In London, the Italian gym teacher Enrico 'Henry' Rosseni is having a love affair with his eighteen year-old student Elizabeth Seccles, who is the daughter of the owner of the Catholic ... See full summary »
In London, Carol Hammond lives in a fancy building with her husband Frank Hammond and her stepdaughter Joan Hammond. Carol is the beloved daughter of the wealthy and prominent lawyer and politician Edmond Brighton and Frank is his partner in his office and has a love affair with Deborah. Carol's next door neighbor Julia Durer is a depraved woman that promotes parties with drugs and orgies. Carol has psychoanalyze sessions with Dr. Kerr and is intrigued with a nightmare where she stabs Julia to death three times with a couple watching the murder. When Julia is found dead in her apartment, the efficient Inspector Corvin and his partner Sgt. Brandon are assigned to investigate. All the evidences point out to Carol, but was a dream or reality?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The house outside which the police car pulls up and which is supposed to contain Carol's flat is 39 Belgrave Square, SW1. In real life it is occupied by the Italian Cultural Institute in London. See more »
Despite being credited in advertising, Anita Strindberg doesn't receive an onscreen credit in the film itself. See more »
What do you expect us to do with all that acid inside us, huh?
We were filled with acid from our heads to our toes. And you know something? Under the effect of acid, I look at you here and all I see is a red blob. Or a galloping horse.
You don't remember anything at all about that night?
Yeah, I remember. Yes, I remember, seeing that night, a lizard - in a woman's skin.
No, beautiful. Just beautiful.
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There are at least four different edits of this film, each using different takes adding or removing scenes. The US version removed some of the nudity and the 'swan' scene. The French version had more nudity and the orgy scene was longer. See more »
Although Lucio Fulci is most famous for the atmospheric and very gory series of zombie movies he made in the late 70's and early 80's, this early 70's giallo might very well be his best film. It has all the strengths of Fulci's best work--great cinematography, brilliant editing, and a powerful sense of atmosphere (although the decadent, garish portrait he creates here of "Swinging London" is quite distinct from oozing sense of dread he conjures up in the rural American settings of his zombie films). This movie, however, has two things his zombie films do not have: first, a script that is both genuinely suspenseful and that actually makes sense (rather than merely functioning as a means to tie various interesting scenes together), and, second, Florinda Balkan. It is hard to describe how good Balkan is here, but if you've seen her in "Flavia, the Heretic" or in the supporting role she plays in another excellent Fulci giallo "Don't Torture a Duckling" you'll know what I mean. There is some decent acting in many of the later Fulci movies, but nothing like Balkan's performance in this and in "Duckling".
And if you're the typical Fulci fan seeking a heavy dosage of blood and gore, you won't be disappointed. This movie offers a bat attack similar to the one he later did in "House by the Cemetery" which is less bloody, but much more realistic as it accomplished through clever editing rather than phony prosthetics. Then there is the scene with a half-dissected (but still living)dog which actually landed Fulci in court for animal cruelty! (Don't worry--it wasn't a real dog). Hopefully, when this movie comes out on (legitimate) DVD that scene will be restored to its full power, and this excellent movie will be appreciated for what it truly is--Fulci's best movie.
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