A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating.Written by
Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? See more »
Filming the rape scene was so difficult for the actress originally cast in the role that she quit. The part was recast with Adrienne Corri, who was said to have been furious at the large number of takes that Stanley Kubrick required, feeling it ought to have been done swiftly. Malcolm McDowell, however, has stated that Corri was very "game" about the brief but difficult role throughout filming. See more »
The writer's typewriter appears to have perhaps ten or more sheets of paper loaded on the roller. Even if you were making carbon copies, the limit would be three sheets of paper, and two thin sheets of carbon paper. There are no signs of any carbon paper being used at this desk however. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »
In 1986, the full uncensored "X" rated version of the film was released on home video, and later on DVD, despite the fact that the video/DVD sleeve bears the "R" rating (which leads people to believe it's the censored version). The MPAA never re-rated the uncut version as an "R", but the uncensored version does bear the "R" certification on the DVD/video box. See more »
One of those films you have to watch multiple times
It's hard to judge a film such as this. Its cold and hard, yet can be exhilarating and sarcastic. It can be average, yet it can be visionary. Exploitive? Satirical? Too many questions to consider when one watches this film.
Even after 34 years, this film still speaks volumes about our current culture, which many ideals are ringing true today. The younger generations are out of control due to lack of parental control, junk culture is becoming commonplace, violence is desensitizing the masses, and we all seem to be enjoying the ride on the way down. It's very difficult to find movies which can make such startling commentary, yet hold on to such accusations for an extended period of time. Nowadays, films are focused-grouped to death, conformity is more powerful than artistry, and money is far more important than quality. Kubrick took a huge leap with this film, challenging society to take a hard look at itself. Unfortunately, society wasn't ready for this film, which is why it is revered now more than ever.
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