A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating.Written by
Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? See more »
When Malcolm McDowell, a cricket fan, came in for a costume fitting with his gear, including protective cup, Stanley Kubrick told him to keep them out and incorporate his white shirt and cup into the costume. When McDowell started to dress by putting the jockstrap under his pants, Kubrick told him it would look better over his trousers instead, and the look made it into the final movie. See more »
In the marina scene, George is seen wearing his hat as he gets up in the shot of Dim falling into the water. Moments later as Alex is cutting Dim's hand, George is doubled over in the background without his hat. As Dim falls backward in recoil from the cut, George is seen in the same position with his hat on. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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The opening and closing credits are slides with the random colors in the background and the text are only white, instead of the black background. See more »
In 1986, the full uncensored "X" rated version of the film was released on home video, and later on DVD, despite the fact that the video/DVD sleeve bears the "R" rating (which leads people to believe it's the censored version). The MPAA never re-rated the uncut version as an "R", but the uncensored version does bear the "R" certification on the DVD/video box. See more »
Few films are as sensational or infamous as Stanley Kubrick's "A Clockwork Orange". It's impossible to sit through ACO and not have a reaction; whether it be shock, disgust or amazement. The savage tale of a brutal young droog and his subsequent "reformation" by the government is as shocking and thought-provoking as ever.
While the film's depictions of violence and sex are what it's most known for, ACO works on far deeper levels. The disturbing portrayal of youth and its satirical depiction of a government's attempts to create a better society are brilliant, but the most fascinating aspect of ACO is the questions it poses about good and evil. While the crimes Alex commits at the beginning of the film are atrocious, what the government does to him is worse. The film presents the absolute worst aspects of man, but shows that even these are still favorable to a man without the choice. People can denounce the film because of its brutal content, but the importance of the questions it poses can't be denied.
Equally excellent to the film's content is the effort by the crew. Kubrick's perfectionism pays off well, as ACO in one of his most visually striking films. Malcolm MacDowell is nothing short of amazing as Alex. Kubrick's use of surreal imagery and set pieces, as well as the ingenious use of music to compliment the on-screen action, creates a world that perfectly reflects the protagonist's behavior and the government's policies.
A Clockwork Orange is by no means an easy film to get through, as many will be turned off by the scenes of violence and rape. But this masterpiece is far more complex than a simple romp through a world of youthful violence. It's a rare example of film-making that demands that the viewer actually think. Real horrorshow all around, Oh my brothers.
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