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Dracula vs. Frankenstein (1971)

GP | | Horror, Sci-Fi | December 1971 (USA)
Dracula conspires with a mad doctor to resurrect the Frankenstein Monster.

Directors:

Al Adamson, Samuel M. Sherman (uncredited)

Writers:

William Pugsley (story), Samuel M. Sherman (story) | 2 more credits »
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Cast

Cast overview, first billed only:
J. Carrol Naish ... Dr. Frankenstein
Lon Chaney Jr. ... Groton (as Lon Chaney)
Zandor Vorkov ... Count Dracula
Anthony Eisley ... Mike
Regina Carrol ... Judith
Russ Tamblyn ... Rico
Jim Davis ... Sgt. Martin
Angelo Rossitto ... Grazbo
Greydon Clark ... Strange
Ann Morell Ann Morell ... Samantha (as Anne Morrell)
William Bonner William Bonner ... Biker
Forrest J. Ackerman ... Dr. Beaumont (as Forest J Ackerman)
Maria Lease Maria Lease ... Joan
John Bloom ... The Monster
Shelly Weiss Shelly Weiss ... The Creature
Edit

Storyline

Judith Fontaine (Regina Carrol) is looking for her sister Joanie, who has disappeared into the hippie community of Venice, California. It turns out Joanie has become the victim of Groton (Lon Chaney Jr.), an axe-wielding homicidal maniac working for Dr. Durray (J. Carrol Naish), who is really the last of the Frankensteins and is now running a house of horrors by the beach and is performing experiments on Gorton's victims. One night Count Dracula (Zandor Vorkov) visits the doctor, showing him the original Frankenstein creation that was buried in a nearby graveyard. The doctor revives it and uses it to take revenge on his professional rivals. Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Plot Synopsis

Taglines:

The Kings of Horror Battle to the Death! See more »

Genres:

Horror | Sci-Fi

Certificate:

GP | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

December 1971 (USA) See more »

Also Known As:

Blood Freaks See more »

Filming Locations:

Las Vegas, Nevada, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono | Mono (Telesound)

Color:

Color (DeLuxe)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The music heard during the climax is recycled from the score from Creature from the Black Lagoon (1954). See more »

Goofs

Durea's use of the same chemical injection alternately cause Groton to transform, and prevent him from transforming. See more »

Quotes

Dracula: I am known as the Count of Darkness, the Lord of the Manor of Corpathia.
[sic]
See more »

Crazy Credits

For his bit part, Forrest J. Ackerman's first name is listed in the credits as "Forest." See more »

Alternate Versions

According to Sam Sherman, the TV version removed the brief topless nudity of the girl on the operating table. It also removed a sign saying "Society Sucks". See more »

Connections

Featured in Cinemacabre TV Trailers (1993) See more »

Soundtracks

Here and Now
Words and Music by J.D. Lobue
ASCAP
Recorded by Communication Plus
See more »

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User Reviews

 
Low Budget Monster Mess - But Fun!
23 October 2001 | by TVPowersSee all my reviews

This film gets a bad rap from a lot of people. That's understandable, because it's a low budget paste-up job, combining previously shot footage from a uncompleted biker film with the monster team-up. But Dracula Vs. Frankenstein is really a lot of fun -- particularly if you first saw it on late night TV when you were 13 or 14!

Forry Ackerman has a cameo in the film as one of Dracula's victims, so the movie got promoted in Famous Monsters magazine, with "Zandor Vorkov" gracing the cover in his dime store fangs. It was (I believe) the final film appearance of J. Carroll Naish and one of Lon Chaney Jr.'s last roles. Ken Strickfadden's Frankenstein lab equipment is used, and the music is well chosen. Parts of the film are quite moody and effective, with highly competent photograghy considering the budget and haste of production.

To compare this little film with the Hammer films is a bit unfair. No, it cannot match them on any level -- nor was it intended to -- this was drive-in fodder without the budget or resources of England's Hammer and its American partners and distributors. It's too bad none of the major American studios tried to cash in on the 1960's-70's monster boom. Then there might be some truly interesting American monster films worthy of the comparison.


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