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Shaft (1971)

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Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Director:

Gordon Parks

Writers:

Ernest Tidyman (screenplay), John D.F. Black (screenplay) | 1 more credit »
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Won 1 Oscar. Another 4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Roundtree ... John Shaft
Moses Gunn ... Bumpy Jonas
Charles Cioffi ... Vic Androzzi
Christopher St. John ... Ben Buford
Gwenn Mitchell Gwenn Mitchell ... Ellie Moore
Lawrence Pressman ... Tom Hannon
Victor Arnold ... Charlie
Sherri Brewer Sherri Brewer ... Marcy
Rex Robbins Rex Robbins ... Rollie
Camille Yarbrough Camille Yarbrough ... Dina Greene
Margaret Warncke Margaret Warncke ... Linda
Joseph Leon Joseph Leon ... Byron Leibowitz
Arnold Johnson Arnold Johnson ... Cul
Dominic Barto Dominic Barto ... Patsy
George Strus George Strus ... Carmen
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Storyline

John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

The mob wanted Harlem back. They got Shaft...up to here. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

2 July 1971 (USA) See more »

Also Known As:

Les nuits rouges de Harlem See more »

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Box Office

Budget:

$1,125,000 (estimated)

Gross USA:

$12,121,618, 31 December 1971
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Shaft tells Bumpy his fee is $50/hr (plus expenses), which would equate to $310/hr in 2017. See more »

Goofs

At the beginning of the movie, in Shaft's office, Shaft changes back and forth between a lighter brown coat and a dark coat. The difference can be seen by noticing the horizontal seam on the back of each coat, one is straight and the other is not. See more »

Quotes

[first lines]
John Shaft: [holding up his middle finger to a cab driver who is honking his horn at him] Up yours! Get out the way!
See more »

Connections

Referenced in Travel Bound: Ninjas, Babies, and Automobiles (2010) See more »

Soundtracks

Soulsville
(uncredited)
Composed by Isaac Hayes
Performed by Isaac Hayes
See more »

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User Reviews

The movie that kicked in the 1970s blaxploitation and changed the face of Hollywood forever!
27 April 2003 | by InfofreakSee all my reviews

Gordon Parks' 'Shaft' may not have been the first blaxploitation movie but it was the most important and commercially successful of the initial batch, and it kicked open the door for other dynamic 1970s screen heroes like The Hammer, Coffy, Black Caesar, Foxy Brown and The Jones' (Black Belt and Cleopatra). In some ways it is one of the most conventional of the blaxploitation genre in the sense that all it really is is a black man (the charismatic Richard Roundtree) playing a part that up until then would have been played by a white one (Lee Marvin, Clint Eastwood, even Sean Connery). A super cool, hard as nails hero/anti-hero who is as handy with his fists as he is with the ladies. But of course, that is what made 'Shaft' so revolutionary and influential at the time. Personally my favourite blaxploitation movie is 'Superfly', released the following year and directed by Gordon Parks' son, but I can't deny that if you accept 'Shaft' for what it is, and not what it COULD be, it's difficult to fault, and still one of the coolest and most entertaining action thrillers of the 1970s, as good as 'The Getaway', 'Dirty Harry' or 'The French Connection' (the latter being also written incidentally by Ernest Tidyman who created the John Shaft character in a popular series of novels). The main reason 'Shaft' really works is because of the casting of virtual unknown Richard Roundtree, and the music score by soul legend Isaac Hayes. Roundtree probably had more potential than any black star of the period to cross over into major Hollywood stardom, but for some reason (typecasting, bad breaks) he faded away quickly, and ended up playing small character roles, usually cops, in cult favourites like Larry Cohen's 'Q' and William Lustig's 'Maniac Cop', and more recently bit parts in 'Se7en' and John Singleton's ill advised "remake" of 'Shaft' itself. Hayes' title theme is an utter classic, and one of the most recognisable and imitated pieces of music from the early 70s. Hayes had already released the brilliant 'Hot Buttered Soul' before this, but 'Shaft' made him a superstar, and even gave him a career as an action here himself for a while with 'Truck Turner'. I don't think overall Hayes' score for the movie is as consistently impressive as Curtis Mayfield's work on 'Superfly', but the main theme is still a sensational piece of music. Roundtree is backed up with a strong supporting cast, including Moses Gunn ('Rollerball') as Bumpy, a great baddie, Charles Cioffi ('Klute') as Androzzi, the cop who is frequently exasperated with Shaft's behaviour, and Muhammad Ali associate Drew Bundini Brown as Willy, a former childhood friend of Shaft who is now a black panther and disgusted with his decadent lifestyle. Also keep an eye out for a small bit by Antonio Fargas, who is best known as Huggy Bear in 'Starsky And Hutch' and also went on to appear as Pam Grier's brother in 'Foxy Brown', and as Doodlebug in 'Cleopatra Jones'. 'Shaft' is a movie that changed the face of Hollywood forever, and is highly recommended to anyone who enjoys 1970s movies, music or fashions.


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