Charley is a surgeon who's recently lost his wife. He embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction,... See full summary »
Henry Graham lives the life of a playboy. When his lawyer tells him one day that his lifestyle has consumed all his funds, he needs an idea to avoid climbing down the social ladder. So he intends to marry a rich woman and - murder her.
Wanting to avoid settling in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with... See full summary »
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and Karen Nash are spending the night in the hotel as their house is being painted, but more importantly for Karen because it is their twenty-"something" wedding anniversary, the hotel where they spent their honeymoon. While Karen wants to recreate the romance that she remembers of their wedding night, Sam is preoccupied with business matters. But it is other issues that highlight their fundamental differences that may demonstrate if they will make it to twenty-something plus one. In story two, womanizing Hollywood movie producer Jesse Kiplinger has exactly two hours free during his whirlwind stay in New York, which he wants to fill with a quickie. Of the many women he calls, the first to agree to meet at his suite is his old hometown flame, married Muriel Tate. Muriel, who knows what Jesse wants, he who...Written by
The room number of the Plaza Suite was Suite No. #719. See more »
In Act I, the length of Sam Nash's mustache varies between shots. See more »
[coaxing his wife while she's on the phone]
Shtall em, shtall em. Just keep shtalling em. Whatever you do shtall em!
[on the phone to the wedding reception]
Yes Mrs. Eisler we'll be down in two minutes.
Are you crazy?! I told you to shtall em!
Norma Hubley [innocently]:
I did stall them - you've got two minutes.
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I just watched this movie for the first time. And I have re-watched the first "act" a number of times now. I never gave Maureen Stapleton much of a thought, frankly. Until I watched this movie. I like this movie very much. It will be one of my "go-to's,"- those pictures that I can always watch and always enjoy. Matthau is effective throughout. Act 2 is played quite broadly, and it's a fun segment, but the weakest. Act 3 is (because I can't think of a better descriptor) conventionally funny - it follows the familiar pattern, and it's very good. But the best is the first act where the real focus is Stapleton. From the moment we first see her, she looks real. I wager that most people who watch this movie knows someone that is her character. Watch her closely, as she puts nuance into every scene - the expressions on her face, the gestures. There's a scene where she sits down on a bed, back to the camera as Matthau leaves the room. It's followed by her talking to herself. It's a brilliant bit of acting, that feels so real, and struck an emotional chord in me. I gave this an "8." If I had to grade each act separately, it would be: Act 1 - 10; Act 2 - 7; Act 3 - 8 Watch and enjoy.
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