7.2/10
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123 user 65 critic

Klute (1971)

Trailer
3:01 | Trailer

On Disc

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A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute.

Director:

Alan J. Pakula

Writers:

Andy Lewis, David E. Lewis (as Dave Lewis)
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Won 1 Oscar. Another 8 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jane Fonda ... Bree Daniels
Donald Sutherland ... John Klute
Charles Cioffi ... Peter Cable
Roy Scheider ... Frank Ligourin
Dorothy Tristan ... Arlyn Page
Rita Gam ... Trina
Nathan George ... Trask
Vivian Nathan Vivian Nathan ... Psychiatrist
Morris Strassberg Morris Strassberg ... Mr. Goldfarb
Barry Snider Barry Snider ... Berger
Betty Murray Betty Murray ... Holly Gruneman
Jane White ... Janie Dale
Shirley Stoler ... Momma Reese
Robert Milli Robert Milli ... Tom Gruneman
Anthony Holland ... Actor's Agent
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Storyline

Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, hire Tom's friend, private detective John Klute to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom purportedly wrote to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters from someone, and since having received several mysterious telephone calls as well. The suggestion/belief is that Tom was one of Bree's past johns, although she has no recollection of him when shown his photograph. Bree's tricking is both a compulsion and a financial need. In their initial encounters, John and Bree do whatever they can to exert their psychological dominance over the other, especially as Bree initially refused to even speak to him. Despite their less than friendly start, they embark on a personal ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

It starts with the jangle of a phone. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 June 1971 (USA) See more »

Also Known As:

El pasado me condena See more »

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Box Office

Budget:

$2,500,000 (estimated)

Cumulative Worldwide Gross:

$12,512,637, 31 December 1971
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Pakula wanted composer Michael Small not to play low notes in his score, because the audience already knows that it's scary. See more »

Goofs

Several sound effects in the hotel room scene near the beginning are quite poorly dubbed in, sounding much clearer and crisper than the murky, echoey live sound from the on-set microphone, and with audible cuts and mismatched volume levels. See more »

Quotes

Bree Daniel: Men would pay $200 for me, and here you are turning down a freebie. You could get a perfectly good dishwasher for that.
See more »

Alternate Versions

Some network TV versions omit six minutes' worth of footage, including a scene where Klute (Donald Sutherland) finds the clue that leads him to the murderer. See more »


Soundtracks

We Gather Together
(uncredited)
Written by Adrianus Valerius
Lyrics by Theodore Baker
Sung by Jane Fonda
See more »

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User Reviews

 
Maybe The Film Should Have Been Called 'Bree'
2 July 2009 | by bkoganbingSee all my reviews

The question Klute ultimately asks is can a high priced call girl from Manhattan find happiness with a small town private detective from Tuscarora, Pennsylvania? Of course it asks more than that and probes the human psyche quite a bit.

Though the title role of John Klute the detective is played by Donald Sutherland, the central character is Jane Fonda the call girl. Which begs the question why the film wasn't called Bree. It was her performance as Bree Daniels that got Jane her first Academy Award for Best Actress. That and sympathy from Hollywood for being an avowed member in good standing on Richard Nixon's enemies list.

Despite Nixon and his trashing of the Constitution, I never liked the idea of Jane Fonda broadcasting from Hanoi while our soldiers were fighting in Vietnam. That was taking anti-war protest way too far. But forgetting the politics she gives quite a performance as the psychologically deep and troubled call girl who has a stalker on her hands.

Sutherland as Klute is hired to trace the disappearance of business executive Robert Milli from the main corporate employer in Tuscarora, Pennsylvania. Apparently Milli was leading a double life, on business trips he'd hire call girls and had a tendency to get rough while frolicking. There's a note found threatening one of them and of course it's Jane Fonda.

Fonda is an aspiring actress and model who does this to pay the bills. It's given her quite a cynical attitude on life. It takes a while, but Sutherland kind of grows on her and when he solves the disappearance, he proves to be her benefactor.

Other performance to note are Roy Scheider as her pimp, Rita Gam as the brothel madam and Charles Cioffi the CEO of the company who hires Sutherland to find the missing Milli. Still it's Fonda who dominates the proceedings.

I'm still hoping that Peter Fonda gets a role that will land him an Oscar so we have a father-daughter-son parlay of Oscar winners in one family. Klute as a film has stood the test of time and hasn't aged a bit. It could easily be done today with those awful Seventies fashions replaced by today's.


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