After the Civil War, ex-Confederate soldiers heading for a new life in Mexico run into ex-Union cavalrymen selling horses to the Mexican government but they must join forces to fight off Mexican bandits and revolutionaries.
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage; however, neither Andersen nor the boys know that a gang of cattle thieves is stalking them.Written by
Jim Beaver <firstname.lastname@example.org>
Wil Anderson and Jebediah Nightlinger always refer to each other as "Mister", never by their characters' first names. See more »
It appears that the Double O ranch has two different brands. During roundup and later in the film, the cattle wear a brand of two distinct O's separated by about 12 inches. In the scene before they start the drive, one of the horses appears to have a brand consisting of two Os connected horizontally. This brand should be the same as the brand the cattle wear. In addition, the connected Os might be called a lazy 8. See more »
During its roadshow release, the film featured - like most films shown in a roadshow format - an overture (heard on tape just before the film began), an intermission with entr'acte music, and exit music (heard after the film had ended). When the film went on general release, all of those elements were removed and the film was shown from beginning to end with no interruption. See more »
This movie, for all that it's a fairly straight forward, shoot-em-up western, has some unique points that make it extremely artful. The boys were well-cast (though A. Martinez seemed to struggle in a role that was not fully developed), and those difficult psychological moments which were so important to the book translated to the screen without too much trouble. As is always the case, the book is able to take more time to expand upon the characters more thoroughly; if the movie left you a bit dry, visit the library to find the rest of the story!
The reasons I watch this show repeatedly are two of my favorite fellows: Roscoe Lee Browne and John Williams. Roscoe Lee Browne is able to sell lines that simply wouldn't work coming from somebody else (his dialogue with Coleen Dewhurst is priceless), and he is the unique feature that makes this film work. He graciously shares the screen with his co-actors as necessary, but he easily walks off with the movie nonetheless. John Williams' fantastic score could stand alone; though it is occasionally a little too cheery for the moment (after all, this is a pretty gruesome film, if you really think about it), it covers all the bases of the movie. Youthful innocence, becoming men, sorrow, success -- it's all right there in the score. Don't expect Star Wars music; frequently understated, the music carries a supporting role. As both John Williams and Roscoe Lee Browne displayed here, it is often the supporting actors that make the show a success!
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