
The Bitter Tears of Petra von Kant (1972)
Die bitteren Tränen der Petra von Kant (original title)Reference View | Change View
- Not Rated
- 2h 4min
- Drama, Romance
- 05 Oct 1972 (West Germany)
- Movie
- 3 wins & 3 nominations.
- See more »
Photos and Videos
Cast verified as complete
Margit Carstensen | ... |
Petra von Kant
(as Margit Cartensen)
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Hanna Schygulla | ... |
Karin Thimm
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Katrin Schaake | ... |
Sidonie von Grasenabb
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Eva Mattes | ... |
Gabriele von Kant
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Gisela Fackeldey | ... |
Valerie von Kant
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Irm Hermann | ... |
Marlene
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Directed by
Rainer Werner Fassbinder |
Written by
Rainer Werner Fassbinder | ... | (play) |
Rainer Werner Fassbinder | ... | (screenplay) |
Produced by
Rainer Werner Fassbinder | ... | producer |
Michael Fengler | ... | producer |
Cinematography by
Michael Ballhaus |
Editing by
Thea Eymèsz |
Production Design by
Kurt Raab |
Costume Design by
Maja Lemcke |
Makeup Department
Peter Müller | ... | makeup artist |
Margarethe Ullmann | ... | hair stylist |
Production Management
Margot Hirschmüller | ... | production manager |
Karl Scheydt | ... | unit manager |
Second Unit Director or Assistant Director
Harry Baer | ... | assistant director (as Harry Bär) |
Kurt Raab | ... | assistant director |
Sound Department
Gunther Kortwich | ... | sound (as Gustav Kortwich) |
Harry Rausch | ... | assistant sound |
Camera and Electrical Department
Peter Gauhe | ... | still photographer (as Peter Gaue) |
Ekkehard Heinrich | ... | lighting technician |
Klaus Jahnel | ... | assistant camera |
Script and Continuity Department
An Dorthe Braker | ... | script supervisor (as Andorthe Braker) |
Additional Crew
El Hedi ben Salem | ... | production help (as Salem El Hedi) |
Andreas Schimek | ... | production help |
Production Companies
Distributors
- Filmverlag der Autoren (1972) (West Germany) (theatrical)
- Cinegate (1972) (United Kingdom) (theatrical) (subtitled)
- New Yorker Films (1973) (United States) (theatrical) (subtitled)
- Studio Films (1977) (Australia) (theatrical) (subtitled)
- Yleisradio (YLE) (1977) (Finland) (tv)
- Filmes Castello Lopes (1981) (Portugal) (theatrical)
- Lab 80 Film (1982) (Italy) (theatrical)
- Palace Video (1982) (United Kingdom) (VHS) (subtitled)
- Homescreen (1994) (Netherlands) (VHS)
- e-m-s the DVD-Company (2002) (Germany) (DVD) (special edition)
- Homescreen (2005) (Netherlands) (DVD)
- Atlantic Film (2011) (Finland) (DVD) (8-disc Fassbinder Collection)
- Ripley's Film (2011) (Italy)
- Ripley's Home Video (2015) (Italy) (DVD)
- The Criterion Collection (2015) (United States) (DVD) (subtitled)
- VIGGO (2017) (Italy)
- Carlotta Films (2018) (France) (theatrical) (re-release) (restored version)
- HBO Max (2020) (United States) (video) (VOD)
- Leopardo Filmes (2022) (Portugal)
Special Effects
Other Companies
Storyline
Plot Summary |
Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. Some time ago, she divorced the husband she no longer loved. Until recently, she has been in a fairly satisfactory S and M relationship with Marlene (her secretary, maid, and co-designer). She mistreats her. Enter Karin, a 23-year-old beauty who wants to be a model. She falls in love with Karin and invites her to move in. The rest of the film deals with the emotions of this affair and its aftermath. Fassbinder tells his story in a series of 5 or 6 long scenes with extended uses of a single camera shot and deep focus.
Written by |
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Taglines | Sex is the ultimate weapon. See more » |
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Parents Guide | View content advisory » |
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Box Office
Budget | DEM325,000 (estimated) |
Did You Know?
Trivia | Rainer Werner Fassbinder wrote the entire screenplay for the film by hand during a single 12-hour flight from Berlin to Los Angeles. See more » |
Movie Connections | Featured in Fassbinder in Hollywood (2002). See more » |
Soundtracks | The Great Pretender See more » |
Crazy Credits | Follows Opening Film Title: "Gewidmet dem, der hier Marlene wurde (Dedicated to the one who became Marlene here)." See more » |
Quotes |
Petra von Kant:
I think people need each other, they're made that way. But they haven't learnt how to live together. See more » |