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The Valachi Papers

  • 1972
  • PG
  • 2h 5m
IMDb RATING
6.4/10
4.8K
YOUR RATING
The Valachi Papers (1972)
Gangster Joe Valachi is a marked man in the same joint where mob boss Don Vito Genovese is imprisoned and he's forced to co-operate with the DA in exchange for protection.
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True CrimeCrimeDrama

Gangster Joe Valachi is a marked man in the same joint where mob boss Don Vito Genovese is imprisoned and he's forced to co-operate with the DA in exchange for protection.Gangster Joe Valachi is a marked man in the same joint where mob boss Don Vito Genovese is imprisoned and he's forced to co-operate with the DA in exchange for protection.Gangster Joe Valachi is a marked man in the same joint where mob boss Don Vito Genovese is imprisoned and he's forced to co-operate with the DA in exchange for protection.

  • Director
    • Terence Young
  • Writers
    • Stephen Geller
    • Peter Maas
    • Massimo De Rita
  • Stars
    • Charles Bronson
    • Lino Ventura
    • Jill Ireland
  • See production info at IMDbPro
  • IMDb RATING
    6.4/10
    4.8K
    YOUR RATING
    • Director
      • Terence Young
    • Writers
      • Stephen Geller
      • Peter Maas
      • Massimo De Rita
    • Stars
      • Charles Bronson
      • Lino Ventura
      • Jill Ireland
    • 52User reviews
    • 40Critic reviews
  • See production info at IMDbPro
  • Videos1

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    Trailer 3:23
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    Photos48

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    Top cast45

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    Charles Bronson
    Charles Bronson
    • Joe Valachi
    Lino Ventura
    Lino Ventura
    • Vito Genovese
    Jill Ireland
    Jill Ireland
    • Maria Reina Valachi
    Walter Chiari
    Walter Chiari
    • Gap
    Joseph Wiseman
    Joseph Wiseman
    • Salvatore Maranzano
    Gerald S. O'Loughlin
    Gerald S. O'Loughlin
    • Ryan
    • (as Gerald O'Loughlin)
    Amedeo Nazzari
    Amedeo Nazzari
    • Gaetano Reina
    Fausto Tozzi
    Fausto Tozzi
    • Albert Anastasia
    Pupella Maggio
    Pupella Maggio
    • Letizia Reina
    Angelo Infanti
    • Lucky Luciano
    Guido Leontini
    • Tony Bender
    María Baxa
    • Donna
    Mario Pilar
    • Salierno
    Franco Borelli
    • Buster
    Alessandro Sperlì
    Alessandro Sperlì
    • Giuseppe 'Joe the Boss' Masseria
    Natasha Chevelev
    • Jane
    Anthony Dawson
    Anthony Dawson
    • Federal Investigator
    Fred Valleca
    • Buck
    • Director
      • Terence Young
    • Writers
      • Stephen Geller
      • Peter Maas
      • Massimo De Rita
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews52

    6.44.7K
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    Featured reviews

    7lost-in-limbo

    Read it in the papers.

    The following year Charles Bronson would team up with director Michael Winner as a cop on the trail of the mafia, but the year before in "The Valachi Papers" he would find himself smack in the middle of it all as former mobster Joe Valachi serving 15 years in prison with a target on his head of twenty thousand dollars by mafia capo Vito Genovese. When he learns of it with there being no way of getting out of it when receives the kiss of death. Joe decides to spill his guts on the inner workings (extortion, vengeance and murder) of LaCosa Nostra for some sort of protection for him and his family. This would be the third European film of the trot between Charles Bronson and director Terence Young with the gritty crime flick "Cold Sweat (1970)" and buddy western "Red Sun (1971)" being the two before it. Coming out the same year as the similar in vein, but masterful classic "The Godfather". "The Valachi Papers" probably came and went with little notice. While not as stylish, it managed to have scope in its tough, trim and grippingly told narration splitting between past recounting and present situations. The plot was adapted off Peter Maas' novel of the same name that covers this true account of the mafia underworld and organised crime. A steadfast Bronson perfectly nailed down the lead with excellently respectable support by the likes of Lino Ventura, Joseph Wiseman, Walter Chiari, Gerald S. O'Loughlin, Angelo Infanti and Amedeo Nazzari. Director Young does a steadily routine job, but it's well done for such a minimal and straight looking production. For a running time of just over two hours, never does it feel it or seem to drag. The workmanlike execution gives the air a brutal (one raw act of violence would have any male squirming) and hardboiled touch, crafting well etched period (through the 1930s) location details and a having profound power in its escalating dramatics. A violent, tough-talking gangster feature with fine cast associated.
    6claudio_carvalho

