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Across 110th Street (1972)

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Two New York City cops go after amateur crooks who are trying to rip off the Mafia and start a gang war.

Director:

Barry Shear

Writers:

Luther Davis (screenplay), Wally Ferris (novel)
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Cast

Cast overview, first billed only:
Frank Adu Frank Adu ... Black Assistant
Frank Arno Frank Arno ... Detective Rizzo
Joseph Attles Joseph Attles ... Mr. Jessup (as Joe Attles)
Paul Benjamin ... Jim Harris
Ed Bernard Ed Bernard ... Joe Logart
Tina Beyer Tina Beyer ... Black Whore
Gerry Black Gerry Black ... Patrolman
Samual Blue Jr. Samual Blue Jr. ... Dr. Christmas
Norman Bush Norman Bush ... Bartender
Anthony C. Cannon Anthony C. Cannon ... Sal (as Anthony Cannon)
Maria Carey Maria Carey ... Maria
Anthony Charnota Anthony Charnota ... Frank
Dick Crockett Dick Crockett ... Patrolman
Keith Davis Keith Davis ... Cab Driver
George DiCenzo ... Patrolman (as George Di Cenzo)
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Storyline

In Harlem, two Italian mobsters meet three black gangsters that work to the kingpin Doc Johnson to collect dirty money from their associates in an apartment building. Out of the blue, the smalltime thieves Jim Harris and Joe Logart knock on the door disguised as police officers to steal US$ 300,000.00 from the Mafia. However, they startle when the suitcase with the money falls on the floor and Jim kills the five men with a machine gun. They flee to the runaway car driven by Henry J. Jackson and they kill two policemen. The idealist NYPD Lt. Pope and the violent Capt. Mattelli investigate the case while the Italian Mafia and the black gangsters hunt the killers down. Will Jim Harris and his accomplices be found? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

If you steal $300,000 from the mob, it's not robbery. It's suicide.


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 March 1973 (Finland) See more »

Also Known As:

110-Ban machi kôsaten See more »

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Box Office

Gross USA:

$10,000,000, 31 December 1973

Cumulative Worldwide Gross:

$10,000,000, 31 December 1973
See more on IMDbPro »

Company Credits

Production Co:

Film Guarantors See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono

Color:

Color (TVC)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

A sequel, "Mother Harlem", was announced in 1974 but never materialized. See more »

Goofs

About 18 minutes into the movie, a cameraman can clearly be seen in the mirror. See more »

Quotes

Henry J. Jackson: Mm! Shazam! GodDAMN!
See more »

Alternate Versions

The original UK cinema version was cut by the BBFC with edits made to nearly all the fight scenes and shots of beatings, and heavy cuts to shootings and a man on fire during the climax. All later releases were uncut. See more »

Connections

Featured in WatchMojo: Top 10 Blaxploitation Movies (2016) See more »

Soundtracks

Do It Right
(uncredited)
Written by Bobby Womack
Performed by Bobby Womack
See more »

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User Reviews

 
Great gangster depiction from the early 70's
25 July 2002 | by Bogey ManSee all my reviews

Barry Shear directed and Luther Davis wrote (after a novel by Wally Ferrsi) Across 110th Street in 1972 and the film stars Anthony Quinn as Mattelli and Yaphet Kotto as Pope. Pope and Mattelli are two police detectives, Mattelli white and Pope black, who investigate a bloody machine gun murder that took place in Harlem, in a location in which there rarely are any white people doing something else than business. Somebody stole big amount of Italian mafia's money and it all ended up in the bloody shoot out, and only the thieves got away alive. The two lead characters try to solve this thing before it is too late, since the mafia is willing to use violent ways in order to get its money back..This is a premise for this classic film.

I really love the atmosphere in this film since it is something that totally lacks in most of today's films. The setting in Harlem is very ugly, dirty and gritty and therefore true to life. This film doesn't hide anything, it shows the true faces of life in this big city and all the diseases from prostitution to murder that live inside it. This film is pretty close to Don Siegel's masterpiece, Dirty Harry (1971) which also showed very gritty urban setting without any bit of humor or something to ease the realistic and merciless atmosphere. The photography is also very great and technically there are no worth mentioning flaws in this film. The action scenes are exciting - albeit not too plenty - and everything in this film is as powerful and effective as the director and screenwriter intended to.

The most tragic character is Quinn's Mattelli, who is 55 and not so willing to continue his life in police and with all this scum. Kotto's character is younger and still willing to keep on, but at the end of the movie, he may have another thoughts about his life, too. The end scene is very powerful and memorable mostly because it is so tragic and sad and also intelligent and thought-provoking. The whole last 10 minutes is very remarkable as the tension is in top and no one knows how this will end and, more importantly, who will be alive at the end. Bullets when fired do their jobs and never leave anyone alive in this violent and greedy world.

The performances are totally wonderful, and I personally like Quinn the most in this difficult film. He acts very convincingly and has some hard scenes and segments, which show his abilities as an actor. The violence despite being brutal in mental way, is very strong physically, too, as the mafia tortures people without remorse in order to reach its target, but also they should have finished before it became too late. Violence and crime never pays, and this is again one movie to depict and tell about it. This film may not be too "graphically violent" by today's video game and R rating standards, but compared to most of today's films, violence is far stronger and emotionally challenging in this honest film, which never glamorizes its brutality with stupid one liners and humor efforts. This is among the most realistic crime films I've ever seen. The moneybag at the end leaves some hope for tomorrow, even though the hope is for most of the protagonists themselves too late.

Across 110th Street has some pretty non-believable scenes and segments, which are not explained too carefully and seem little unconvincing, but they are very few and are easy to forgive after all the merits and positive things this film gives. This film is as classic as Dirty Harry and I give this 9/10 rating and recommend it very highly for lovers of gritty gangster and crime films, which never have any stupid efforts to amuse and entertain the audience with humor or other popcorn methods.


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