Ancient Arabia. A youth is chosen by a beautiful slave girl to be her new master; she is kidnapped and they must search for each other. Stories are told within stories; love, travel and the whims of destiny.
After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her furious revenge. Can they escape her wrath?
Director:
Pier Paolo Pasolini
Stars:
Maria Callas,
Massimo Girotti,
Laurent Terzieff
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »
Director:
Pier Paolo Pasolini
Stars:
Pierre Clémenti,
Jean-Pierre Léaud,
Alberto Lionello
The life of Jesus Christ according to the Gospel of Matthew. Pasolini shows Christ as a Marxist avant-la-lettre and therefore uses half of the text of Matthew.
After many years working in the streets of Roma, the middle-age whore Mamma Roma (Anna Magnani) saves money to buy an upper class apartment, a fruit stand and retires from the prostitution.... See full summary »
Director:
Pier Paolo Pasolini
Stars:
Anna Magnani,
Ettore Garofolo,
Franco Citti
Innocenti Totò and his son Innocenti Ninetto are drifting on a road in Italy, when they meet a Marxist speaking crow. The trio travels together in a long journey as their hunger increases.
In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to one hundred and twenty days of physical, mental and sexual torture.
Director:
Pier Paolo Pasolini
Stars:
Paolo Bonacelli,
Laura Betti,
Giorgio Cataldi
Documentary footage of the city of Sana'a in Yemen, one of the oldest continually inhabited cities in the world, with a voice-over calling for UNESCO to protect the city's architectural heritage before it is destroyed by development.
The line spoken by the angel in the last segment, "Vuolsi così colà dove si puote ciò che si vuole e più non dimandare" ("'It's will'd, where will and power are one. Ask thou no more"), is a quotation from Dante Alighieri's Inferno. See more »
Goofs
Some of the women have tan-lines from bikinis. See more »
Quotes
The Cook:
Between a jest and a joke, many a truth can be told.
See more »
Alternate Versions
The original UK cinema version was cut by the BBFC with edits to anal sex shots, a man being whipped, and Rufus urinating on the crowd during the 'Pardoner's Tale' segment for an 'X' certificate. The cuts were fully restored in 2001 and the certificate downgraded to a '15'. See more »
This is a remarkable film. One usually remembers Chaucer's Canterbury Tales as difficult, religious old English burden of school, but Pasolini was smart enough to concentrate on the humor, which travels from rude slapstick (hot iron poker shoved up the villain's behind) to merciless show of greed and it's consequences. Only after the film did I take a fresh look at Canterbury Tales and lo! it was there all along... but it required Pasolini to lay it \bare, for everyone to see.
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This is a remarkable film. One usually remembers Chaucer's Canterbury Tales as difficult, religious old English burden of school, but Pasolini was smart enough to concentrate on the humor, which travels from rude slapstick (hot iron poker shoved up the villain's behind) to merciless show of greed and it's consequences. Only after the film did I take a fresh look at Canterbury Tales and lo! it was there all along... but it required Pasolini to lay it \bare, for everyone to see.