In Mexico at the time of the Revolution, Juan, the leader of a bandit family, meets John Mallory, an IRA explosives expert on the run from the British. Seeing John's skill with explosives, Juan decides to persuade him to join the bandits in a raid on the great bank of Mesa Verde. John in the meantime has made contact with the revolutionaries, and intends to use his dynamite in their service.Written by
The inspiration for the firing squad scene came from Francisco Goya, and in particular from his set of prints The Disasters of War. Sergio Leone showed the prints to director of photography Giuseppe Ruzzolini in order to get the lighting and color effects he wanted. See more »
During the executions in the rain, when Mallory sees Villega identifying rebels, the speed of the windshield wipers changes. In one wide angle shot, the Col is shown manually moving the blades at a relatively slow rate. In other shots, the blades are moving much faster and with less jerkiness than when seen with the manual movement. See more »
John H. Mallory:
Where there's revolution there's confusion, and when there's confusion, a man who knows what he wants stands a good chance of getting it.
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Uncut English-language prints of the film use 'Duck You Sucker' as its title, while edited reissues use 'A Fistful of Dynamite', with 'Duck, You Sucker' in smaller print and in parenthesis underneath. See more »
A Fistful of Dynamite is often seen as the black sheep of Sergio Leone's commercial releases; and there's a good reason for that, as despite the fact that it's still a spaghetti western; it's a completely different kettle of fish to both the Dollars Trilogy and Once Upon a Time in the West. A Fistful of Dollars features common western themes such as bandits, guns and bank robberies - but, as he did with The Good, The Bad and The Ugly; Sergio Leone has implanted war themes into the plot, and we've also got the bizarre idea of one of the major characters being an IRA bomber! All this stuff doesn't quite come together cleanly, and as the tone of the movie changes often; it seems obvious that Leone has bitten off a bit more than he can chew...but luckily enough, A Fistful of Dynamite remains a fun movie for most of its duration. The plot follows a bandit named Juan, who bumps into a dynamite-laded bomber one day in the desert. Spotting an opportunity for robbery, he manages to recruit the IRA man to his cause; but he doesn't count on being dragged into the revolution that's going on at the same time.
The first half of the movie features some very astute elements of tongue-in-cheek humour, and it seems obvious that the director isn't intending the plot to be completely serious. However, at around the halfway point; the movie turns in completely the opposite direction, and the fun and silly first half gives way to a more deep and serious finale. For me, this is the movie's main problem; I like a movie that's unpredictable, but this change in plot feels disjointed and doesn't go down well. The second half of the film isn't as enjoyable to watch either, which harms the fun. However, Sergio Leone's direction is as impressive as ever, with some lovely wide angle shots capturing the beautiful landscapes; while, of course, Leone enjoys giving full focus to his actors for some extreme close-ups. Like the movie, the cast is a mixed bag. James Coburn looks the part, but his silly put-on accent makes him feel like he's having a laugh at times; and similarly, Rod Steiger dons an arguably even sillier accent and doesn't quite get away with it. Overall, A Fistful of Dynamite is not a film to please all viewers. I found it to be enjoyable despite many niggles, but I can understand why a lot of people disagree.
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