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Shaft (1971)

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Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

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(screenplay), (screenplay) | 1 more credit »
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Won 1 Oscar. Another 4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
... John Shaft
... Bumpy Jonas
... Vic Androzzi
... Ben Buford
Gwenn Mitchell ... Ellie Moore
... Tom Hannon
... Charlie
Sherri Brewer ... Marcy
Rex Robbins ... Rollie
Camille Yarbrough ... Dina Greene
Margaret Warncke ... Linda
Joseph Leon ... Byron Leibowitz
Arnold Johnson ... Cul
Dominic Barto ... Patsy
George Strus ... Carmen
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Storyline

John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

The mob wanted Harlem back. They got Shaft...up to here. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 July 1971 (USA)  »

Also Known As:

Les nuits rouges de Harlem  »

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Box Office

Budget:

$1,125,000 (estimated)

Gross USA:

$12,121,618, 31 December 1971
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Gordon Parks: [Essence Magazine] Shaft is seen reading a copy of Essence Magazine in his girlfriend's apartment. Parks is a co-founder of Essence. The magazine is spotted when Shaft is engaging in a conversation with a blind newsstand vendor during the opening sequence. See more »

Goofs

The month calendar in Shaft's office is January 1971 (February 1971 is also posted on the wall in a "next month" style arrangement). But in Lt. Androzzi's office, the date calendar reads Tuesday January 27 and later Thursday January 29. 27 January 1971 was a Wednesday and 29 January 1971 was a Friday. (27 and 29 January 1970 fell on a Tuesday and a Thursday). See more »

Quotes

[first lines]
John Shaft: [holding up his middle finger to a cab driver who is honking his horn at him] Up yours! Get out the way!
See more »

Connections

Referenced in The Making of 'The Frighteners' (1998) See more »

Soundtracks

A Friend's Place
(uncredited)
Composed by Isaac Hayes
Performed by Isaac Hayes
See more »

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User Reviews

 
Roundtree's performance
15 June 2007 | by See all my reviews

This is not a great film, but it is one of the most important films in American history.

The film suffers primarily because Parks isn't sure whether he wants to direct a 'relevant' black crime drama - for which he doesn't really have the money - or a film of the genre that became infamous as "blaxploitation", which had at that time not yet achieved definition. In other words, Parks is breaking new ground, and he wasn't sure exactly what ground he is breaking. So the film tends to amble, and sometimes even stagger, as it tries to define a goal for itself.

Nonetheless, this is the first film where a strong black man in a truly heroic role - without the props of white liberal social blather, and without being borderline criminal - is portrayed without excuses or apologies. Shaft is truly a hero of his time, part Sam Spade (& no jokes here, please), part James Bond - and all man - intelligent, fast to act, direct and always true to himself - he's nobody's "boy".

Although these qualities are in the script, the communication of the message depends entirely on Richard Roundtree - one of the truly great action actors of Hollywood history - hey, I'm a white boy, and I still want to be this John Shaft! he's that cool. The marginalization of this savvy and witty actor, due to the racism of Hollywood, is a real crime.

Well, for now, never mind; his performance alone carries this film, and makes it a treasure; and no matter how badly Hollywood marginalizes black action cinema, Roundtree's performance will continue to stand tall, for many generations to come.


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