Klute (1971)

A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute.

Director:

Alan J. Pakula

Writers:

Andy Lewis, David E. Lewis (as Dave Lewis)

Stars:

Jane Fonda, Donald Sutherland, Charles Cioffi

Won 1 Oscar. Another 8 wins & 5 nominations.

Cast

Cast overview, first billed only:
Jane Fonda	...	Bree Daniels
Donald Sutherland	...	John Klute
Charles Cioffi	...	Peter Cable
Roy Scheider	...	Frank Ligourin
Dorothy Tristan	...	Arlyn Page
Rita Gam	...	Trina
Nathan George	...	Trask
Vivian Nathan	...	Psychiatrist
Morris Strassberg	...	Mr. Goldfarb
Barry Snider	...	Berger
Betty Murray	...	Holly Gruneman
Jane White	...	Janie Dale
Shirley Stoler	...	Momma Reese
Robert Milli	...	Tom Gruneman
Anthony Holland	...	Actor's Agent

Storyline

Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, hire Tom's friend, private detective John Klute to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom purportedly wrote to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters from someone, and since having received several mysterious telephone calls as well. The suggestion/belief is that Tom was one of Bree's past johns, although she has no recollection of him when shown his photograph. Bree's tricking is both a compulsion and a financial need. In their initial encounters, John and Bree do whatever they can to exert their psychological dominance over the other, especially as Bree initially refused to even speak to him. Despite their less than friendly start, they embark on a personal ...

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Plot Keywords:

prostitute | private detective | undressing | neo noir | woman undressing | 

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Taglines:

You'd never take her for a call girl. You'd never take him for a cop.

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Genres:

Crime | Mystery | Thriller

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

25 June 1971 (USA)

Also Known As:

El pasado me condena

Filming Locations:

Filmways Studios - 246 East 127th Street, East Harlem, Manhattan, New York City, New York, USA

Box Office

Budget:

$2,500,000 (estimated)

Cumulative Worldwide Gross:

$12,512,637, 31 December 1971

Company Credits

Production Co:

Warner Bros., Gus Productions

Technical Specs

Runtime:

114 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

Future film star Sylvester Stallone made an appearance as an extra in "Klute."

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Goofs

When Klute is driving Bree home, the truck following them changes to a regular car between shots.

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Quotes

Bree Daniel: [at a payphone] Hey Trina, Bree. Listen, I could use a quick fifty. You got a commuter for me?

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Alternate Versions

Some network TV versions omit six minutes' worth of footage, including a scene where Klute (Donald Sutherland) finds the clue that leads him to the murderer.

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Connections

Referenced in George Stevens: The Filmmakers Who Knew Him (2001)

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Soundtracks

We Gather Together
(uncredited)
Written by Adrianus Valerius
Lyrics by Theodore Baker
Sung by Jane Fonda

User Reviews

The one that took Jane Fonda from sex kitten to respected actress

Fine gritty dramatic mystery that gets the pulse of NYC in the early 70's just right. It becomes another character in the film which only strengths the picture and adds a certain creeping menace to it. While the movie pivots on the disappearance of a man it's really a character study of alienation with the investigation a peg to hang the main action on.

Sutherland is fine as the inquiring detective John Klute but the film lives and dies on the character of Bree Daniels and Jane Fonda owns that part.

Bree wants the world to believe she's one tough hard customer but as the film progresses it becomes more and more obvious that the bravado is a front. She displays raw, honest emotion in all her scenes but particularly in her therapy sequences. She shows so many layers to the character, including flashes of humor that Bree comes across as a real woman.

Usually I try not to let appearance factor into my appraisal of a performance however that shag hairstyle is integral to the audience's acceptance of her as a tough call girl. Having moved forward and away from her initial image of the blonde cutie with her previous film, They Shoot Horses, Don't They?, she completely transforms herself in this. The soft blonde Jane Fonda of Barefoot in the Park or Barbarella of only a couple of years before would never be believable as Bree Daniels. The film was a major hit and she won her first Oscar for it. She was up against some excellent performances that year but she was the correct winner.

Expertly directed by Pakula in his usual observant style this is a classic of '70's cinema. Highly recommended.