Pitch black comedy about a young nihilistic New Yorker coping with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia and ethnic-racial conflict during a typical summer of the 1970s.
During summer vacation on Fire Island, three young people--a girl and two guys--become so close that they form a sort-of threesome. When an uncool girl tries to infiltrate the trio's newly ... See full summary »
An idealistic rookie cop joins the L.A.P.D. to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
They Might be Giants chronicles the adventures of Sherlock Holmes and Dr. Watson in modern-day New York City. The fact that Sherlock Holmes is a psychotic paranoid and Dr. Watson is a female psychiatrist fascinated by his case is almost beside the point. Dr. Watson follows Holmes across Manhattan and is, against her better judgment, drawn into the master detective's world of intrigue and danger. This is a sweet, goofy and fairly romantic film that asks the questions "Whose reality is right...and does it really matter?"Written by
John Gerrath <firstname.lastname@example.org>
The genesis of this film is unusual, as James Goldman's original play, dating from the early-60s, had never been produced anywhere in the United States by the time the film was made. Goldman had reworked it several times, and there had been a short-run production of it in London in 1961, directed by Joan Littlewood at her famous Stratford East theater, far away from the West End. Harry H. Corbett had played the lead. Goldman was still dissatisfied, but, after the great success in 1968 of the film version of his subsequent play "The Lion In Winter", he and its director Anthony Harvey found themselves being lauded in Hollywood and asked if they might have any ideas for a future collaboration. Goldman had another go at revising his play as a film script, now setting it in New York streets and creating many new characters. The film was not a success, although it has become a cult favorite. See more »
When Scott and Woodward are riding in a taxi, from his angle the cab is stopped; from her angle the cab is moving. See more »
Closing credits epilogue: The human heart can see what is hidden to the eyes, and the heart knows things that the mind does not begin to understand. See more »
The original theatrical release length of the film was 98 minutes. None of the streaming or DVD versions (save for the US Anchor Bay release) currently available include the full film; the Netflix version runs 91:15 and the Universal DVD on demand runs only 84 minutes. The penultimate scene in the grocery store is missing in these versions. See more »
I stumbled across this sleeper on cable years ago. I was familiar with Scott's heavy roles, but was absolutely blown away by his portrayal of a charming, self-convinced character who thought he was Sherlock Holmes. The way his face lit up when he met Joanne Woodward's Dr. Watson was one of my favorite movie "moments" of all time.
I am writing this on learning of his passing. While not his greatest movie, it deserves watching almost as much as Patton, The Hospital, Dr. Strangelove, or 12 Angry Men (& much more than Firestarter), if only to see him in an entirely different type of character.
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