connections

References O Rio Vermelho (1948)

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Soundtracks

Amazing Grace
(uncredited)
Traditional
Lyrics by John Newton

User Reviews

When Little Mary Became A Man.

The Culpepper Cattle Co. is a splinter of the Western genre that was tagged as revisionist. Often the makers of such Oaters went for a more grizzled look at the West, even demythologising the Hollywood Westerns that had proved so popular for decades. Directed by Dick Richards, The Culpepper Cattle Co. is one such picture.

Young Ben Mockridge (Gary Grimes) wants to be a cowboy, to work on the drives and hone his gun play skills. When trail drive boss Frank Culpepper (Billy Green Bush) is in town, Ben begs him for work and is thrilled to be hired as the cook's Little Mary. What he isn't so thrilled about is actually what it's really like out there on a drive...

And so it comes to pass, young Ben is at the bottom of the cowboy ladder and Richards and his writing team ensure there is no glamour to be found. The drive is beset with thievery and rustling, killings, stampedes, inner fighting and very hard work for very little pay. The men on the trail all look the same, they dress the same, they smell the same, they are all worked hard and understand the same weary banter.

What camaraderie there is is kept to a minimum, they are a team in a working sense, but their loyalty only comes to the fore when they are tasked with fighting and killing' enemies. The bars are not all bright and sparkly, with a well suited man playing a piano, no these are dingy holes with dirty glasses. No bordello babes either, just a hapless lassie loaned out for services by a barkeep who has in his own mind some tenuous right to have her in his keep.

This is purposely downbeat, with the photography by Lawrence Edward Williams and Ralph Woolsey emphasising this fact by stripping back the colours for authenticity. While Jerry Goldsmith and Ralph Woolsey's musical score is deftly restrained, perfectly so. The story moves to its final conclusion, a confrontation that excites and depresses equally so, for even in the whirl of bullets and thundering hooves, the realisation dawns on Ben, and us, that nothing changes the life of the cowboys out there on the drives. It's live, work and die. Cowboyin is something you do when you can't do nothing else - Indeed! 9/10