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In Faizabad, British India, Dilawar is sentenced to several years in prison after Amiran's Daroga dad testifies against him. After his discharge around 1840, he extracts his vengeance by ... See full summary »
Suresh Sinha, a famous director, discovers star potential in Shanti, a woman he stumbled into one rainy evening, and casts her as the lead in a film. In a twist of fate, Shanti becomes a superstar and Suresh faces a decline in his career.
J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she ... See full summary »
Childhood sweethearts, Devdas and Paro grow up in a small village with a love-hate relationship which changes to love when they mature. Devdas' dad does not approve of his marriage or even any friendship with Paro, and sends him away to Calcutta where he is introduced to a dancer, Chandramukhi, who adores him and falls hopelessly in love with him. Devdas in not aware of Chandramukhi's affection ... See full summary »
Raju lives as a derelict as a result of being estranged from his bitter father, a district judge, who threw Raju's mother out of the house years ago. Raju shacks up with a Dacoit (... See full summary »
While driving his car on a rainy night, Anand's car breaks down, and he goes to seek shelter in a nearby house. He is let into the house by the servant, and he is permitted to stay until ... See full summary »
A girl, whose mother dies of sorrow from her husband's family's rejection, grows up singing and dancing like her mother. She works as a dancing girl and is courted by a prince, but can think only of a man she has never met, who left her a message on the train. She dreams of him and cannot dance, becomes frightened and runs into the nightWritten by
William Kennedy <firstname.lastname@example.org>
Kamal Amrohi was told that he and his crew would receive a special award for _Pakeezah (1971)_ - for a consideration. He flatly refused to "buy an award." See more »
Salim Ahmed Khan:
[in a note to Sahibjaan]
Aapke paon dekhe, bahut haseen hai. / Inhe zameen par mat utariyega, maile ho jayenge.
[Saw your feet; they are very beautiful. / Don't place them on the ground, they will get dirty]
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This movie is one among the very few Indian movies, that would never fade away with the passage of time, nor would its spell binding appeal ever diminish, even as the Indian cinema transforms into the abyss of artificially styled pop culture while drill oriented extras take to enhancing the P.T. styled film songs.
The cinematography speaks of the excellent skills of Josef Werching that accentuate the monumental and cinema scope effect of the film in its entirety.
Gone are the days of great cinema, when every scene had to be clipped many times and retakes taken before finalizing it, while meticulous attention was paid in crafting and editing the scenes. Some of its poignant scenes are filled with sublime emotional intensity, like the instance, when Meena Kumari refuses to say "YES" as an approval for Nikah (Marriage Bond) and climbs down the hill while running berserk in traumatized frenzy. At the moment, Raj Kumar follows her, and a strong gale of wind blew away the veil of Kumari and onto the legs of Kumar........
Kamal Amrohi shall always be remembered with golden words in the annals of Indian Cinema's history for endeavoring to complete this movie in a record setting 12 years. He had to manage filming of some of the vital songs without Meena's close ups, because Meena Kumari, the lady in the lead role was terminally ill and fighting for her life in early 1971.
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