Murmur of the Heart (1971)

In the end of the first Indochina War, an open-minded teenage boy finds himself between the urge to discover love and the ever-present, dominating affection of his mother.

Director:

Louis Malle

Writer:

Louis Malle

Stars:

Lea Massari, Benoît Ferreux, Daniel Gélin

Nominated for 1 Oscar. Another 2 wins & 2 nominations.

Cast

Cast overview, first billed only:
Lea Massari	...	Clara Chevalier
Benoît Ferreux	...	Laurent Chevalier
Daniel Gélin	...	Charles Chevalier
Michael Lonsdale	...	Father Henri
Ave Ninchi	...	Augusta
Gila von Weitershausen	...	Freda (the prostitute)
Fabien Ferreux	...	Thomas
Marc Winocourt	...	Marc
Micheline Bona	...	Aunt Claudine
Henri Poirier	...	Uncle Leonce
Liliane Sorval	...	Fernande
Corinne Kersten	...	Daphne
Eric Walter
François Werner	...	Hubert
René Bouloc	...	Man at Bastille Day party

Storyline

This is a jolly coming-of-age story about a 14-year-old boy named Laurent Chevalier who is growing up in bourgeois surroundings in Dijon, France. This is France in the mid-1950s rather than America in the 1990s. Thus, Laurent is unharmed by events which would irreparably shatter the self-esteem of a modern American adolescent: he gets drunk, he smokes, he has sex, he is smothered by his mother, he is ignored by his father, a priest makes a pass at him, he gets rheumatoid fever, etc. There's enough scandalous behavior in this film to make 100 made-for-TV movies, and yet this is a very happy and oddly innocent tale.

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Plot Keywords:

mother son incest | first time sex | exploring sexuality | mother son relationship | measuring penis | 

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Taglines:

A souffle of a movie!

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Genres:

Comedy | Drama

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Certificate:

R

Details

Official Sites:

Arte boutique [France]

Country:

France Italy West Germany

Language:

French Italian

Release Date:

17 October 1971 (USA)

Also Known As:

Murmur of the Heart

Filming Locations:

Dijon, Côte-d'Or, France

Box Office

Gross USA:

$1,160,784

Company Credits

Production Co:

Nouvelles Éditions de Films (NEF),Marianne Productions,Vides Cinematografica

Technical Specs

Runtime:

118 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

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Goofs

During the chess match, the boys are sitting on what should be the spectator sides of the board, rather than the player sides. It appears that the chessmen were set up along the files rather than the ranks. (The lower right hand corner squares are black, when they should be white.)

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Quotes

Clara Chevalier: Why not take things as they come?
Laurent Chevalier: Meaning?
Clara Chevalier: I don't know. Begin at the beginning. Wait to experience things yourself. And there's plenty of time. I'm not rushing you. Everyone has to discover love for himself. Lots of things can happen between a man and a woman. Better to find out for yourself, not from a book.

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Connections

Featured in Everyday Is Like Sunday (2013)

User Reviews

Moving, controversial but lovable film

Louis Malle perhaps has directed his most controversial film about Laurent and his complicated relationship with his mother. Because he is the youngest of three boys, he is still a virgin and coddled like the family baby. The film seems to last forever but in a beautiful moving way. We watch as his beautiful Italian vivacious mother seems to attract admirers even her own son. Without discussing the film's oedipal issues, the film has some very pleasant scenes and some that are not so pleasant. Maybe Malle is trying to bring reality of a young body's sexuality. His two older brothers are not the sympathetic or kind older brothers to him especially. Laurent is truly the film's most important character but his mother is definitely the most important figure in his life. As he comes of age, she has to grasp with losing him to another woman, the inevitable outcome of any mother-son relationship. We learn a lot about Laurent's mother too in this film. While sexuality is another theme in this classic film, there are touching scenes between the Laurent and his mother. As he finds himself attracted to other women, he becomes daring, insulting and even unlikable. I won't give away the ending of this film. But it's worth watching even today more than 30 years later, I cannot believe it's older than me. It seems like it could have been done today and that's why it's a classic film.