A young man, Paul Carlson, is on a trip and spends the night at Count Dracula's castle. He is murdered. After some time has passed, the young man's brother Simon comes to the small town where all the traces end to look for him.
A young man, Paul Carlson, is on a trip and spends the night at Count Dracula's castle. He is murdered. After some time has passed, the young man's brother Simon comes to the small town where all the traces end to look for him.Written by
Paul arrives in the village well after nine o'clock in the evening. He is thrown out by the landlord, and goes to Dracula's castle. He arrives there the same evening, so Dracula's castle shouldn't really be that far away from the village. When Simon and Sarah leave Dracula's castle in the morning, they don't arrive in the village before it's evening again, although they made the whole trip in Dracula's coach. See more »
Stop! Stop! Let me go! Let me go!
Have I pleased you, Master? Am I forgiven?
You have done well.
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The UK cinema version was cut by the BBFC to remove a scene of Dracula lapping blood from Tania's chest wound, footage of Tania's dismembered limbs and a shortening of the Priest's scarred face during the bat attack. A further BBFC-requested cut to the torture of Klove with a poker was waived after the distributors made a music edit instead. The cuts have never turned up in any print to date and may no longer survive. See more »
None too original but action filled Dracula film , the most underrated of the series
Scars Of Dracula is generally regarded very poorly among Hammer fans, which is a shame. Yes, the decreased budget results in less impressive sets, and there is a bit more blood and violence than usual, but the film has an energy which was somewhat lacking in Dracula Has Risen From The Grave and Taste The Blood Of Dracula.
The script is little more than a rehash of Dracula and Dracula Prince Of Darkness, but there is more action than any others in the series, and several memorable sequences, including the discovery of bodies horribly gored by bats in a church [replete with Lucio Fulci style zooms into the nasty bits], Dracula climbing up a wall a la Bram Stoker, and a vampire seduction ending with Dracula stabbing the woman to death. Atmosphere is a little lacking ,and it's odd that no continuity has been attempted to link it with the previous entry. Christopher Lee has more screen time than usual, although his makeup here is over done. James Bernard's music, though, is as vibrant as ever.
With a much stronger supernatural element than the other Draculas, this is still an enjoyable entry, probably the third best in the series.
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