Lila Green is an insecure and aging showgirl for Madame Olga's stage shows. When her boyfriend, Rick, runs off with the show's money, Madame Olga and Ronny let Lila go. Lila goes to stay ... See full summary »
Franklin J. Schaffner
The tragic story of Nicholas II, the last Czar of Russia, set against the backdrop of the Russian Revolution. It is an inside look into the private lives of Nicholas and his wife Alexandra, their daughters, their only son, and the painful secret about their son and heir apparent which bound the Imperial Couple to the mystical Rasputin, and the eventual execution of the entire family.Written by
Gailene Va. Holley <firstname.lastname@example.org>
The only Best Picture Oscar nominee that year to not be nominated for Best Director. See more »
Nothing is spoken during the end execution scene, though the Bolshevik accounts have the head, Yurosky reading a sentence that they were to execute them all right before doing it. Some historians have believed that it might --not be true after all, and that the Bolsheviks may have 'made up' to say that they didn't kill the Romanovs in cold blood. See more »
I'll never understand you. You hate anyone who's not your kind of Bolshevik more than you hate the Tsar.
No wonder they call you Robespierre. Everyone's got to think like you, or they're out!
He thinks freedom is something you write on a wall, you don't actually practice it.
That's not true. Of course, I agree you're free to say what you like. And you must agree I'm free to shoot you for saying it.
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"By courtesy of the National Theatre of G.B." is written underneath Tom Baker and Laurence Olivier's names in the end credits. "By courtesy of the Royal Shakespeare Company" is written underneath Janet Suzman's name. See more »
The present DVD issue is slightly longer than the original VHS versions and includes several scenes not featured in the earlier versions e.g. a Russian general committing suicide and more scenes of the royal family in captivity. See more »
2.Nicholas and Alexandra (01:26)
3.The Royal Children (01:23)
4.The Palace (01:00)
5.Sunshine Days (03:21)
7.The Romanov Tercentenary (00:52)
8.Lenin in Exile (01:21)
9.The Princessess (02:20)
10.The Breakthrough (02:35)
11.The Declaration of War (02:55)
13.The Journey to the Front (01:02)
14.Military March (02:40)
15.Rasputin's Death (01:28)
16.The People Revolt (01:19)
17.Alexandra Alone (01:11)
19.Dancing in the Snow (01:11)
20.Departure from Tobolsk (01:30)
Soundtrack written by Richard Rodney Bennett. See more »
This truly beautiful movie with considerable artistic value should not be watched for its historical accuracy or its lack of geographical precision. It is mainly a story about a marriage of two weak but lovable people who somehow should not have been where fate put them. You could call Nicholas and Alexandra an anti-monarchistic manifesto.
The script really is first rate, it doesn't matter that all the characters are far more English than Russian, what counts is the way a tragic situation unfolds in front of the viewers. For many the last czar probably was a monster as he ordered the death of hundreds of thousands. Yet watching the movie you want to believe that he is the victim of circumstances, far removed from everyday life and a husband and father who cares deeply and, in spite of all his outrageous decisions and non-decisions, wants to be good". Strange as it seems, but the intimate scenes between him and his wife are the highlights of the movie, as they really bring out the affection between two people who are attracted to each other although they are only too familiar with each other's flaws. It makes the tragic ending of the movie all the more sad.
I had the chance to visit Nicholas' palace in Yalta a few years back. It is full of family snapshots, as the czar was an avid photographer (and also movie maker). It is striking how modern those pictures are, how relaxed and middle class" the imperial family, always in bathing suits or some elegant leisure wear, appears. In a strange way the Russian emperor comes through as being much less crusty than his contemporaries on the throne of Britain, Germany or Austria-Hungary. It gives you the idea that he was a modern man. Strangely, whenever he himself is in the photos, he is never in the center of the picture but always somewhere in a marginal position, seeming to be either bemused or slightly embarrassed. What a sad career!
An interesting side-effect of the movie is the fact that it shows that at the outset of World War I the crowned heads of Europe, many of them related to each other and on relatively intimate terms, could have prevented the bloodshed. They failed colossally and thus sealed the fate of a continent that still tries to find unity and a common denominator.
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