7.5/10
25,554
197 user 97 critic

Get Carter (1971)

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2:41 | Trailer

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When his brother dies under mysterious circumstances in a car accident, London gangster Jack Carter travels to Newcastle to investigate.

Director:

Mike Hodges

Writers:

Mike Hodges (screenplay), Ted Lewis (novel)
Reviews
Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Cast overview, first billed only:
Michael Caine ... Jack Carter
Ian Hendry ... Eric Paice
Britt Ekland ... Anna
John Osborne John Osborne ... Cyril Kinnear
Tony Beckley ... Peter the Dutchman
George Sewell ... Con McCarty
Geraldine Moffat ... Glenda (as Geraldine Moffatt)
Dorothy White Dorothy White ... Margaret
Rosemarie Dunham Rosemarie Dunham ... Edna
Petra Markham Petra Markham ... Doreen Carter
Alun Armstrong ... Keith
Bryan Mosley Bryan Mosley ... Cliff Brumby
Glynn Edwards ... Albert Swift
Bernard Hepton ... Thorpe
Terence Rigby ... Gerald Fletcher
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Storyline

A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness, Carter exhibits all the unstopability of the android in Terminator, or Walker in Point Blank, and he and the other characters in the film are prone to sudden, brutal acts of violence. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

What happens when a professional killer violates the code? Get Carter! See more »

Genres:

Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

UK

Language:

English

Release Date:

18 March 1971 (USA) See more »

Also Known As:

Jack rechnet ab See more »

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Box Office

Budget:

£750,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Mike Hodges cast Terence Rigby as Gerald Fletcher from his familiarity in television police drama. See more »

Goofs

In the ferry terminal shootout sequence, during the dialogue between Carter and the henchmen, a cameraman is reflected in the window of the ferry. See more »

Quotes

[first lines]
Gerald Fletcher: Bare ass naked with his socks still on?
Sid Fletcher: Yeah, they do it like that - up North.
Gerald Fletcher: What for? For protective purposes?
See more »

Alternate Versions

The UK cinema release was cut to get an "X" rating by the BBFC with the stabbing of Albert edited to remove some shots of the knife. Director Mike Hodges later admitted that "The less you see of the knife, the more effective the scene is". The cuts were waived in 1993. See more »

Connections

Referenced in The Trip (2010) See more »

Soundtracks

Auld Lang Syne
(uncredited)
Lyrics by Robert Burns, music traditional
Played by the Pelaw Hussars
See more »

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User Reviews

Cold, Hard, and Glistening
30 April 2012 | by dougdoepkeSee all my reviews

The movie's an ice-cold exercise in revenge, with a no-nonsense script and a first-rate turn by Caine as the heck-bent avenger. Someone killed his brother and, by golly, they're going to pay along with anyone else who gets in his way. The idea's not new; what's different is that Carter (Caine) has almost no redeeming qualities. He's about as cold blooded as the worst of the gangsters he confronts. Rooting for him is like rooting for a stomach pain over a headache.

Then too, Caine's ice-blue eyes are put to good use in sizing up his targets. And catch that gear shifting in the fast car timed to coincide with Carter's fast action on the bed. At last the subtext of all those sleek auto advertisements is revealed, this time in high octane. I just wish we saw more of Ms. Ekland, both literally and especially figuratively. And if that's not enough, catch that great ending. It's a marvel of imaginative staging and a perfect cap to what's gone before. Anyway, the movie reminds me of a polished piece of glass-- just about as cold and shiny and needing no depth. I couldn't stop looking at it.


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