In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically.In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically.In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied North Texas town that is slowly dying, both culturally and economically.
- Won 2 Oscars
- 19 wins & 22 nominations total
Sharon Ullrick
- Charlene Duggs
- (as Sharon Taggart)
Storyline
Did you know
- TriviaAt 9 minutes and 54 seconds, Ben Johnson's performance in this movie is the shortest to ever win an Academy Award for Best Supporting Actor.
- GoofsWhen Duane returns to Anarene toward the end of the film, he is on leave from the US Army in the middle of the Korean War, around 1952. His hair is too long to pass Army regulations, which limit the length of a soldier's hair, after he has completed basic training. His hair would be too long even for today's Army. Moreover, Duane has sideburns, which the Army would never have permitted.
- Quotes
[last lines]
Ruth Popper: Never you mind, honey. Never you mind.
- Alternate versionsSpecial edition includes seven minutes of footage not included in the original release.
- ConnectionsFeatured in The Last Picture Show Re-Release Promo (1971)
- SoundtracksCold, Cold Heart
(uncredited)
Written by Hank Williams (as Hank Williams Sr.)
Performed by Tony Bennett
Featured review
A Sense Of Realism
This is a character study wherein the main character is a small West Texas town, circa 1951. In the U.S., the early 1950s symbolized a transition from nineteenth century agrarian values to twentieth century urbanism. In the film, various people who live in the town must confront the reality that time moves on. Things change. Assumptions of previous generations give way to the untested assumptions of the future. The film's theme is thus American cultural change, and the personal disillusionment that such change can bring. It is a powerful theme, and the film imparts that theme with logical clarity and emotional frankness.
In the hands of lesser talents, the subject matter of unimportant people doing unimportant things might have yielded a tiresome soap opera. But the film's script is poetic, the direction is skillful, the B&W cinematography is artistic, the casting is perfect, and the performances are superlative.
The story draws heavily from early American individualism. Life here is mostly physical, not mental. Human relationships are direct, immediate, one-on-one. Except for schools, which are given some prominence, cultural institutions exist in the film only vaguely or not at all. For entertainment, people listen to radio, which features the mournful country-western music of Hank Williams. Or, they go to the town's decrepit picture show, where an elderly Miss Mosey kindly returns money to the kids who got there too late to see the cartoons.
If the film has a weakness it is in the presentation of a realism that is incomplete. We see mostly stifling bleakness, though that is ameliorated somewhat by humor. What we don't see are the uplifting influences and the optimism that sustained agrarian generations through hardships and rough times.
Nevertheless, within the film's story parameters, the film does convey an accurate account of what life was like for ordinary folks in West Texas in the early 1950s. I doubt that this film could be made today. Contemporary audiences have been conditioned to expect non-stop action, loudness, glitz, and overblown special effects, all of which are absent, mercifully, from this film.
Low-key, perceptive, bleak, and melancholy, "The Last Picture Show" easily makes my list of Top Ten favorite films of all time.
In the hands of lesser talents, the subject matter of unimportant people doing unimportant things might have yielded a tiresome soap opera. But the film's script is poetic, the direction is skillful, the B&W cinematography is artistic, the casting is perfect, and the performances are superlative.
The story draws heavily from early American individualism. Life here is mostly physical, not mental. Human relationships are direct, immediate, one-on-one. Except for schools, which are given some prominence, cultural institutions exist in the film only vaguely or not at all. For entertainment, people listen to radio, which features the mournful country-western music of Hank Williams. Or, they go to the town's decrepit picture show, where an elderly Miss Mosey kindly returns money to the kids who got there too late to see the cartoons.
If the film has a weakness it is in the presentation of a realism that is incomplete. We see mostly stifling bleakness, though that is ameliorated somewhat by humor. What we don't see are the uplifting influences and the optimism that sustained agrarian generations through hardships and rough times.
Nevertheless, within the film's story parameters, the film does convey an accurate account of what life was like for ordinary folks in West Texas in the early 1950s. I doubt that this film could be made today. Contemporary audiences have been conditioned to expect non-stop action, loudness, glitz, and overblown special effects, all of which are absent, mercifully, from this film.
Low-key, perceptive, bleak, and melancholy, "The Last Picture Show" easily makes my list of Top Ten favorite films of all time.
helpful•15124
- Lechuguilla
- Jan 29, 2006
Details
- Release date
- Country of origin
- Language
- Also known as
- Zadnja predstava
- Filming locations
- 605 South Ash Street, Archer City, Texas, USA(high school)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,300,000 (estimated)
- Gross US & Canada
- $29,133,000
- Gross worldwide
- $29,146,131
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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