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Chloe in the Afternoon (1972)

L'amour l'après-midi (original title)
Though he has an adoring wife, a bourgeois man is still tempted to pursue other women.

Director:

Éric Rohmer

Writer:

Éric Rohmer
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Cast

Cast overview, first billed only:
Bernard Verley ... Frédéric
Zouzou ... Chloé
Françoise Verley Françoise Verley ... Hélène
Daniel Ceccaldi ... Gérard
Malvina Penne Malvina Penne ... Fabienne
Elisabeth Ferrier Elisabeth Ferrier ... Martine (as Babette Ferrier)
Tina Michelino Tina Michelino ... The Passenger
Jean-Louis Livi Jean-Louis Livi ... The Colleague
Pierre Nunzi Pierre Nunzi ... The Salesman
Irène Skobline Irène Skobline ... The Saleslady
Frédérique Hender Frédérique Hender ... Mme. M.
Claude-Jean Philippe Claude-Jean Philippe ... Mr. M.
Silvia Badescu Silvia Badescu ... The Female Student
Claude Bertrand Claude Bertrand ... The Male Student
Sylvaine Charlet Sylvaine Charlet ... The Landlady
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Storyline

The last of Rohmer's Six Moral Tales. Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

R | See all certifications »
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Details

Country:

France

Language:

French

Release Date:

1 September 1972 (France) See more »

Also Known As:

Chloe in the Afternoon See more »

Filming Locations:

Paris, France

Company Credits

Production Co:

Les Films du Losange See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Finnish censorship visa # 81209 delivered on 14-12-1972. See more »

Quotes

[first lines]
Frédéric: Mommy's coming.
See more »

Connections

Follows My Night at Maud's (1969) See more »

Frequently Asked Questions

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User Reviews

 
Intriguing story about love and monogamy
7 August 2001 | by Dennis LittrellSee all my reviews

Veteran French actor Bernard Verley stars as Frederic who is the kind of man who loves women with a great passion, but finds that he can direct all that love physically into one woman. Chloe is a woman, cynical about men, confident of her power of seduction, a woman who never wants to marry. They were friends and now they meet again. He is married, a successful businessman. She is single, living from day to day. What will happen? Will she entice him away from his wife? Will he find the French happiness with a wife and a mistress?

The title, while good, is misleading, as is the sexy cover on this video. (The French title, L'amour l'apres-midi, is better; but that title in English was taken by Love in the Afternoon (1957) starring Gary Cooper and Audrey Hepburn.) This is about as sexy as a Disney movie (although there is some backside nudity), yet it is an intriguing story about love, human sexuality and the question of monogamy. I can already see some of the other reviews: "Too talky." "Endless talk and no action." Ah, but they are wrong. This is a fascinating film in which the action is subtle and true and very interesting.

Francoise Verley plays Frederic's wife. She is not nearly as pretty as he thinks she is. Nor is she as removed from his life away from her as he naively believes. Eric Rohmer's subtle direction makes it clear that she knows more than she will ever tell him, that she loves him and perhaps prays that he still loves her. But she is above saying a single word. One gets the sense that she knows he is a man so attractive to other women that it is inevitable that he will stray. But does he? The final scene in which we know why she is crying--although ironically, he does not--is just beautifully done and ends the movie at exactly the right moment.

Zouzou plays Chloe who is Parisian, bohemian and quietly desperate. As usual with Rohmer there is a kind of realism in the movie that defies description. The people and the scenes and the events are real; there is no straining for effect, and everything is understated with a characteristic Rohmerian message about human nature.

This starts slow and never really speeds up, but do yourself a favor and stay with it. The denouement is beautifully turned and the revelation of the three principal characters is as clear and clean and agreeable as Chloe after her shower.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)


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