By chance the perfume creators Mike and Al produce a scent that makes women go wild for sex. While they desperately try to find the recipe for their product of chance, they use it on random... See full summary »
David C. Rea
Dysfunctional marriages of several unhappy rich doctors who work at a private clinic and their neglected wives who deal with their own unhappiness in various ways enter crisis mode when one of them murders his cheating wife.
A young woman goes home to New York after a long stay in Europe. Her former schoolmate introduces her to the decadence of New York and she ultimately falls in love with an older man who's a stand-in for her father, before tragedy strikes.
A religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Katy, Gustav's niece, will involve herself in a devilish cult, and become an instrument of Justice in the region.
Robin Stone, an ambitious, sex driven TV news anchor catches the eye of Judith Austin, the wife of network executive Greg Austin. She pressures Greg into promoting him to a higher position and before long, he is running the network while Greg recovers from a massive coronary. Meanwhile, Robin dumps his model girlfriend Amanda and begins an affair with Judith. But Robin soon strays with an assortment of girls. Apart from the sexual liaisons, he's at constant odds with the network. When Greg begins to recover and wants to take back his reign, he gets considerable resistance from Robin. So Greg considers harsher methods to oust Robin from his former position and regain control of the network. Written by
The network TV news business as a sleazy cesspool, with John Phillip Law as the titular news-anchor who sleeps his way to the top. Nice idea to have Dionne Warwicke do the song vocals for this movie-adaptation of Jacqueline Susann's bestseller (a la "Valley Of The Dolls")...though it's really too bad this sudser doesn't have Patty Duke's Neely O'Hara to spike the story. "The Love Machine" is unrelievedly dull. Even the final brawl (with an Academy Award as a fight prop!) can't save it. Dyan Cannon seems embalmed in her heavy pancake make-up and cumbersome fall (although her tiny, suntanned figure is a beauty to behold), Law is a handsome block of wood, while David Hemmings is embarrassing in gay-mode as a flamboyant photographer. And where is Robin Stone walking to at the end? Is he trekking out to the waterfront to pick up some sailors? After Cannon has deflated his masculinity, it would be a safe bet. In that case, "Love Machine--The Final Episode" might have been a more interesting flick. Certainly better than this yawn-inducing snooze-opera. *1/2 from ****
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