7.8/10
42,664
192 user 99 critic

Cabaret (1972)

Trailer
2:58 | Trailer

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A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them.

Director:

Bob Fosse

Writers:

Joe Masteroff (based on the musical play "Cabaret" book by), John Van Druten (based on the play by) | 2 more credits »
Reviews
Popularity
4,128 ( 33)
Won 8 Oscars. Another 27 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Liza Minnelli ... Sally Bowles
Michael York ... Brian Roberts
Helmut Griem ... Maximilian von Heune
Joel Grey ... Master of Ceremonies
Fritz Wepper ... Fritz Wendel
Marisa Berenson ... Natalia Landauer
Elisabeth Neumann-Viertel ... Fraulein Schneider
Helen Vita ... Fraulein Kost
Sigrid von Richthofen Sigrid von Richthofen ... Fraulein Mayr (as Sigrid Von Richthofen)
Gerd Vespermann Gerd Vespermann ... Bobby
Ralf Wolter Ralf Wolter ... Herr Ludwig
Georg Hartmann Georg Hartmann ... Willi
Ricky Renée Ricky Renée ... Elke (as Ricky Renee)
Estrongo Nachama Estrongo Nachama ... Cantor
Kathryn Doby Kathryn Doby ... Kit-Kat Dancer
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Storyline

Cambridge University student Brian Roberts arrives in Berlin in 1931 to complete his German studies. Without much money, he plans on making a living teaching English while living in an inexpensive rooming house, where he befriends another of the tenants, American Sally Bowles. She is outwardly a flamboyant, perpetually happy person who works as a singer at the decadent Kit Kat Klub, a cabaret styled venue. Sally's outward façade is matched by that of the Klub, overseen by the omnipresent Master of Ceremonies. Sally draws Brian into her world, and initially wants him to be one of her many lovers, until she learns that he is a homosexual, albeit a celibate one. Among their other friends are his students, the poor Fritz Wendel, who wants to be a gigolo to live a comfortable life, and the straight-laced and beautiful Natalia Landauer, a Jewish heiress. Fritz initially sees Natalia as his money ticket, but eventually falls for her. However Natalia is suspect of his motives and cannot ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Life is a Cabaret See more »

Genres:

Drama | Musical

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German | Hebrew | French

Release Date:

13 February 1972 (USA) See more »

Also Known As:

Кабаре See more »

Filming Locations:

Biergarten, Bavaria, Germany See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$42,765,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

When Brian thrusts the plate of cake at Sally, the cake slides off the plate and slips down to her lap. In the next shot the cake is up on her chest. See more »

Quotes

[describing a telegram from her father]
Sally: Ten words exactly. After ten it's extra. You see, Daddy thinks of these things. If I had leprosy, there'd be a cable: "Gee, kid, tough. Sincerely hope nose doesn't fall off. Love."
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Crazy Credits

Opening credits prologue: Berlin 1931 See more »

Alternate Versions

The bit of "Tomorrow Belongs to Me" with a chorus of Hitler Youth singing the song was cut when the film was first released in West Berlin. When the film aired on television there in 1976, the cuts were reinstated. See more »

Connections

Referenced in The Crazy Ones: Love Sucks (2014) See more »

Soundtracks

If You Could See Her
Written by John Kander and Fred Ebb
Sung by Joel Grey
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Frequently Asked Questions

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User Reviews

 
An eerie, glowing tinderbox full of grinning souls and desperate laughter...
4 December 2005 | by moonspinner55See all my reviews

Pre-Nazi Germany is a hotbed of escalating tensions, but decadent nightclub performer Sally Bowles is oblivious to the encroaching horrors. If you know a little about Liza Minnelli and you're curious, "Cabaret" should make you a fan; if you're not interested or just don't like her, "Cabaret" probably isn't the movie for you. Liza is the heart, soul, and centerpiece of the picture; when she's on-screen, everybody else is irrelevant. Movie-fans still discuss whether Liza was actually acting the role of Sally Bowles or just being herself (her Oscar-win still draws debates--Diana Ross in "Lady Sings The Blues" is oft-times described as 'robbed' for the Best Actress statue). Indeed, time has proved that Minnelli had a whole lot in common with Sally, the parallels are even echoed in much of the dialogue, but this part utilizes her entire range (sarcastic sass, vulnerable imp, high-powered musical presence) and she's fabulous. She doesn't do anything small, even her quiet moments are extraordinary. Her final speech to Michael York ("How soon would it be before we started hating each other?") is a knockout, as good as any of her musical numbers, and when he lashes out in anger, she sighs, "If you wanna hit me, why don't'cha just hit me?" She can be fragile and wounded, but it's in her spirit to get right back up and perform. The film is a burlesque nightmare, amazingly directed by Oscar winner Bob Fosse, who also choreographed the musical numbers, and photographed by Geoffrey Unsworth, another Oscar recipient. ***1/2 from ****


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