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A Bay of Blood (1971)

Ecologia del delitto (original title)
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7:00 | Clip
The murder of a wealthy countess, which was erroneously deemed suicide, triggers a chain reaction of brutal killings in the surrounding bay area, as several unscrupulous characters try to take over her large estate.

Director:

Mario Bava

Writers:

Mario Bava (screenplay), Giuseppe Zaccariello (screenplay) (as Joseph McLee) | 4 more credits »
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4 wins. See more awards »

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Cast

Complete credited cast:
Claudine Auger ... Renata Donati
Luigi Pistilli ... Alberto / Albert
Claudio Camaso ... Simone / Simon (as Claudio Volonté)
Anna Maria Rosati ... Laura (as Anna M. Rosati)
Chris Avram ... Franco Ventura / Frank Ventura
Leopoldo Trieste ... Paolo Fosatti / Paul Fosatti
Laura Betti ... Anna Fosatti
Brigitte Skay ... Louise / Brunhilde
Isa Miranda ... Countess Federica Donati
Paola Montenero ... Sylvie / Denise (as Paola Rubens)
Guido Boccaccini Guido Boccaccini ... Luca / Duke
Roberto Bonanni ... Roberto / Bobby
Giovanni Nuvoletti ... Count Filippo Donati
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Storyline

An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

The second movie rated "V" for violence. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Roberto Rossellini (who Mario Bava had worked for on his own films) shot a day's worth of second-unit footage. While it's uncredited, most of the footage appeared in the final cut. See more »

Goofs

The Count is stabbed repeatedly in his back and then he falls on his back and dies. When the killer is dragging him away, there should be a blood trail leading from The Countess to the door. See more »

Quotes

Simon: Man should live and let live, and without any interfering.
Paolo: Even that poor squid was free once, Simon, eh? I study Coleoptera because I love them.
Simon: Sure, but the squirming little creatures still end up under your microscope. Yeah, he's dead all right but at least I eat my squid. But I don't kill as a hobby like you do.
Paolo: Good lord, Simon. You make me feel like a murderer.
Simon: I'm not saying that, Mr. Fossati, but if you kill for killing's sake, you become a monster.
Paolo: But, man isn't an insect, my dear Simon. ...
[...]
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Alternate Versions

The video released by Image Entertainment as part of their "Mario Bava Collection" is the director's cut, containing all the gore and violence. See more »

Connections

Referenced in The Burning (1981) See more »

User Reviews

 
Greed twitches several death nerves in Mario Bava's brutal pioneering slasher flick!
7 May 2006 | by The_VoidSee all my reviews

Many films on the Video Nasty list are horror cinema's answer to well-respected classics; The Last House on the Left offers a new spin on Ingmar Bergman's The Virgin Spring, Island of Death is a more brutal telling of the story of Bonnie and Clyde and, indeed, this Mario Bava film owes its plot to the French classic, La Ronde. Bay of Blood is often noted as being an obvious inspiration on the Friday the 13th series, and when taking things such as the setting and a certain murder sequence into account, that is certainly true; but let's not forget that this is also a fantastic movie in its own right. The film starts off with a glorious sequence that opens inside a beautiful manor house. We watch as a wheelchair-bound baroness is brutally strangled, only for the rug to be torn from under us moments later when her assailant is the next one to bite the bullet! It has to be said that the film never tops its opening sequence, but Mario Bava's gore-fest manages to remain fascinating all the way through, as it turns out that the first murder scene sets off a violent chain of events that results in a very high body count.

This film would be properly categorised as a slasher, but its Italian roots ensure that it's often labelled a Giallo, and indeed Mario Bava does include Giallo elements; from black gloved killers and an array of odd characters, all the way to an amazingly convoluted plot. Indeed, the storyline here gets so complicated at times that it's liable to give the viewer an extreme headache, but Bava is always on hand with another glorious murder scene, and as the film features thirteen deaths in it's eighty one minute running time - there's certainly no lack of the red stuff. Bava ensures that the murders are suitably varied, and we get treated from an array of methods of dispatch, including axes, a spear through a lovemaking couple and an excellent scene that sees someone skewered to a wall. Mario Bava's eye for detail doesn't wane with this film, as despite being a grisly slasher; there's still more than enough time for beautiful scene setting. The bay itself looks great and excellently lends itself as a location for savagery, while the decors of the character's homes are elaborately Gothic. With the pitch-black ending, the director shows us that the film isn't meant to be taken seriously, and overall, Bay of Blood is both influential and a great time - and therefore shouldn't be missed by horror fans.


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Frequently Asked Questions

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Details

Country:

Italy

Language:

Italian | English

Release Date:

3 May 1972 (USA) See more »

Also Known As:

The Last House on the Left, Part II See more »

Filming Locations:

Fogliano, Latina, Lazio, Italy See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
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