    The Rise and Fall of a Gangster

    The gangster Joseph "Joe" Valachi (Charles Bronson) has worked for the Mafia for more than thirty years in New York. When he has been imprisoned for fifteen years, he learns that the mobster Don Vito Genovese (Lino Ventura) is offering a reward for his life. Without any alternative other than stay in the solitaire, he accepts the DA offer of protection. In return, he has to disclose the secrets of the Cosa Nostra.

    "The Valachi Papers" is based on a true story and tells the rise and fall of a gangster from the Mafia. The role of Joseph Valachi is tailored for Charles Bronson and fans of gangster movie will certainly enjoy this film. My vote is six.

    Title (Brazil): "O Segredo da Cosanostra" ("The Secret of the Cosanostra")
    6bkoganbing

    The Singing Gangster

    Charles Bronson starts to break out of spaghetti westerns and good character roles and becomes a leading man around the time The Valachi Papers came out. It was a big milestone in his career, playing the most famous gangster stoolie of all.

    It's not quite true that all Valachi's testimony managed to do was get a lot of high television ratings for some re-election hungry Senators. Not that they didn't get it and didn't appreciate the side benefits of those famous televised hearings, but eventually what came out of the Valachi hearings was the RICO law which has in fact put quite a dent into organized crime.

    The Valachi Papers has Charles Bronson telling FBI man Gerald S. O'Loughlin about his life and times in organized crime with La Cosa Nostra from the days of the Marranzano-Masseria wars until the present which would have been 1962. He doesn't really tell anything new to them, basically he confirms what had been gangster legend about the circumstances of many a demise. But with some hard documentation now, new laws are created to meet the problem.

    Bronson does his best with Valachi, but the story has him pretty one dimensional. It's far from The Godfather where you really get inside the characters of the fictional Corleone family. Bronson sure has no conscience about what he did and I'm sure the real Valachi didn't either. In fact the only reason he turns informer is that Vito Genovese already mistakenly has him down as one.

    Fans of the gangster genre and Charles Bronson should give this one a look. Others should see The Godfather all three parts.
    6sol-kay

    I cannot bring back the dead but I can kill the living!

    (Minor Spoilers) Facing the death penalty for the murder of a fellow inmate Joe Saupp, whom he mistakenly thought was assigned to murder him, Mafia button man or soldier Joe Valachi, Charles Bronson, is now facing death from both the federal government and his boss Mafia Kingpin and fellow convict Vito Genovese, Lino Ventura, who put a $50,000.00, later $100,000.00, contract on his head.

    Don Vito the boss of bosses of the five New York Mafia families has been suspicious of his friend and mob associate Joe Valachi for some time of rating him out and setting him up in a government sting on a narcotic rap and has decided to have Valachi who had nothing to do with it hit. The final straw for Joe Valachi was when Don Vito gave him the "kiss of death" after he had a friendly talk with him in his prison cell.

    The movie "The Valachi Papers" is no where as good as movies about the Mafia like "The Godfather" or "Goodfellows" but has the distinction of being the very first Hollywood-made movie,as far as I know, to show the inner workings of the Mafia and it's secretive and shadow-like organization La Cosa Nosra; roughly meaning "our thing" in Italian.

    In protective custody and being prepped for the upcoming 1963 Sen. McClellan/Kennedy hearings on Organized Crime we and federal agent Ryan, Gerald S.O'Loughlin, get the truth about the Mafia/Cosa Nostra straight from the horses mouth Joe Valachi himself. In a long flashback Valachi takes us through the turbulent 1930's 40's and 50's when the mob went from a group of petty and unimaginative crime bosses to the powerful and well oiled crime machine that it eventually became.

