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Cocksucker Blues (1972)

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont. Because of the free-form ... See full summary »

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Cast

Credited cast:
... Himself
... Himself
Marshall Chess ... Himself
Chris Collins ... Connection
... Himself
Steve Geolke ... Make-Up Man
Nicky Hopkins ... Himself
... Herself
... Himself
Bobby Keyes ... Himself
Bobby Keys ... Himself (as Bobby Keyes)
Otto Levine ... Producer
Jim Price ... Himself
... Herself (as Princess Radziwill)
... Himself
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Storyline

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont. Because of the free-form nature of filming, Cocksucker Blues captured band members and entourage members taking part in events the Rolling Stones preferred not to publicize. It can only legally be screened with director Robert Frank in attendance. The title of the film is the same of that of a Rolling Stones song (aka Schoolboy Blues), which was written to complete the band's contractual obligations to Decca Records and specifically to be unreleasable. Written by Zack Kushner

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Documentary | Music

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Release Date:

April 1979 (USA)  »

Also Known As:

CS Blues  »

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Did You Know?

Trivia

Although The Rolling Stones have never officially released the film themselves, black-and-white scenes from the infamous documentary can be seen in their subsequent video/DVD releases. These include: Video Rewind: The Rolling Stones' Great Video Hits (1984) and Rolling Stones: Four Flicks (2003). See more »

Connections

Referenced in Hustler White (1996) See more »

Soundtracks

Happy
Written by Mick Jagger and Keith Richards
Performed by The Rolling Stones
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User Reviews

Lost disaster piece
28 August 1999 | by See all my reviews

An East Village guitar-store owner sold me a bootleg copy of this legendary Robert Frank documentary, which was suppressed by its subjects, the Rolling Stones. Full of arty effects and stony, fragmentative editing, the movie intermittently fascinates in its depiction of a day in the life of the Stones--a life that alternates between massive, almost unthinkable amounts of ego-gratification, and routine, torpid, everyday boredom. The intent seems to be an anthropological portrait of the habits of visiting alien gods: the Stones are made both otherworldly-regal and incalculably drab. Because of the scenes of groupie-shagging and substance abuse, Frank was forced to credit the Stones as "playing characters" in the end credits (if memory serves, Keith Richards plays "Pizza Delivery Man"), and the picture is available to be screened, by Mick-generated court order, only when Frank is present.


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