A psychiatrist, living in Vienna, enters a torrid relationship with a married woman. When she ends up in the hospital from an overdose, an inspector becomes set on discovering the demise of their affair.
A privileged British family consisting of a mother, a geologist father and an adolescent daughter and son, live in Sydney, Australia. Out of circumstance, the siblings, not knowing exactly where they are, get stranded in the Outback by themselves while on a picnic. They only have with them the clothes on their backs - their school uniforms - some meagre rations of nonperishable food, a battery-powered transistor radio, the son's satchel primarily containing his toys, and a small piece of cloth they used as their picnic drop-cloth. While they walk through the Outback, sometimes looking as though near death, they come across an Australian boy who is on his walkabout, a rite of passage into manhood where he spends months on end on his own living off the land. Their largest problem is not being able to verbally communicate. The boy does help them to survive, but doesn't understand their need to return to civilization, which may or may not happen based on what the Australian boy ends up ...Written by
Jenny's stockings variously disappear and reappear with no continuity. It seems earlier scenes with her wearing them are intermingled with later scenes where she doesn't wear them. See more »
[last lines - from "Poem XL" by A.E. Housman's "A Shropshire Lad"]
Into my heart an air that kills, From yon far country blows: What are those blue remembered hills, What spires, what farms are those? That is the land of lost content, I see it shining plain, The happy highways where I went, And cannot come again.
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After the credits, there is a flash of white light on the screen and as it becomes a black screen, radio tuning is heard while the words "rien ne va plus" are shown. See more »
To receive a 'AA' (14 and over) UK cinema certificate the BBFC requested cuts to remove full frontal nude shots of the girl during the swimming scene. However the cuts were rescinded upon appeal and the film was released uncut. See more »
In the late sixties and early seventies there was an unusual kind of excitement when you went to the movies. It probably had not happened since movies were first invented and has not happened since in commercial theatrical releases. This was the feeling of "I don't know what is going to happen next"! What happened one day was completely unexpected when I first saw the opening of "Walkabout". The introduction gave almost no clue as to what was to come next, but it was visually and aurally fascinating. The rapidity in which the plot shifted gears made you more sympathetic to the plight of our main characters. The sudden appearance of the Aborigine boy in the nick of time and his taking them under his wing. Then surprises of all surprises--our heroine does many nude scenes. Then her final look of yearning at the end suddenly explains it all. All the while Roeg is doing a travelogue of the Australian outback. This movie is pure genius from beginning to end. A must for any movie collection.
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