    There are those who feel that Joe Valachi's claims of his being somehow involved with almost every major Mafia figurer over those 30 some years is a bit overdone and boastful on his part in order to give himself much more credit then he really deserves. The fact that his expert testimony didn't have a single Mafiso, from solider to mob boss, even indicted tends to confirm that. Still there's no denying that he was in fact the first made Mafia member to talk and expose what ever he knew about the crime syndicate that he was involved with. All that will always have his name, Joe Valachi, as a major force in exposing the Mafia to the unaware public despite his low standing, he never rose above a button man, in that crime organization.

    Charles Bronson did a better then average job as the Mafia thug Joe Valachi with him acting more then using his fists and his real-life. Bronson's wife Jill Ireland was more or less window dressing playing Valachi's wife in the movie Maria the daughter of Joe's boss Gaetano Reina, Amedeo Nazzani. The person who really stole the acting honors had to be Joseph Wiseman playing the first Mafia Boss of Bosses hyped-up Sal Maranzno. Wiseman was so tuned, or wired, into his role that he looked and acted like he was doing a stand-up comedy routine aided by downing a bottle of uppers. There was also the rest of the legendary "murderers row" of the mob in the movie that included Albert Anastasia Lucky Luciano & Joe "The Boss" Masseria played by Fausto Tozzi Angelo Infanti and Alessandro Sperll.

    Valachi a good soldier almost to the end broke from tradition and the Mafia code of "Morte" or silence. Thats when he saw that after all the hard work he did in dedicating his heart and soul to the Mafia he was given the short end of the stick by boss Vito Genovese for something he didn't do. It's then that Valachi spelled the end of the powerful mob organization that took the likes of Lucky Luciano and Meyer Lansky, incidentally a non-Italian, over thirty years to build. If Joe Valachi was only treated with more respect and understanding by the paranoid and homicidal Vito Genovese things may well have been different for all those represented in the movie.

    P.S Joe Valachi did in the end get his wish from the Federal Government by outliving his boss and the person who put a price on his head, for $100,000.00, Vito Genovese by almost two years. Joe Valachi died in prison in 1971 at age 67 of natural causes.
    9thinker1691

    " From this day onwards, Joe Valachi, you live by the gun and the knife "

    America has always been a land of opportunity. For the Italians, none more so than giving rise to an American icon, the Gangster. For many years, the U.S. government denied the existence of Organized crime. Even the top U.S. law enforcement officer and head of the famed Federal Bureau of Investigation, J.Edgar Hoover, denied such an organization existed. His apathy was due in part to his own shadowy complicity with the Giancana crime family. That's pretty much how it stayed until the advent of the McClellen commission. The movie " The Valachi Papers " is the direct result of that investigation and brought to the forefront of public awareness the vast network of the underworld's crime bosses and their families. The wellspring of that knowledge was none other than the most famous gangster since Al Capone, one, Joseph Valachi. His testimony, created a healthy respect and awe for the Mafia or as Valachi termed it, La Cosa Nostra. (Our thing) This movie is a compilation of his criminal life, dastardly deeds and the revelation of some of the nation's most notable names. Men like Vito Genovese, Anastasia, 'Lucky Luciano' Don Masseria and Marazano. The film is honest when it deals with its legendary brutality and bodies are left throughout the story including its most graphic moments. The end result is perhaps the best Mafia movie since the Godfather. ****

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In return for using the penitentiary grounds of the Sing Sing Correctional Facility, the production made a large contribution to the prison's recreation fund.
    • Goofs
      During the chase scene which takes place during the 1920s in New York, a car goes into the river and in the background the twin towers of the World Trade Center under construction can be clearly seen. This is one of the most famous period reconstruction mistakes in film history.
    • Quotes

      Tony Bender: "Cut it off!" Bender to his two henchman as they grab Gap to get a "present" for Don Vito's girlfriend.

    • Alternate versions
      To receive an 'X' certificate the UK cinema version received heavy cuts to scenes of violence including the castration scene, bloody shootings, and the meat hook killing. Video and DVD releases restore the cuts.
    • Connections
      Featured in Valachi: The Violent Era (1972)

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    Details

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    • Release date
      • December 7, 1972 (France)
    • Countries of origin
      • Italy
      • France
    • Languages
      • English
      • Italian
      • Latin
    • Also known as
      • Die Valachi-Papiere
    • Filming locations
      • New York City, New York, USA
    • Production companies
      • Dino De Laurentiis Company
      • Euro-France Films
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $5,000,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 5 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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