During summer vacation on Fire Island, three young people--a girl and two guys--become so close that they form a sort-of threesome. When an uncool girl tries to infiltrate the trio's newly ... See full summary »
Henry Graham lives the life of a playboy. When his lawyer tells him one day that his lifestyle has consumed all his funds, he needs an idea to avoid climbing down the social ladder. So he intends to marry a rich woman and - murder her.
Patrick Foley has been on the move all his life. Tired of drifting, he wants to spend his last days in an isolated Australian valley where he grew up. On his difficult journey he meets ... See full summary »
From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ... See full summary »
They Might be Giants chronicles the adventures of Sherlock Holmes and Dr. Watson in modern-day New York City. The fact that Sherlock Holmes is a psychotic paranoid and Dr. Watson is a female psychiatrist fascinated by his case is almost beside the point. Dr. Watson follows Holmes across Manhattan and is, against her better judgment, drawn into the master detective's world of intrigue and danger. This is a sweet, goofy and fairly romantic film that asks the questions "Whose reality is right...and does it really matter?"Written by
John Gerrath <email@example.com>
In later years, Joanne Woodward claimed that she had had such an unhappy time making this film that she had actually contemplated giving up her acting career. She would not be drawn further on the topic, beyond saying that her unhappiness had nothing to do with her co-star George C. Scott, whom she described as "a gentleman". See more »
When Scott and Woodward are riding in a taxi, from his angle the cab is stopped; from her angle the cab is moving. See more »
There are no masses in Dodge City, only individuals taking responsibility for their own actions.
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Opening credits prologue: "Jehovah has the Devil, Achilles has his Heel, Mohammed has his Mountain, Don Quixote has his Windmills; and SHERLOCK HOLMES, God bless him, has his MORIARTY"
The original theatrical release length of the film was 98 minutes. None of the streaming or DVD versions (save for the US Anchor Bay release) currently available include the full film; the Netflix version runs 91:15 and the Universal DVD on demand runs only 84 minutes. The penultimate scene in the grocery store is missing in these versions. See more »
Being American and inadvertently an avid viewer (consumer) of cinema of all genres and qualities, I have to say that this is one of my all-time, forgotten favorites.
Not being a film student or critic, I fall into that overlooked and easily dismissed category called "the audience" which is humorously described as having no knowledge of art, but knowing with certainty what one likes. As such, I can say, unequivocally, that I like this film.
Most important to me as a viewer, above all other aspects of a film, is the story that is being told. If the story is winning, endearing and meaningful, then all else can be forgiven, production quality, even poor acting. Sans the poor acting, "They Might Be Giants" is just such a film.
I won't bore you with the wealth of meaning and depth of insight that I have gleaned from this wonderful story. Suffice it to say that despite what some have chosen to call its' "saccharine" quality (and what I call its' endearing quality), this story has the metaphysical import that elevates it to the level of a modern-day fable for the Western World.
Because I am unstudied and basically an "illiterate" in terms of Western Literature, the references to Don Quiote were completely invisible to me until now. For this enlightenment, I give thanks to the other reviewers. This comparison rings true throughout the story, and has enriched its' overall meaning for me. However, because I was initially unaware of this now obvious reference, for me the "They" in the title of "They Might Be Giants" referred to the very characters, themselves, all of whom are socially flawed, socially marginalized individuals, all of whom are void of "desirability".
As such, these characters, very aptly portrayed by the cast, although quirky, stand-alone individuals respectively, collectively come to represent the "everyman". The impersonal facelessness and the spirit-killing angst of personal worthlessness in midst of the post-industrial age of "modernity" are the windmills at which our Don Quiote, Justin Playfair, tilts. More importantly, we come to understand that this mask of facelessness may well be hiding individuals of truly gigantic spiritual dimensions and human worth. Our fellow human beings, who we pass, nameless, in the streets, "They Might Be Giants"!
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