Goldie returns from five years at the state pen and winds up King of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
A closed-minded conservative couple masquerade as liberal do-gooders in late 60's France. With orders piling up at their bistro, The Full Belly, Loretta and Henri, self-described "pillars ... See full summary »
Melvin Van Peebles
Meiji U Tum'si
Film version of Melvin Van Peebles' Broadway musical. A pair of devil-bats take human form and crash a Harlem house party in an attempt to break it up. But somehow, their attempts to ruin the party fail.
A sickly matriarch of a dysfunctional family living in an old Southern mansion, teases her siblings about finding a long lost treasure hidden in the premises, little did she know that there is someone ready to kill to get their hands on it.
A Mafia buy out of Papa Byrd's karate school downtown ends in his death. Byrd's daughter, Sydney, refuses to sell, and wants revenge. Byrd's students call the Black Belt Jones for help. Jones reluctantly teams with Sydney in many battles.
Naive, but brash and sultry teenage runaway Bonnie finds herself lost and adrift in America. The lovely young lass runs afoul of a colorful array of evil oddballs who all treat her like an ... See full summary »
Melvin Van Peebles wrote, directed, produced, edited, composed and starred in this powerful and inflammatory attack on White America. After the body of a black man is discovered, Sweetback helps two white 'acquaintances' in the police force to look good by agreeing to go with them to the station as a suspect. But he is forced to go on the run after brutally attacking the two policemen when they arrest and beat up a young black man.Written by
David Claydon <email@example.com>
Melvin Van Peebles contracted gonorrhea from one of the actresses during filming of one of the sex scenes in the movie. He applied for compensation from the Directors Guild because he "got hurt on the job" and used the money to buy more film. See more »
The fire truck that appeared at the end of the car explosion was not originally supposed to appear. Due to a permit still not filed, the fire department was unaware and proceeded to appear unannounced. See more »
Like you gonna have to kinda lay out, stretch out a little while, be real cool. Kinda lay dead. Ol' Beetle'll let you know what's happenin', what's goin' down. You don't have to worry about nothin'. If you need anything, anything at all, brother, just keep the faith in Beetle, ol' Beetle goin' to bring you through, cause this is just a skirmish. You know how the game goes, baby. But you keep the faith in me and you my man. You my favorite man. Can you dig it, baby? Together, you know, maintain....
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The Region 2 DVD release from BFI Video has the opening sex sequences removed. A notice at the beginning of the DVD explains that the scenes were censored "in order to comply with UK law (the Protection of Children Act 1978)," which is ironic because the sex scene with Mario Van Peebles was faked, as stated in the film Baadasssss! (aka "Baadasssss!"). See more »
This is quite possibly the worst film ever made! The story behind the production and the intentions of Peebles may be inspiring, but the movie sure ain't. Sure, the backbone of it was a seriously slap in the face for the oppressive end of the white establishment which still resonates today - and rightly so. But the significant message this movie was conceived to communicate is utterly lost in an unbearably sloppy 90 minute montage of violence, running and f**king. As if that weren't poor taste enough, we even get to watch a guy taking a dump wearing only a towel - lovely.
I have no moral objection to the film, but cannot get past the fact that it is utterly incoherent from start to finish. The plot is almost non-existent, and only about a third of the screen time has anything to do with the 'story' anyway. There are random scenes that have no apparent meaning or significance whatsoever.
It looks dreadful, as if the cameraman was on speed and crack at the same time. Beyond this, the night sequences (which make up a large percentage of the film) are so dark that you literally cannot see a thing. Alas, that may be just as well, as it goes some small way to detracting from the mind-blowingly poor 'acting'. Sweetback himself just pouts and minces about, and he's the best 'character' in there. The sound is awful, often with two songs (the same two songs on a continuous loop) literally playing on top of each other.
I really wanted to like this movie, and I still acknowledge it as a milestone in American culture and social history. As a side note, it was not the first blaxploitation film as is popularly believed - Cotton Comes to Harlem was a year earlier. That said, technically Sweetback isn't a blaxploitation film at all as it was financed and produced entirely by a black man. Moot point really, but worth mentioning.
In case my point has been lost, let me recapitulate. Sweet Sweetback has to be one of the very worst films I have ever seen in my life. As a piece of cinema, there is absolutely nothing redeeming about it whatsoever.
Approach this as a documentation of the shift in (black) American social consciousness as it related to popular culture of the late '60s and early '70s. Otherwise avoid it altogether, you'll thank me later.
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