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Sunday Bloody Sunday (1971)

R | | Drama | 8 September 1971 (USA)
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1:33 | Trailer

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Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »

Director:

John Schlesinger

Writer:

Penelope Gilliatt (screenplay)
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Nominated for 4 Oscars. Another 12 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter Finch ... Daniel Hirsh
Glenda Jackson ... Alex Greville
Murray Head ... Bob Elkin
Peggy Ashcroft ... Mrs. Greville
Tony Britton Tony Britton ... Mr. Harding
Maurice Denham ... Mr. Greville
Bessie Love ... Answering Service Lady
Vivian Pickles ... Alva Hodson
Frank Windsor ... Bill Hodson
Thomas Baptiste ... Prof. Johns
Richard Pearson ... Patient
June Brown June Brown ... Woman Patient
Hannah Norbert Hannah Norbert ... Daniel's Mother
Harold Goldblatt Harold Goldblatt ... Daniel's Father
Marie Burke ... Aunt Astrid
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Storyline

Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as the mood takes him. Both Alex and Dr Hirsh are aware of the other's existence but prefer to live with the situation rather than risk losing Elkin completely. But a wet winter weekend in London can be difficult. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

It's about three decent people. They will break your heart.

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Country:

UK

Language:

English | Italian | Hebrew | French

Release Date:

8 September 1971 (USA) See more »

Also Known As:

Bloody Sunday See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

This movie was playing in the cinema in the Northern Ireland city of Derry on 30 January 1972, the day when a peaceful civil rights march was organised which ended in tragedy when 27 people were shot by the British Army, of which 14 died. The day would be remembered as Bloody Sunday. See more »

Quotes

Aunt Astrid: Daniel, darling. You're looking very spruce.
[intercepts a canapé]
Aunt Astrid: Have one of these. Now, tell me when are *you* going to give us all a nice surprise?
Daniel: [baffled] Auntie...
Aunt Astrid: Still holding out on us... well, it's terribly selfish of you. You *are* going to be very, very lonely...
Daniel: I just haven't found the right person yet.
See more »

Connections

Referenced in Z Channel: A Magnificent Obsession (2004) See more »

Soundtracks

Here We Go Loopty Loo
(uncredited)
Children's song
[Played on the phonograph during the montage of Alex and Bob playing with the Hodson children.]
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User Reviews

 
One of John Schlesinger's Finest Achievements
20 August 2012 | by gradyharpSee all my reviews

Difficult to believe that this brilliant little film is 41 years old because it still feels fresh and vibrant the way his other films remain (Midnight Cowboy, Billy Liar, Darling, etc). It is as mature an examination of love in all its aspects as any film that has been placed on the screen since. The acting by an impeccable cast and the cinematography are first rate, but it is Schlesinger's sure hand that carved this story into our memories.

Divorced workingwoman Alex (Glenda Jackson) and well-to-do Jewish family doctor Daniel Hirsh (Peter Finch) share not only the same answering service but also the sexual favors of the young handsome artist Bob Elkin (Murray Head) who bed-hops between them as the mood takes him. Both Alex and Dr Hirsh are aware of the other's existence but prefer to live with the situation rather than risk losing Elkin completely. But a wet winter weekend in London can be difficult. Exceptional cameo roles are filled by Peggy Ashcroft as the doctor's mother and by Richard Loncraine as Bob's partner and Jon Finch who manages to epitomize the London street hustler.

There have been several films that have attempted to take on the matter of ménage a trois tales but none has approached the subject of the complexities of romantic relationships with the style and aplomb achieved here. It is a masterwork.

Grady Harp


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