A privileged British family consisting of a mother, a geologist father and an adolescent daughter and son, live in Sydney, Australia. Out of circumstance, the siblings, not knowing exactly where they are, get stranded in the Outback by themselves while on a picnic. They only have with them the clothes on their backs - their school uniforms - some meagre rations of nonperishable food, a battery-powered transistor radio, the son's satchel primarily containing his toys, and a small piece of cloth they used as their picnic drop-cloth. While they walk through the Outback, sometimes looking as though near death, they come across an Australian boy who is on his walkabout, a rite of passage into manhood where he spends months on end on his own living off the land. Their largest problem is not being able to verbally communicate. The boy does help them to survive, but doesn't understand their need to return to civilization, which may or may not happen based on what the Australian boy ends up ...Written by
Jenny's stockings variously disappear and reappear with no continuity. It seems earlier scenes with her wearing them are intermingled with later scenes where she doesn't wear them. See more »
That's the trouble with all these series. You always know the superhero is going to get away with it. That's the trouble with Batman and in The Saint. You always know he's going to win all the fights in the end. That's the trouble with all these series. Even Bugs Bunny wins all the time! If we were superheroes, we would definitely win.
Are we superheroes?
I don't know. I hope so.
So do I.
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After the credits, there is a flash of white light on the screen and as it becomes a black screen, radio tuning is heard while the words "rien ne va plus" are shown. See more »
A version screened by the BBC in the early 80s featured some Easy-Rider style scene transitions (rapid cuts back and forth) not found in the other cuts. See more »
Goodness gracious it's amazing how many reviewers missed the most obvious aspect of the film. This tale is about innocence and it approaches that from many different angles. As for Roeg practicing camera tricks-maybe today these are tricks but at the time the style was a pioneering method of telling and showing psychological elements, wasted on todays audiences. Roeg presents innocence in juxtaposition with the hardness and neuroses of society, not as WHITEMAN BAD but as society, modern society makes us very neurotic by taking away our innocence. Roeg makes an brilliant point and stylizes a mostly nonverbal experience by letting us journey with children all on the cusp of some new stage of growth. This movie is a small masterpiece!!
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