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King Lear (1971)

The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's ... See full summary »

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Cast

Complete credited cast:
... King Lear
... Goneril
... Albany
Susan Engel ... Regan
Tom Fleming ... Kent
Anne-Lise Gabold ... Cordelia
... Edmund
Robert Langdon Lloyd ... Edgar (as Robert Lloyd)
... Fool
... Cornwall
... Oswald
Alan Webb ... Gloucester
Søren Elung Jensen ... Duke of Burgundy
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Storyline

The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's especially galling because he turned over his entire kingdom to them. Paul Scofield is an ancient, imposing shell of a Lear tormented by his too-long life as well as by daughters he calls "unnatural hags." At one point, the king looks his eldest daughter, Goneril (Ireme Worth), straight in the eye and declares, "Thou art a boil, a plague-sore, of embossed carbuncle in my corrupted blood." These are the troubles not even the best-trained family counselor could ever hope to resolve. Written by alfiehitchie

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Genres:

Drama

Certificate:

GP | See all certifications »
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Details

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Release Date:

4 February 1971 (Denmark)  »

Also Known As:

Kong Lear  »

Filming Locations:

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Technical Specs

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Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Filmways also produced Tony Richardson's " Hamlet" and the 1968 version of " A Midsummer's Nights Dream ". They had planned to film the Polanski " Macbeth " , but pulled out at the last minute. See more »

Crazy Credits

Not only is there no music in the film, but there are no "ambient sounds" at all during the opening credits, giving the impression that they were filmed using no soundtrack whatsoever. See more »

Connections

Version of Le roi Lear (1981) See more »

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User Reviews

 
Forget the Oscars...this is acting!
12 January 2011 | by See all my reviews

As has happened so many times with the Oscars, another great film-actor-ensemble has been neglected. Recognised nearly universally as the ultimate test of an actor's craft, Paul Scofield as Lear in this 1971 version could be deified for his performance, even more complex than his Oscar-winning Thomas More in 1966's best pic "A Man For All Seasons". Viewing this film should be a prerequisite not just for R.A.D.A. acting students. Incorporating as he did the essence of Lear so organically, Scofield sadly was not even nominated, another nod to the lowest common denominator public taste. This review, nearly forty years after the pic's release, was an on-the-spot spontaneous impulse after yet another viewing of the film. People are afraid of Shakespeare(a.l.a. DeVere); don't be. All, but especially any pained by their own offspring, will turn away from the screen with much more than a penny's worth of thought and a rediscovery of the art of Paul Scofield and ensemble. It is a cliché, but they just don't make movies like this one anymore.


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