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Diamonds Are Forever (1971)

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A diamond smuggling investigation leads James Bond to Las Vegas, where he uncovers an evil plot involving a rich business tycoon.

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Nominated for 1 Oscar. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
... James Bond
... Tiffany Case
... Blofeld
... Plenty O'Toole
... Willard Whyte
... Saxby
... Mr. Kidd
... Mr. Wint
... Leiter
... Dr Metz (as Joseph Furst)
... 'M'
... 'Q'
Leonard Barr ... Shady Tree
... Moneypenny
Margaret Lacey ... Mrs. Whistler
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Storyline

James Bond's mission is to find out who has been smuggling diamonds, which are not re-appearing. He adopts another identity in the form of Peter Franks. He joins up with Tiffany Case, and acts as if he is smuggling the diamonds, but everyone is hungry for these diamonds. He also has to avoid Mr. Wint and Mr. Kidd, the dangerous couple who do not leave anyone in their way. Ernst Stavro Blofeld isn't out of the question. He may have changed his looks, but is he linked with the heist? And if he is, can Bond finally defeat his ultimate enemy. Written by simon

Plot Summary | Plot Synopsis

Taglines:

Bond is back...with the action [British advance double crown poster ; Style A] See more »


Certificate:

GP | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

17 December 1971 (USA)  »

Also Known As:

Ian Fleming's Diamonds Are Forever  »

Filming Locations:

 »

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Box Office

Budget:

$7,200,000 (estimated)

Gross USA:

$43,819,547

Cumulative Worldwide Gross:

$116,000,000
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(colour) (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Bond tells Tiffany he knows a good tailor in Hong Kong. This would presumably be the same tailor in Hong Kong where Bond has his shirts and suits made in Die Another Day (2002). See more »

Goofs

When Bond is speaking, as Saxby, to Blofeld using the voice disguise machine, Bond's lips do not match the voice when he says, "It's a cinch he's not working alone." See more »

Quotes

[first lines]
James Bond: [tossing Japanese man around] Where is he? I shan't ask you politely next time. Where is Blofeld?
Japanese man: Cai... Cai... Cairo!
See more »

Crazy Credits

THE END of DIAMONDS ARE FOREVER James Bond will return in LIVE AND LET DIE See more »

Connections

Featured in Great Movie Mistakes (2010) See more »

Soundtracks

Diamonds are Forever
Music by John Barry
Lyrics by Don Black
Performed by Shirley Bassey
See more »

Frequently Asked Questions

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User Reviews

 
"Oh, providing the collars and cuffs match..."
26 July 2001 | by See all my reviews

Diamonds Are Forever is often described as a Roger Moore film starring Sean Connery, but it goes even farther than that. Whereas Moore ushered in ironic/silly codings, Diamonds contains the most overtly camp humour the series ever indulged in. The film also contains the most amount of nudity, and arguably the rudest jokes of the franchise. The title quote is Connery's quip to a girl with ever-changing wigs, while later we get the immortal "I'm afraid you've caught me with more than my hands up."

There's the sense of the odd, or uneasy, about this one all the way through. From the theme title (and what a great song!) precipitated by a cat's cry to the homosexual henchmen Mr.Wynt and Mr. Kidd. Their unnerving air is not the result of their gay, slightly homophobic, portrayal, but in Putter Smith's performance as Kidd. Not a trained actor, but an accomplished jazz bassist, this off-kilter playing creates an unconscious, unsettling atmosphere.

It's this juxtaposition which compels throughout. Like seeing Britain's top espionage agent doing the childhood "snogging with yourself" routine then smashing a man's head through a window just seconds later. It's a superficially lightweight film, but with a nasty, almost bitter undercurrent. Connery's obvious resistance to the role actually serves it well here, given that this is the first post-wife Bond movie. Bernard Lee plays an unusually terse M to complement this abrasive 007. Such a starch display cuts through the smug underpinnings of the character and makes the cheesy one-liners more palatable. He looks older than in any of his other Bond films - Never Say Never Again included – but this also fits his anguished, bereaved state. In line with this most misogynistic of Bond pictures, Jill St. John's character development passes from intelligent, through to devious and down into simpering bimbo.

Incidental music is a bit disattached, and often feels like it belongs to another film. It works against, rather than with, the picture it's there to support. Yet although not quite the best of the series, this and the following Live and Let Die are the most distinctive in look, feel and style. They're light, pacy, poppish takes on the format, full of comicbook verve and wit. Guy Hamilton's direction is also very good; making the most of the LA location with use of expansive aerial shots.

The plot seems fairly complex, though maybe that's because it's underdeveloped and submerged beneath slightly irrelevant setpieces. I had to smile at the line "Get him off that machine, that isn't a toy" as Sean boards the moonbuggy. I remember after the film it became one, a primary-coloured Dinky version with a spinning radar. Brings back memories, that.

Blofeld, who has now taken up cloning and cross-dressing, is played here by Charles Gray. Although at the time it was four years before he would become the criminologist in The Rocky Horror Picture Show, the two are now inseparable, in my mind at least. As if this wasn't enough high camp to go round, there's also Connery being demolished by Bambi and Thumper, a couple of sadistic female gymnasts.

If something about this quirky, offbeat Bond (and some sources list it as the seventh least successful in terms of gross) doesn't quite gel, then it greatly improves on repeat viewings.


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