Aguirre, the Wrath of God (1972)

In the 16th century, the ruthless and insane Don Lope de Aguirre leads a Spanish expedition in search of El Dorado.

Director:

Werner Herzog

Writer:

Werner Herzog

Stars:

Klaus Kinski, Ruy Guerra, Helena Rojo

4 wins & 3 nominations.

Cast

Complete credited cast:
Klaus Kinski	...	Don Lope de Aguirre
Helena Rojo	...	Inez de Atienza
Del Negro	...	Brother Gaspar de Carvajal
Ruy Guerra	...	Don Pedro de Ursua
Peter Berling	...	Don Fernando de Guzman
Cecilia Rivera	...	Flores
Daniel Ades	...	Perucho
Edward Roland	...	Okello
Alexandra Cheves	...	(as Alejandro Chavez)
Armando Polanah	...	Armando
Daniel Farfán
Julio E. Martínez	...	(as Julio Martinez)
Alejandro Repullés	...	Gonzalo Pizarro
Indianern der Kooperative Lauramarca

Storyline

A few decades after the destruction of the Inca empire, a Spanish expedition leaves the mountains of Peru and goes down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirres, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to "the golden city", or to certain destruction?

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Plot Keywords:

el dorado | conquistador | megalomaniac | 1560s | spanish | 

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Taglines:

On this river, God never finished his creation.

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Genres:

Adventure | Biography | Drama | History

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Certificate:

Not Rated

Details

Country:

West Germany Mexico Peru

Language:

English Quechua Spanish German

Release Date:

3 April 1977 (USA)

Also Known As:

Aguirre, the Wrath of God

Filming Locations:

Huayna Picchu, Peru

Box Office

Budget:

$370,000 (estimated)

Company Credits

Production Co:

Werner Herzog Filmproduktion, Hessischer Rundfunk (HR)

Technical Specs

Runtime:

95 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

According to Werner Herzog, Klaus Kinski threatened to abandon the film entirely at one point during the shooting over Herzog's refusal to fire a sound assistant. Herzog says he threatened to kill Kinski and then turn the gun on himself if Kinski left - and later declared he was quite prepared to do so, knowing that the authorities would write it off as a hunting accident. Kinski stated in interviews that Herzog wielded a pistol to emphasize the threat, but Herzog denies this.

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Goofs

In the first scene of the movie the characters was walking on Huayna Picchu on 1560, but this location was discovered only in 1911 by the American historian Hiram Bingham.

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Quotes

Don Lope de Aguirre: When we reach the sea, we'll build a bigger ship and sail north to take Trinidad from the Spanish crown. Then we'll sail on and take Mexico away from Cortes. What great treachery that will be! Then we shall control all of New Spain and will produce history as others produce plays.

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Alternate Versions

The original released version is spoken in German. The actors spoke a variety of languages on set (including English), and the lines had to be re-recorded in post-production in the final language. Because of this, the dubbed English version is preferred by some.

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Connections

Featured in The South Bank Show: Werner Herzog (1982)

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Soundtracks

Aguirre, Der Zorn Gottes (Lacrime Di Re)
Written by Florian Fricke
Performed by Popol Vuh
Published by Edition Intro Meisel
Courtesy of Gammarock Music

User Reviews

Incredibly intense film

AGUIRRE: THE WRATH OF GOD (Werner Herzog - West Germany 1972).

Herzog's daring and unconventional approach in film-making is something very few filmmakers can match. Due to the incredible hardships while filming on location in the Amazonian jungle, the myth surrounding AGUIRRE has almost outgrown the virtues of the film itself and over the years it has become an almost integral part when (re)viewing this film, even more so since Herzog's documentary MY BEST FIEND (1999) was released about his relationship with "best enemy" and star in many of his films, Klaus Kinski.

A mesmerizing exploration of human obsession based on the diaries of Gaspar de Varvajal, a monk who accompanied Gonzalez Pizarro (half-brother of the brutal conqueror of the Incas) and died during the expedition, the film chronicles Pizarro's 1560 Peruvian expedition in search of the legendary city of gold, El Dorado. When the expedition is faltering by the difficult terrain, Pizarro decides to send a small party ahead to determine if exploration should continue. Though Don Pedro de Ursua (Ruy Guerra) is put in charge, he is soon challenged by the ambitious fanatical Aguirre (Klaus Kinski), who against all odds wants the journey to continue, with catastrophic consequences.

One of the key elements in Herzog's work is the use of landscape and the natural surroundings. The Amazonian jungle is a key third dimension in the film and really is a green hell, threatening and unforgiven. There's no romanticism in Herzog's view of nature. The continuing sounds of the running water and the birds are just as important for the story and the despair of Aguirre's men as the ambient electronic soundtrack by the German ensemble Popol Vuh, the ultimate modern and very German pioneers in electronic music, mixing choral chants with electronic samples and organ music. To me it is simply astonishing Herzog decided to use their in a film about 16th century Spanish explorers shot on location in the Amazon and somehow it works wonderfully, a perfect blend of image and sound. Hard to identify a very important element of the "natural soundtrack": what's the name of the bird that produces this whistling shriek, that is heard almost continuously in the background and is one of the most recognizable sounds of Neo-tropical rain forests? A Quetzal?

Klaus Kinski's performance is a perfect match for Aguirre's descent into madness, eerily resemblant to Kinski's own Mad Kraut persona and well-published rampant behavior on the set and his misconduct in general actually. Watching the film for the first time with audio commentary by Herzog and he revealed many things I never heard before. One of the strangest anecdotes is not really about the film itself but is, well..truly one of the most bizarre things I ever heard.

Before the shooting started, Herzog and his crew were boarding for the plane that would bring them from Lima to Cuzco when the airplane had some technical problems. Since the airline company in question already had two or three serious accidents not long before, they decided to wait and take the next plane. Repaired or not, the plane left off anyway and crashed in the Amazonian jungle with the only survivor a young German woman, Juliane Koepcke. After weeks she finally reached a remote Indian village, malnourished, an almost fatal larval infection, close to death. Later Herzog would make a documentary about this, JULIANES STURZ IN DEN DSCHUNGEL (English title: Wings of Hope) (2000). Besides the already astonishing, many times near-fatal accidents and Kinski's impossible madman behavior, this film seemed doomed from the start, like an old curse from the Incas.

For those less familiar with Herzog's work, FITZCARRALDO (1982), also by Herzog and shot under equally horrendous conditions in the Peruvian jungle, would make a good companion piece. For Herzog's relationship with Kinski there is the interesting documentary MEIN LIEBSTER FEIND (My best fiend) (1999).

Camera Obscura --- 10/10