Investigative reporter Carl Kolchak, who's after his wife's killer, Carl's partners Perri Reed and Jain McManus and their boss Tony Vincenzo investigate strange crimes in L.A. that may or may not have dark supernatural elements to them.
An investigative reporter stumbles onto an artist that has made a pact to come back after his death to sculpt a statue of a demon using human blood and clay. Once the demon is awakened he will be granted immortality.
Carl Kolchak is a newspaper reporter with an abrasive personality that has gotten him fired ten times from various big-city papers. Now he's reduced to reporting for a relatively small-time paper in Las Vegas. It's here he gets the story of his life. But will the local sheriff, or the D.A., or even his own boss, let him print it? He has an ally in the FBI agent brought in to investigate this strange case. It seems someone is biting the necks of young girls and draining their blood. Can this killer with supernormal powers really be a 70-year-old Romanian millionaire? Can he really be a vampire? And can an aging reporter do anything to stop him?Written by
According to producer Dan Curtis, the film was shot for $450,000 and filming was completed in 12 days. See more »
In the climactic showdown scene, when a weakened Skorzeny (Barry Atwater) is laying against the stairs he turns around to see Jenks holding the chrome cross close to his face. Apparently seeing his face in the reflection of the cross (and possibly being startled by his appearance), Atwater begins to laugh, and the camera quickly cuts away to another shot. See more »
I'll take Manhattan, the Bronx and Staten Island, too. Watch out you great big wonderful Big Apple, Kolchak's coming back. Yeah!
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The 1970s produced a large volume of made-for-TV movies, and, unlike today, they did not have to be about relevant social topics or preach political correctness. Back then, TV movies could actually be made with no intent other than to entertain--what a decade!
The Night Stalker is one of the very best of these made-for-TV films. Be warned, the production values are not as good as a feature film, but the story, the writing, the acting, and the director's mastery of creepiness make up for any other faults. From McGavin on down the line, the acting is terrific! In fact, Carl Kolchak may be McGavin's finest role. Richard Matheson's writing is up to his usual standards of excellence. Barry Atwater is a great bit of casting as the vampire. If there is one fault, and it has to be laid at the feet of the director, it is the inept use of a stunt man as a substitute for Atwater during the action scenes. In some scenes it is painfully obvious that it is not Atwater; it's a wonder the scenes weren't clipped. But this is the price that is paid for a TV movie with a short shooting schedule. As a whole, The Night Stalker is one of the very best vampire movies ever made. Don't let a few faults deter you from an otherwise classic bit of horror film-making. Remember, this is a TV movie; if you want lots of gore, don't waste your time.
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