Pitch black comedy about a young nihilistic New Yorker coping with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia and ethnic-racial conflict during a typical summer of the 1970s.
At a Catholic public school, Benjamin Stanfield is tired of being the teacher's pet and decides to play a practical joke on his form master Father Goddard. In confession, Stanfield tells ... See full summary »
A timid bank teller anticipates a bank robbery and steals the money himself before the crook arrives. When the sadistic crook realizes he's been fooled, he tracks down the teller and engages him in a cat-and-mouse chase for the cash.
Benny and his wife Ruthie a getting set to drive down to Florida, but Benny needs someone to look after his store while he's gone. Though he doesn't think much of him, Benny hands the ... See full summary »
From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ... See full summary »
A young surgeon becomes bored with his wife and family, he has a very successful career, but even with having so much in life, he feels empty and goes through a series of brief and meaningless relations with attractive women.
A fugitive girl, a stuntman and a young man who lost his dog quite some time before, are joining together on a trip to reach each of their own destination. A youngster gets emotionally ... See full summary »
An idealistic girl, Patsy Newquist, saves a young apathetic photographer, Alfred Chamberlain, from a gang of hooligans. She falls for him, but he turns out to be a nihilist. They go out anyway. All this happens against the background of random shootings in NYC (at the time the play the movie is based on was written, the city was going broke). Her family accept him, but when she tries to change him and get him to find meaning in life, things go horribly wrong in a cruel twist of fate.Written by
John Vogel <firstname.lastname@example.org>
A black comedy in every sense of the word. It's too bad that Alan Arkin doesn't direct more movies because he really scored with this one. It's a movie that still seems so fresh today because of its storyline, even after close to 30 years. It was pertinent back then and even more so today. It's great to see appearances here by Arkin and Donald Sutherland, and it's one of Elliott Gould's best roles.
Keep on the lookout for this in your late night t.v. schedule. It's really worth seeing again (and especially if you haven't seen it yet).
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