A ragout of real memories and mockumentary, as Fellini explores a childhood obsession: circus clowns.
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Title: The Clowns (TV Movie 1970)
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4 wins & 1 nomination.
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Cast
| Cast overview, first billed only: | |||
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Riccardo Billi | ... | Self - Italian Clown (as Billi) |
| Federico Fellini | ... | Self | |
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Gigi Reder | ... | Self - Italian Clown (as Reder) |
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Tino Scotti | ... | Self - Italian Clown (as Scotti) |
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Valentini | ... | Self - Italian Clown |
| Fanfulla | ... | Self - Italian Clown | |
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Merli | ... | Self - Italian Clown |
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Carlo Rizzo | ... | Self - Italian Clown (as Rizzo) |
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Alberto Colombaioni | ... | Themselves - Italian Clowns (as I 4 Colombaioni) |
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Pistoni | ... | Self - Italian Clown |
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Martana | ... | Themselves - Italian Clowns (as I Martana) |
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Giacomo Furia | ... | Self - Italian Clown (as Furia) |
| Alvaro Vitali | ... | Self (as The Troupe) | |
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Dante Maggio | ... | Self - Italian Clown (as Maggio) |
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Galliano Sbarra | ... | Self - Italian Clown (as Sbarra) |
Learn more
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Plot Summary
|
Add Synopsis
Storyline
Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus. Written by Claudio Carvalho, Rio de Janeiro, Brazil
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Details
Release Date:
25 December 1970 (Italy) See more »Also Known As:
The Clowns See more »Company Credits
Production Co:
RAI Radiotelevisione Italiana, Compagnia Leone Cinematografica, Office de Radiodiffusion Télévision Française (ORTF) See more »
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Technical Specs
Runtime:
Sound Mix:
MonoColor:
Color (Technicolor)Aspect Ratio:
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This little film tends to stand quietly in the shadows of the great director's other works. It cannot compare to 8 1/2, or La Dolce Vita, but it carries a remarkable quality to it that isn't quite like his other films.
Fellini's circus theme is used here to a remarkable effect. There is a sadness that creeps in and around the film, like a cat watching a canary. It is unlike his other works, not as daring or bold, but worth some consideration.