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Duck, You Sucker (1971)

Giù la testa (original title)
PG | | Drama, War, Western | 7 July 1972 (USA)
An I.R.A. explosives expert on the run in Mexico meets an amoral Mexican bandit; together they are drawn into the Mexican revolution.

Director:

Sergio Leone

Writers:

Sergio Leone (story), Sergio Donati (story) | 5 more credits »
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Cast

Cast overview, first billed only:
Rod Steiger ... Juan Miranda
James Coburn ... John H. Mallory
Romolo Valli ... Dr. Villega
Maria Monti Maria Monti ... Adelita, Coach Passenger
Rik Battaglia ... Santerna (as Rick Battaglia)
Franco Graziosi Franco Graziosi ... Governor Huerta
Antoine Saint-John ... Gutierez / Col. Günther Reza (as Domingo Antoine) (as Jean Michel Antoine)
Vivienne Chandler Vivienne Chandler ... Coleen, John's Girlfriend
David Warbeck ... Nolan, John's Friend
Giulio Battiferri Giulio Battiferri ... Miguel
Poldo Bendandi Poldo Bendandi ... Executed Revolutionary
Omar Bonaro Omar Bonaro ... Revolutionary
Roy Bosier Roy Bosier ... Landowner on stagecoach
John Frederick John Frederick ... American on stagecoach
Amato Garbini Amato Garbini ... Second Policeman on Train
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Storyline

In Mexico at the time of the Revolution, Juan, the leader of a bandit family, meets John Mallory, an IRA explosives expert on the run from the British. Seeing John's skill with explosives, Juan decides to persuade him to join the bandits in a raid on the great bank of Mesa Verde. John in the meantime has made contact with the revolutionaries, and intends to use his dynamite in their service. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Rod Steiger and James Coburn will blow you apart in "A Fistful of Dynamite" ("Duck You Sucker") by the master of adventure Sergio Leone

Genres:

Drama | War | Western

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | Spain

Language:

Italian | Spanish

Release Date:

7 July 1972 (USA) See more »

Also Known As:

A Fistful of Dynamite See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (initial US release) | (Laserdisc)

Sound Mix:

Mono

Color:

Color (Technicolor) (english version)| Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Despite the politically charged setting, the film was not intended as a political film: Sergio Leone himself said that the Mexican Revolution in the film is meant only as a symbol, not as a representation of the real one, and that it was chosen because of its fame and its relationship with cinema, and he contends that the real theme of the film is friendship:

"I chose to oppose an intellectual, who has experienced a revolution in Ireland, with a naïve Mexican... you have two men: one naïve and one intellectual (self-centred as intellectuals too often are in the face of the naïve). From there, the film becomes the story of Pygmalion reversed. The simple one teaches the intellectual a lesson. Nature gains an upper hand and finally the intellectual throws away his book of Bakunin's writings. You suspect damn well that this gesture is a symbolic reference to everything my generation has been told in the way of promises. We have waited, but we still are waiting! I have the film say, in effect "Revolution means confusion"". See more »

Goofs

A close-on shot of one of the convoy's trucks as it rolls through mud shows a modern pneumatic tire and wheel. See more »

Quotes

[first lines]
Stagecoach driver: [shouts various commands to the horses in Spanish, eventually making theme stop near a water trough]
Juan Miranda: [runs to the stagecoach] Señor! Señor! Señor...
Yankee, Stagecoach Driver: [to the Mexican driver] Tighten up that girth.
Juan Miranda: Señor, I... I must go to San Felipe... my mother is dead!
Yankee, Stagecoach Driver: Straight down the road, about fifty miles.
Juan Miranda: [pats his shoulder, and hands him some money] Please?
Yankee, Stagecoach Driver: [pushes him] Eh, get outta here.
[Juan begins to walk away, crying]
Yankee, Stagecoach Driver: Hey. Hey, amigo. Come here.
[...]
See more »

Crazy Credits

Uncut English-language prints of the film use 'Duck You Sucker' as its title, while edited reissues use 'A Fistful of Dynamite', with 'Duck, You Sucker' in smaller print and in parenthesis underneath. See more »

Alternate Versions

The Italian version of the film, which has been screened at London's National Film Theatre, runs about 157m - the difference is that the climatic flashback scene runs about 3 minutes longer (only 30s in other prints or missing entirely) and shows Coburn getting jealous at the attention Warbeck is giving his girlfriend - thus giving a whole additional meaning to the betrayal sub-plot. See more »

Connections

Referenced in The Spaghetti West (2005) See more »

Frequently Asked Questions

See more »

User Reviews

A typically strong Leone film with added interesting political content
6 June 2005 | by bob the mooSee all my reviews

John Malloy is an IRA explosives expert, on the run in Mexico. Juan Miranda is a Mexican bandit with no interest in the political upheaval in his country and only a dream of hitting the large bank his father once failed to rob. When the two meet, Juan sees John's explosives as the way into the ban, but John has no interest and it is only when Juan frames him for the murder of some senior soldiers that John relents. Arriving in the town, the bank looks like a simple hit if they can find some way of distracting the masses of soldiers that now control the small town – luckily the revolution is in full swing and rebels are in great demand; but it is not long before Juan's idea of a simple bank robbery sees him up to his neck in a struggle that he has no interest in.

Many reviewers have said how strong the Leone formula is and I won't be able to add much to their words but for me this is a fine film mainly because it takes apart yet another of the cinema myths of the noble revolutionary fighters and has a fascinating thread of political commentary running all the way through it. It doesn't open this way though, rather it starts with Leone's usual brand of wit and confrontation between John and Juan and it all feels like it will be similar (and just as good) to some of Leone's other westerns. However, about an hour in, it becomes more interesting thanks to the rather shocking portrayal of the revolution (on both sides) and the ripping into the ideas behind it. It only adds to the basic plot and, when it becomes the main focus, the film is stronger for it, although Leone's Marxist views may be a little hard to swallow for some viewers in the west. That said, it does still work as a typical Leone western and fans of his will still love this film.

The cast is good but you gotta wonder how those accents would have been mauled if the film had not been as roundly good – certainly Coburn's attempts at an Irish brogue are not the most convincing I've heard. Other than that though he is good in the lead role, coping well with making an IRA character "likeable" without damaging the cynicism and regret that exists within him. His flashback scenes are convincing even if it is not that important to the main thrust of the film. Steiger is less serious at first but develops his character well, despite having to cope with a "road to Damascus" moment as part of it. He is consistently amusing as a character and he does tend to dominate his scenes to good effect. Support is fine but really these two men are the film and they do it very well, coping with the laughs, tension and political commentary equally well.

Overall, a typically strong film from Leone that has all his usual formula touches as well as plenty of commentary of value. The direction and use of music are as good as always and the cast cope well with the demands of the script. Reviewers who have taken this as an attack on John Ford's idea of the revolutionary Irishman are perhaps a little off since the film only confirms Ford's usual pointing out of "printing the myth" but it still has plenty of value and interesting political commentary.


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