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Fiddler on the Roof (1971)

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In prerevolutionary Russia, a Jewish peasant contends with marrying off three of his daughters while growing anti-Semitic sentiment threatens his village.

Director:

Norman Jewison

Writers:

Sholom Aleichem (adapted from stories) (as Sholem Aleichem), Arnold Perl (adapted from Sholem Aleichem stories by special arrangement with) | 2 more credits »
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Popularity
1,675 ( 820)
Won 3 Oscars. Another 6 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Topol ... Tevye
Norma Crane ... Golde
Leonard Frey ... Motel
Molly Picon ... Yente
Paul Mann Paul Mann ... Lazar Wolf
Rosalind Harris ... Tzeitel
Michele Marsh ... Hodel
Neva Small Neva Small ... Chava
Paul Michael Glaser ... Perchik (as Michael Glaser)
Ray Lovelock ... Fyedka (as Raymond Lovelock)
Elaine Edwards Elaine Edwards ... Shprintze
Candy Bonstein Candy Bonstein ... Bielke
Shimen Ruskin Shimen Ruskin ... Mordcha
Zvee Scooler Zvee Scooler ... Rabbi
Louis Zorich ... Constable
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Storyline

At the beginning of the twentieth century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia of the Czars. Among the traditions of the Jewish community, the matchmaker arranges the match and the father approves it. The milkman Reb Tevye is a poor man that has been married for twenty-five years with Golde and they have five daughters. When the local matchmaker Yente arranges the match between his older daughter Tzeitel and the old widow butcher Lazar Wolf, Tevye agrees with the wedding. However Tzeitel is in love with the poor tailor Motel Kamzoil and they ask permission to Tevye to get married that he accepts to please his daughter. Then his second daughter Hodel (Michele Marsh) and the revolutionary student Perchik decide to marry each other and Tevye is forced to accept. When Perchik is arrested by the Czar troops and sent to Siberia, Hodel decides to leave her family and homeland and travel to Siberia to be with her beloved Perchik.... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

To Life! See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

USA

Language:

English | Hebrew | Russian

Release Date:

3 November 1971 (USA) See more »

Also Known As:

El violinista en el tejado See more »

Filming Locations:

Gorica, Croatia See more »

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Box Office

Budget:

$9,000,000 (estimated)

Gross USA:

$80,500,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (Westrex Recording System) (70 mm prints)| Mono (35 mm prints)| Stereo (35 mm mag-optical prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Barry Dennen, who played Mendel, the rabbi's son, also worked with director Norman Jewison on Jesus Christ Superstar (1973) two years later, in which Dennen played Pontius Pilate and Josh Mostel, the son of Zero Mostel, who originated the role of Tevye on Broadway, played the psychedelic King Herod. See more »

Goofs

When Perchik and Hodel are dancing for the first time, Perchik has his hat on, but as they finish and he says, "There. We've just changed an old custom," his hat is missing, and in the next scene in the barn, he has his hat back on. See more »

Quotes

[first lines]
Tevye: A fiddler on the roof. Sounds crazy, no? But here, in our little village of Anatevka, you might say every one of us is a fiddler on the roof trying to scratch out a pleasant, simple tune without breaking his neck. It isn't easy. You may ask 'Why do we stay up there if it's so dangerous?' Well, we stay because Anatevka is our home. And how do we keep our balance? That I can tell you in one word: tradition!
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Crazy Credits

Topol and the cast sing "Tradition" without any opening credits rolling. At the end of the number, the fiddler, standing on the left of the screen, launches into an extensive solo while the opening credits roll on the right of the screen. See more »

Alternate Versions

Originally released at 181 minutes (with an intermission), later trimmed for 1979 reissue to 149 minutes. See more »

Connections

Spoofed in Bloodtide (1982) See more »

Soundtracks

Matchmaker
(1964) (uncredited)
Music by Jerry Bock
Lyrics by Sheldon Harnick
Performed by Rosalind Harris, Neva Small, Michele Marsh, and Chorus
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Frequently Asked Questions

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User Reviews

From a Goy: One of the best films ever made.
3 November 2001 | by RT FireflySee all my reviews

Let me say up front, I am not predisposed to enjoy a movie like this. On the contrary, as a straight WASP, the last thing I want to watch is a broadway musical or a bunch of Jews 'kavetching' about how bad they have it. That is definitely NOT what this film is about. Though the subject matter is Jewish, to say it is a Jewish film would grossly limit it's significance. It is about the human experience. Any one who has felt pain and persecution will relate to it. Therefore I say every human should love this film. It has an indomitable optimism and remarkable pathos that causes the viewer to empathize with the characters, namely Reb Tevye, played by Topol in arguably one of the finest dramatic performances ever. Considering the lack of success Topol has had with the rest of his career it would literally seem he was born to play this part. This film will most likely not be enjoyable for those looking for spoon fed, mindless entertainment or titillation, but for anyone who appreciates the beautiful things in life, it is high art. I recommend you set aside an undisturbed block of time, (use the can first, it's three hours long) when you are feeling relaxed, eat some good homemade soup and watch this masterpiece. Perfect casting, cinematography, pacing, art direction, wardrobe and best of all, an exquisite soundtrack by the great, and very young, John Williams. Listen to this movie on a powerful sound system and it will sweep you into each musical number. Especially (my favorite) the bar room dance scene. Fiddler on the Roof should be on every top 100 list that exists. Like no other movie I can think of, 'Fiddler' reaches deep into the heart and begs one to look at what things in life are worth living for and dying for.


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