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The French Connection (1971)

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A pair of NYC cops in the Narcotics Bureau stumble onto a drug smuggling job with a French connection.

Director:

William Friedkin

Writers:

Ernest Tidyman (screenplay by), Robin Moore (based on the book by)
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Popularity
3,168 ( 189)
Won 5 Oscars. Another 18 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gene Hackman ... Jimmy Doyle
Fernando Rey ... Alain Charnier
Roy Scheider ... Buddy Russo
Tony Lo Bianco ... Sal Boca
Marcel Bozzuffi ... Pierre Nicoli
Frédéric de Pasquale Frédéric de Pasquale ... Devereaux (as Frederic De Pasquale)
Bill Hickman ... Mulderig
Ann Rebbot Ann Rebbot ... Marie Charnier
Harold Gary Harold Gary ... Weinstock
Arlene Farber Arlene Farber ... Angie Boca
Eddie Egan ... Simonson
André Ernotte André Ernotte ... La Valle (as Andre Ernotte)
Sonny Grosso Sonny Grosso ... Klein
Benny Marino Benny Marino ... Lou Boca
Patrick McDermott ... Chemist (as Pat McDermott)
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Storyline

William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

In the great tradition of American thrillers See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

9 October 1971 (USA) See more »

Also Known As:

Doyle See more »

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Box Office

Budget:

$1,800,000 (estimated)

Gross USA:

$51,700,000, 31 December 1973
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)| 4-Track Stereo

Color:

Color (DeLuxe)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

An article quoted some of the performers as admitting that they pretty much ignored the dialog in the script and used terms and phrases the police advisers gave to them during rehearsals. Ironically, the screenplay won an Oscar. (Note: Owen Roizman, the film's cinematographer, maintains that the dialog in the finished film is almost exactly the same as that in the screenplay he read during production). See more »

Goofs

During the cat-and-mouse in the subway station, Popeye orders a grape drink from the snack bar, but seconds later on the train, he has a candy apple instead. See more »

Quotes

[first lines]
Jimmy 'Popeye' Doyle: Merry Christmas. What's your name, little boy?
Little Boy: Eric.
Jimmy 'Popeye' Doyle: Uh-huh, Eric. What do you want for Christmas Eric? Hmmm?
See more »

Crazy Credits

The 20th-Century Fox logo fades in in black and white and then dissolves to color. See more »


Soundtracks

Everybody Gets to Go to the Moon
(1969) (uncredited)
Written by Jimmy Webb
Performed by The Three Degrees in the club
See more »

Frequently Asked Questions

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User Reviews

An enjoyable cop thriller with plenty of good touches and an unmistakably 1970's feel
31 January 2005 | by bob the mooSee all my reviews

Following a mix of hunches and leads, two tough NYPD narcotic cops set up surveillance on a candy store in the belief that the owners of the store are somehow involved in drug dealing on the side. Putting the squeeze on the store leads them to a couple of new people, specifically a smooth French criminal called Alain Charnier who is trying to orchestrate a massive drug sale in New York. The pressure looks like bringing success to Detectives Doyle and Russo, but Charnier's organisation has tight time targets and decides to take action to remove the heat from the job.

Sometimes with "classic" films it is easy to get sucked into the hype and reputation and just love it before you have even seen it; for that reason, although I have seen it several times, I decided to give it a fresh viewing before I dared try to write my thoughts on it – it finished ten minutes ago, so my memory is still fresh. Although I feel that it has remained well known thanks to "that" car chase, I think that recalling only that scene is to do a disservice to a film that is an enjoyable thriller in a tough, typically 1970's mould. The plot sees a minor hunch turn into a bigger police job and it would be easy to pick holes in some of the logic within it, it still grips and provides a nicely gritty cop thriller. It isn't as clever or as original as those coming to it on the back of its reputation might expect it to be, as it does pretty much what the rest of the genre does. Now I'll be fair and acknowledge that I don't know whether this film was the first to create this type of film or if it was just part of the development of them, but certainly watching it now it does blend in with others in the same genre.

The direction makes it better than the material as Friedkin injects real tension and grit into the story keeping it exciting while also being rather sombre and low-key. The acting also makes it and, rightly, Hackman carries much of the film with a great performance as Doyle. Grizzled, bigoted and apparently heartless, it is interesting to contrast his character with Rey's Charnier, who is much cooler and effective. Scheider is, as always, reliable in support and he gives a good performance throughout while the rest of the cast play their roles well enough. There is no doubt though, that Hackman is the heart of the film and his performance reflects this and makes the audience emotionally involved with his story from the very start.

Overall this is a great 1970's cop thriller with all that comes with that genre. It is enjoyably gritty and fast paced with "heroes" of questionable morality and smooth criminals. People will always hark on about that car chase and, yes, it is good, but there is more to this film and it stands out as one of the best of the genre.


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