John Grant, a teacher working in the remote Australian town of Tiboonda, is under a financial bond with his Government job. At the end of term before Christmas holidays, he plans to visit his girlfriend in Sydney. In order to catch a flight to Sydney, he takes a train to the nearby mining town called Bundanyabba (or "The Yabba"), and plans to stay there overnight before moving on further to the airport. But things go grossly out of script as he is engulfed by the Yabba and its disconcerting residents.Written by
Jazz saxophonist Joe Farrell recorded an adaptation of the film's theme for his 1971 album "Outback", which takes its title from the original American title of the film. See more »
As Grant leaves the hotel bar in Tiboonda, he takes one last swig of beer - leaving his glass half full. In the next shot, when the camera focuses on the interior of the bar, his glass is now empty. See more »
[checks his watch]
Alright, off you go.
[children clamour as they leave the classroom]
Happy Christmas, teacher!
Happy new year.
Thank you, Dave.
Give my love to your girlfriend in Sydney, sir.
I'll do that, sir, thank you.
Have a happy holiday, sir.
[shakes his hand]
And you, Chris. Thank you. Enjoy yourself.
[...] See more »
Aside from changing the title to "Outback", all international prints credit Group W Films (the more-recognized American production partner) ahead of NLT Productions. With the restoration of the uncut Australian release, this has been reversed. See more »
I have been wanting to see this film again for many years. Now that the negative has been recovered hopefully it will get a new lease of life, similar to the many other classic Australian films that have been re-released recently on DVD here in Australia. In a year (2003-4) when Australian films have fared poorly at the box office, particularly on a local level, it is worth looking back at a film like 'Wake in Fright' and understand that some of the best Australian films are the ones that look critically at life in Australia (in all its diversity) and at the mythologies that are generally perceived as representative of Australian national culture. In the case of 'Wake in Fright' it took a foreign director with a wonderful Australian cast to do that.
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