7.2/10
18,724
122 user 65 critic

Klute (1971)

Trailer
3:01 | Trailer

On Disc

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A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute.

Director:

Alan J. Pakula

Writers:

Andy Lewis, David E. Lewis (as Dave Lewis)
Reviews
Won 1 Oscar. Another 8 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jane Fonda ... Bree Daniels
Donald Sutherland ... John Klute
Charles Cioffi ... Peter Cable
Roy Scheider ... Frank Ligourin
Dorothy Tristan ... Arlyn Page
Rita Gam ... Trina
Nathan George ... Trask
Vivian Nathan Vivian Nathan ... Psychiatrist
Morris Strassberg Morris Strassberg ... Mr. Goldfarb
Barry Snider Barry Snider ... Berger
Betty Murray Betty Murray ... Holly Gruneman
Jane White ... Janie Dale
Shirley Stoler ... Momma Reese
Robert Milli Robert Milli ... Tom Gruneman
Anthony Holland ... Actor's Agent
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Storyline

Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, hire Tom's friend, private detective John Klute to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom purportedly wrote to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters from someone, and since having received several mysterious telephone calls as well. The suggestion/belief is that Tom was one of Bree's past johns, although she has no recollection of him when shown his photograph. Bree's tricking is both a compulsion and a financial need. In their initial encounters, John and Bree do whatever they can to exert their psychological dominance over the other, especially as Bree initially refused to even speak to him. Despite their less than friendly start, they embark on a personal ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Lots of guys swing with a call girl like Bree. One guy just wants to kill her. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 June 1971 (USA) See more »

Also Known As:

El pasado me condena See more »

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Box Office

Budget:

$2,500,000 (estimated)

Cumulative Worldwide Gross:

$12,512,637, 31 December 1971
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

According to Donald Sutherland, the time the lighting took up was immense. The actors rehearsed usually from 7 to 9 AM, then returning to their trailers and usually waiting for noon or 1 PM before shooting started. See more »

Goofs

When Bree has drinks with one of her clients in his hotel, there is much clinking of ice on soundtrack but no ice in drinks. See more »

Quotes

Peter Cable: I have no idea what I'm going to do. I'm so deeply puzzled. I've done terrible things, I've killed three people. Really, I don't consider myself a terrible man, no more than-than others. See, Tom Gruneman had discovered me. We were here on business together and he found me and Jane McKenna in my hotel room. She had become hysterical and she started screaming and I guess I hit her. I don't actually recall, it all happened so quickly. Anyway, she fell and hit her head and that's when Tom came in ...
[...]
See more »

Alternate Versions

Some network TV versions omit six minutes' worth of footage, including a scene where Klute (Donald Sutherland) finds the clue that leads him to the murderer. See more »

Connections

Referenced in Super 8½ (1994) See more »

Soundtracks

We Gather Together
(uncredited)
Written by Adrianus Valerius
Lyrics by Theodore Baker
Sung by Jane Fonda
See more »

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User Reviews

 
Artless and surprisingly delicate
29 June 2000 | by stills-6See all my reviews

Despite the rough-edges reputation of Pakula, he always manages to give us some beautifully shot, almost fragile images. Like Fonda pondering an envelope full of money and a blank invoice while surrounded by clothing-store dummies; or Sutherland choosing apricots by feel; or even Roy Scheider's silent acknowledgement that he is being used. And Fonda's artless performance is so unbelieveable, I couldn't believe it was her.

Terrifically acted - everyone takes just the right tone. My only quibble about the movie is how the mystery is solved. It's much too abrupt given the meandering pace of the rest of the movie. But the plot means nothing in this surprisingly delicate character study.


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