6.2/10
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18 user 19 critic

Un posto ideale per uccidere (1971)

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1:19 | Trailer
Two hippies find themselves on the run from the law and soon end up going undercover in a villa owned by a mysterious woman.

Director:

Umberto Lenzi
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Cast

Complete credited cast:
Irene Papas ... Barbara Slater
Ray Lovelock ... Dick Butler (as Raymond Lovelock)
Ornella Muti ... Ingrid Sjoman
Michel Bardinet Michel Bardinet ... Baratti
Jacques Stany Jacques Stany ... Official
Umberto D'Orsi Umberto D'Orsi
Calisto Calisti Calisto Calisti ... Police Inspector
Ugo Adinolfi Ugo Adinolfi ... Gas Station Attendant
Sal Borgese Sal Borgese ... Agostino's Friend (as Salvatore Borgese)
Giuseppe Terranova Giuseppe Terranova
Carla Mancini Carla Mancini ... Shop Worker
Umberto Raho ... Police Inspector
Antonio Mellino Antonio Mellino ... Agostino
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Storyline

Two hippies find themselves on the run from the law and soon end up going undercover in a villa owned by a mysterious woman.

Plot Summary | Add Synopsis

Genres:

Crime | Thriller

Certificate:

See all certifications »
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Details

Country:

Italy | France

Language:

Italian

Release Date:

1974 (USA) See more »

Also Known As:

Dirty Pictures See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »

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User Reviews

 
fine piece of exploitation cinema
1 December 2008 | by christopher-underwoodSee all my reviews

Most enjoyable outing from Mr Lenzi and whilst giallo-esquire is really quite a mixed bag. Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday, this turns into something much darker. There is real suspense including a splendid Hitchcockian scene in an aviary, lots of nudity and some pretty nasty moments. Irene Papas ( 'Zorba the Greek' and 'Don't Torture a Duckling') lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out. Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye. Apparently the almost too perfect nude shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward. All three are a great asset and with a decent script and Lenzi's constant inventiveness, this is a fine piece of exploitation cinema.


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