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Across 110th Street (1972)

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2:56 | Trailer
Two New York City cops go after amateur crooks who are trying to rip off the Mafia and start a gang war.

Director:

Barry Shear

Writers:

Luther Davis (screenplay), Wally Ferris (novel)
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Cast

Cast overview, first billed only:
Robinson Frank Adu Robinson Frank Adu ... Black Assistant (as Frank Adu)
Frank Arno Frank Arno ... Detective Rizzo
Joseph Attles Joseph Attles ... Mr. Jessup (as Joe Attles)
Paul Benjamin ... Jim Harris
Ed Bernard Ed Bernard ... Joe Logart
Tina Beyer Tina Beyer ... Black Whore
Gerry Black Gerry Black ... Patrolman
Samual Blue Jr. Samual Blue Jr. ... Dr. Christmas
Norman Bush Norman Bush ... Bartender
Anthony C. Cannon Anthony C. Cannon ... Sal (as Anthony Cannon)
Maria Carey Maria Carey ... Maria
Anthony Charnota Anthony Charnota ... Frank
Dick Crockett Dick Crockett ... Patrolman
Keith Davis Keith Davis ... Cab Driver
George DiCenzo ... Patrolman (as George Di Cenzo)
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Storyline

In Harlem, two Italian mobsters meet three black gangsters that work to the kingpin Doc Johnson to collect dirty money from their associates in an apartment building. Out of the blue, the smalltime thieves Jim Harris and Joe Logart knock on the door disguised as police officers to steal US$ 300,000.00 from the Mafia. However, they startle when the suitcase with the money falls on the floor and Jim kills the five men with a machine gun. They flee to the runaway car driven by Henry J. Jackson and they kill two policemen. The idealist NYPD Lt. Pope and the violent Capt. Mattelli investigate the case while the Italian Mafia and the black gangsters hunt the killers down. Will Jim Harris and his accomplices be found? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

If you steal $300,000 from the mob, it's not robbery. It's suicide.


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 March 1973 (Finland) See more »

Also Known As:

Across 110th Street See more »

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Box Office

Gross USA:

$10,000,000

Cumulative Worldwide Gross:

$10,000,000
See more on IMDbPro »

Company Credits

Production Co:

Film Guarantors See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono

Color:

Color (TVC)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Anthony Quinn hoped to cast Sidney Poitier as Lt. Hope, Harry Belafonte as Jim Harris and Sammy Davis Jr. as Henry J. Jackson. However, the community of Harlem objected to these choices, as they were from Hollywood and not the city streets, so they doubted their ability to accurately portray city life. Quinn relented. See more »

Goofs

About 18 minutes into the movie, a cameraman can clearly be seen in the mirror. See more »

Quotes

Jim Harris: Look at me, huh. Look at me! You're looking at a 42 year old ex-con nigga with no schooling, no trade, and a medical problem! Now who the hell would want me for anything but washing cars or swinging a pick? You gotta get your mind out of that white woman's dream!
See more »

Alternate Versions

The original UK cinema version was cut by the BBFC with edits made to nearly all the fight scenes and shots of beatings, and heavy cuts to shootings and a man on fire during the climax. All later releases were uncut. See more »

Connections

Featured in WatchMojo: Top 10 Blaxploitation Movies (2016) See more »

Soundtracks

If You Don't Want My Love
(uncredited)
Written by Bobby Womack
Performed by Bobby Womack
See more »

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User Reviews

 
Harlem at its most Hellish ...
9 April 2009 | by CoventrySee all my reviews

Unlike in most reviews there are to find on "Across 110th Street", I will try not to participate in the debate about whether or not the film classifies as a genuine Blaxploitation effort. I will, however, elaborate as much as I can on all the things that "Across 110th" does represent … and that is quite a lot! This is a bona fide gritty, vile, uncompromising and unceasingly violent action-thriller from the glorious early 70's. It's a hardcore-to-the-bone tale of corruptness and survival with solid acting performances and a tight screenplay, yet without pushy morality lessons or unnecessary sentimental interludes. "Across 110th Street" is arguably the best Blacks Vs Italians thriller ever made, and this intervened with a strong story about two completely unmatchable cops that are forced to work together results in an unimaginably powerful and unforgettable movie; albeit one that only can be enjoyed by people with strong stomachs and nerves of steel as the bloodshed is relentless and the level of suspense is unremitting. Petty thief Jim Harris and his two accomplices decide to steal a large sum of money from the Italian Mafiosi that are running the show in Harlem. The heist goes terribly wrong, though, and Harris kills no less than five gangsters and two police officers. The Italians send their most lethal psychopath to Harlem and the black gangster community organizes their own manhunt as well. Meanwhile the police force deals with internal racial issues. The aging and corrupt but veteran Captain Mattelli is forced to hand over the investigation to Lieutenant Pope, who's fresh out of university and still full of ideals. This is one of the grittiest and frighteningly realistic depictions of the crime-infested New York City district during the early 70's. There are hardly any amiable characters in the entire film, the ambiance is constantly on the verge of depressing and the downbeat ending comes a massive slap in the face. The racial tension between the "main" police officer characters is always present and noticeable, yet moral values and speeches are never shoved down the viewers' throats. The performances are incredible, particularly Anthony Franciosa as the crazed mafia killer and Paul Benjamin as the small thief turned murderer. But the utmost respect is for Anthony Quinn, for courageously illustrating a dismal and raw cop-character with his status in Hollywood. The soul soundtrack is amazing and the actual Harlem filming locations make the film all the more authentic. Barry Shear's direction is surefooted and tight, and I can't believe I haven't checked out some of his other work yet. I still have a copy of "The Todd Killings" lying around, so I hope it's as masterful as this film!


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