Biological war has decimated life on Earth. Los Angeles is a windswept ghost town where Robert Neville tools his convertible through sunlit streets foraging for supplies.Biological war has decimated life on Earth. Los Angeles is a windswept ghost town where Robert Neville tools his convertible through sunlit streets foraging for supplies.Biological war has decimated life on Earth. Los Angeles is a windswept ghost town where Robert Neville tools his convertible through sunlit streets foraging for supplies.
- Director
- Writers
- John William Corrington(screenplay)
- Joyce Hooper Corrington(screenplay)
- Richard Matheson(novel "I Am Legend")
- Stars
Top credits
- Director
- Writers
- John William Corrington(screenplay)
- Joyce Hooper Corrington(screenplay)
- Richard Matheson(novel "I Am Legend")
- Stars
- Awards
- 1 nomination
Videos1
Anna Aries
- Woman in Cemetery Cryptas Woman in Cemetery Crypt
- (scenes deleted)
DeVeren Bookwalter
- Family Memberas Family Member
- (as De Veren Bookwalter)
Rachel Benson
- Family Memberas Family Member
- (uncredited)
Stewart East
- Family Memberas Family Member
- (uncredited)
Steve Goldstein
- Last Boyas Last Boy
- (uncredited)
William Henry
- Stricken Manas Stricken Man
- (uncredited)
- Director
- Writers
- John William Corrington(screenplay)
- Joyce Hooper Corrington(screenplay)
- Richard Matheson(novel "I Am Legend")
- All cast & crew
- See more cast details at IMDbPro
Storyline
Did you know
- TriviaThe production company wanted a locale that looked like an abandoned metropolitan area, but it was too costly to build. The producer drove through downtown Los Angeles one weekend and discovered there were no shoppers, so the majority of the film's exteriors were shot there on weekends.
- GoofsIn a city supposedly laid waste, Neville has to resort to running a generator any time he requires electricity. He does so to power his apartment; he does so to power up the projector inside the cinema when he goes to watch the film. But this city with no surviving infrastructure (in the opening scenes, as he's driving around in the red convertible), all the traffic lights are powered up.
- Crazy creditsThere is a 2-minute cold open with no logos or credits. The Warner Bros. logo comes on at the two-minute mark, followed by the opening credits.
- Alternate versionsIn the common version of this film, the scene where Richie tells Neville that he should either kill the Family or cure them takes place inside Neville's apartment. In an alternate version, the scene takes place on the rooftop, where Neville has a large water tank and a .50 caliber machine gun.
- ConnectionsFeatured in The Last Man Alive (1971)
Top review
Thought-provoking, violent sci-fi story.
Omega is the last letter of the Greek alphabet, so the "Omega" Man is a round-a-bout way of saying The "Last" Man. Indeed, this violent science fiction actioner is a remake of a 1964 movie called The Last Man On Earth; in this version Charlton Heston assumes the role played by Vincent Price in the earlier film. It is a depressing - and in many ways thought-provoking - story set in a future where the human population has been wiped out.
Robert Neville (Heston) is the only remaining survivor of a worldwide plague, other than a race of vampiric mutants who come out at night. When the plague was first reaching epidemic proportions, numerous scientists were given serums to try - Neville was the one who got the correct serum, but he never managed to get back to HQ in time to report the good news. Most of the world's people went on to be killed by the plague, but those who survived have evolved into light-sensitive mutants. Every day, Neville drives around the empty streets of LA scavenging for food, fuel and useful objects; every night he returns to his ultra high-security house from which he fends off the creepy minions who come out to taunt him and, perhaps, one day kill him. The mutants are led by Matthias (Anthony Zerbe), formerly a TV newsreader, now an anti-technology crusader who encourages his followers to destroy the scientific and technological items they find, as he blames meddling scientists for ultimately decimating the world's population.
What's so chilling about The Omega Man is that Neville is gradually shown to be the real "mutant". He is the only man left from the world as it WAS; Zerbe and his mutant hordes are the evolutionary creatures of the world as it IS. Distressing as it is, The Omega Man is saying that in the event of a worldwide catastrophe human life would find a way to prevail, but the remnants of previous human life might need eradicating first. From the sensational opening - in which Heston screeches his car to a halt on an empty street and starts shooting at an unseen being in a skyscraper - to the climax (which is simultaneously happy AND sad), The Omega Man constantly raises questions and manipulates our fears. It has weaknesses - sometimes the metaphors and morals are too heavy-handed; parts of the film are slow-going, with an excess of talk which merely goes over plot details already mentioned; there are dated elements (music, decor, costumes, vehicles, slang speech) which deny the film its topicality over 30 years on. But, in spite of all that, The Omega Man remains a worthwhile sci-fi actioner and another cult flick in the Charlton Heston "shock sci-fi" canon (see also Planet of the Apes '68 and Soylent Green '73).
Robert Neville (Heston) is the only remaining survivor of a worldwide plague, other than a race of vampiric mutants who come out at night. When the plague was first reaching epidemic proportions, numerous scientists were given serums to try - Neville was the one who got the correct serum, but he never managed to get back to HQ in time to report the good news. Most of the world's people went on to be killed by the plague, but those who survived have evolved into light-sensitive mutants. Every day, Neville drives around the empty streets of LA scavenging for food, fuel and useful objects; every night he returns to his ultra high-security house from which he fends off the creepy minions who come out to taunt him and, perhaps, one day kill him. The mutants are led by Matthias (Anthony Zerbe), formerly a TV newsreader, now an anti-technology crusader who encourages his followers to destroy the scientific and technological items they find, as he blames meddling scientists for ultimately decimating the world's population.
What's so chilling about The Omega Man is that Neville is gradually shown to be the real "mutant". He is the only man left from the world as it WAS; Zerbe and his mutant hordes are the evolutionary creatures of the world as it IS. Distressing as it is, The Omega Man is saying that in the event of a worldwide catastrophe human life would find a way to prevail, but the remnants of previous human life might need eradicating first. From the sensational opening - in which Heston screeches his car to a halt on an empty street and starts shooting at an unseen being in a skyscraper - to the climax (which is simultaneously happy AND sad), The Omega Man constantly raises questions and manipulates our fears. It has weaknesses - sometimes the metaphors and morals are too heavy-handed; parts of the film are slow-going, with an excess of talk which merely goes over plot details already mentioned; there are dated elements (music, decor, costumes, vehicles, slang speech) which deny the film its topicality over 30 years on. But, in spite of all that, The Omega Man remains a worthwhile sci-fi actioner and another cult flick in the Charlton Heston "shock sci-fi" canon (see also Planet of the Apes '68 and Soylent Green '73).
helpful•5915
- barnabyrudge
- May 1, 2005
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- I Am Legend
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $8,720,000
- Runtime1 hour 38 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content

Recently viewed
Please enable browser cookies to use this feature. Learn more.