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Eden and After (1970)

L'éden et après (original title)
Unrated | | Drama | 20 April 1970 (France)
A group of French students are drawn into the psychological and sexual games of a mysterious Dutchman. Once they sample his "fear powder" the students experience a series of hallucinations.
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Cast

Credited cast:
Catherine Jourdan ... Violette
Pierre Zimmer ... Duchemin
Richard Leduc Richard Leduc ... Marc-Antoine
Lorraine Rainer Lorraine Rainer ... Marie-Eve
Sylvain Corthay Sylvain Corthay ... Jean-Pierre
Juraj Kukura ... Boris
Jarmila Kolenicová Jarmila Kolenicová ... Sonia (as Jarmila Kolenicova)
Catherine Robbe-Grillet Catherine Robbe-Grillet ... Foolish woman
Frantisek Gervai Frantisek Gervai ... (as François Gervai)
Ludovít Króner ... Franc (as Ludwik Kroner)
Rest of cast listed alphabetically:
Dusan Jamrich Dusan Jamrich
Stefánia Minárová Stefánia Minárová
Peter Opálený Peter Opálený
Marian Sotnik Marian Sotnik
Ladislav Ucník Ladislav Ucník
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Storyline

A group of French students are drawn into the psychological and sexual games of a mysterious Dutchman. Once they sample his "fear powder" the students experience a series of hallucinations.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Language:

French

Release Date:

20 April 1970 (France) See more »

Also Known As:

Eden and After See more »

Filming Locations:

Bratislava, Slovakia See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in Dr. Christina of Sweden (1970) See more »

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User Reviews

 
clearly had a liking for young ladies in very short mini dresses
27 September 2013 | by christopher-underwoodSee all my reviews

Director, Alain Robbe-Grillet clearly had a liking for young ladies in very short mini dresses and their being chased and sometimes caught and sometimes more. Well he films this so beautifully and has such a beautiful lead in Catherine Jourdan that it is hard to object too much. I understand this was inspired by composer Schoenberg's original twelve tone technique and so there are a number (twelve actually) elements of narrative with repetition but I'm not sure I'm too interested in all that. The film is wonderful to look at, at all times and has some sort of narrative flow but it can be an effort to stay with it because nothing ever seems to be resolved or made very clear. The director, of course wrote Last Year at Marienbad and the pretty young Jourdan appeared with Marianne Faithful in, Girl on a Motorcycle.


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