Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house.Written by
Andrew Hyatt <firstname.lastname@example.org>
Peter Vaughan and Ken Hutchison would later appear together, at odds and involving crime, in an episode of The Sweeney. The episode ends with both of them fighting, with guns. In this movie, they're both villains, armed and set against the film's protagonists. See more »
When Amy fires the shotgun at the last attacker both the hammers are in the 'uncocked' position. She would need to pull the hammer of the relevant barrel backwards to cock the gun. See more »
The Criterion Collection, a privately-owned New York City video distribution house, acquired the rights from MGM to release a special edition double-DVD set of the film in 2003, which featured a new high-definition transfer (performed by Criterion) of the uncut version, and included unique extras such as a scholarly audio commentary, the documentary _Sam Peckinpah: Man of Iron (1992) (TV)_ a then newly recorded interview with Susan George and correspondence from Sam Peckinpah to some of the film's critics. This Criterion edition was limited to a one-year print run and the packaging carried a "Limited Edition" sticker,the only one of Criterion's releases to do so. In 2004, the Criterion edition went out-of-print and MGM acquired the Criterion transfer and released it to DVD without the extras. See more »
Peckinpah's post- 'Wild Bunch' movies were a mixed bag. Frequently battling studios, censors and/or his own demons, some are genuine classics ('..Alfredo Garcia'), some are entertaining potboilers ('The Getaway'), and some like 'Straw Dogs' are in between. I could never argue that this movie is his best work, but it is far from his worst, and whatever you can say about his movies, they are ALWAYS interesting.
'Straw Dogs' is the closest he came to making a genre horror/thriller movie. If you enjoy 'Rio Bravo'-inspired siege movies such as Romero's 'Night Of The Living Dead' or Carpenter's 'Assault On Precinct 13', check this one out. But it is more than "just" a thriller - it features strong character development, and morally ambiguous situations among the tense build up to the explosive climax.
In these P.C. times 'Straw Dogs' offers no simple answers, but plenty of issues for discussion, and it is to be commended for that. "Right" or "wrong"? YOU decide!
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