- Nominated for 4 Oscars
- 12 wins & 26 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'A Clockwork Orange' is a provocative film by Stanley Kubrick, delving into free will, government control, and violence. It is lauded for its striking visuals, classical music integration, and Malcolm McDowell's performance. Critics appreciate its philosophical inquiry into conditioning and morality, though some find its graphic content unsettling. The film's Nadsat language and futuristic setting enhance its unique atmosphere. Despite varied opinions on its merit, 'A Clockwork Orange' is recognized as a significant cinematic work.
Featured reviews
Anyone looking to watch A Clockwork Orange might be wanting to revisit some of Stanley Kubrik's work and might be interested in studying this film. Those who have already seen this film tend to already have strong opinions regarding this dark sci-fi movie but for me, I approached this film recently to obtain an opinion for myself and study one of the great masters of cinema.
The fact that this film was regarded as one of the most controversial films ever made (rightfully so) sparked genuine curiosity to give this flick a full viewing and while I have large issues with the film, the experience as a whole was both satisfying and a learning experience.
This story centers on "Alex" our main protagonist and his gang of hoodlums set in a not so distant, dystopian Great Britain. The beginning portion unfolds Alex's dark and twisted soul as we watch him and his gang fight, rape, and kill. When he's eventually caught, he undergoes controversial "treatment" to be cured of his dark soul.
I first appreciated the inmate concepts of this story and the type of questions the story attempted to raise to the audience. Furthermore, much of the psychological ideologies surrounding freedom, choice, good vs evil, and selfishness were extremely thought-provoking. It had a way of making me feel self-exploratory despite the character's complete inability to relate with (hopefully) any viewer.
Performances were top notch; especially from the lead: Malcom McDowell. His performance felt so authentic there's never a single moment that feels fake or forced with his dark character. As always, Stanley Kubrick directs the hell out of this. His commanding and authoritative shooting style is apparent in every frame of the picture and he does a wonderful job at sucking the viewer into this terrible world to the point of enthrallment.
While all these positives make for a great movie-going experience and when Kubrick is at the director's helm not much can go wrong, the film's biggest downfall is indeed its controversy. Disturbing subject matter in this piece is indeed vital to the essence of the story but taking off the gloves when it comes to fighting, rape, and killing (especially the rape) make this so incredibly disturbing that it's difficult to muscle through. I found that A Clockwork Orange was not only offense because of its disturbing content, it was personally offensive in so many ways. Frankly, these extremely rare and offensive movie experiences are not quite the reason I enjoy films in the first place; stories can still be thought-provoking while not morally offend and damage the viewer internally. In addition, a viewer looking to study the work of Stanley Kubrick can still experience some of cinema's greatest and transcendent experiences without feeling like their conscience has blackened.
It's understandable that not everyone feels this way; just as stated before, opinions about this film are all across the board. As time has passed however, A Clockwork Orange has stood out has one of Kubrick's finest and has been adored by die-hard fans so much its fan base has grown over the years.
The best advice to give is to see it for yourself. Much like all other Kubrick films, relying on anyone's opinion won't help one bit. Seeing it and deciding for yourself is the best course of action. That being said, despite it's strong artistic merit, I wouldn't recommend seeing it simply because of the morally offensive and sickening content that most don't appreciate. Overall, it's been the hardest one to review in a long time because it's not a simple: see it or don't see it. There's much more to this picture than that. If you do decide to see it though, be warned and well prepared. If not, that's probably just fine too.
The fact that this film was regarded as one of the most controversial films ever made (rightfully so) sparked genuine curiosity to give this flick a full viewing and while I have large issues with the film, the experience as a whole was both satisfying and a learning experience.
This story centers on "Alex" our main protagonist and his gang of hoodlums set in a not so distant, dystopian Great Britain. The beginning portion unfolds Alex's dark and twisted soul as we watch him and his gang fight, rape, and kill. When he's eventually caught, he undergoes controversial "treatment" to be cured of his dark soul.
I first appreciated the inmate concepts of this story and the type of questions the story attempted to raise to the audience. Furthermore, much of the psychological ideologies surrounding freedom, choice, good vs evil, and selfishness were extremely thought-provoking. It had a way of making me feel self-exploratory despite the character's complete inability to relate with (hopefully) any viewer.
Performances were top notch; especially from the lead: Malcom McDowell. His performance felt so authentic there's never a single moment that feels fake or forced with his dark character. As always, Stanley Kubrick directs the hell out of this. His commanding and authoritative shooting style is apparent in every frame of the picture and he does a wonderful job at sucking the viewer into this terrible world to the point of enthrallment.
While all these positives make for a great movie-going experience and when Kubrick is at the director's helm not much can go wrong, the film's biggest downfall is indeed its controversy. Disturbing subject matter in this piece is indeed vital to the essence of the story but taking off the gloves when it comes to fighting, rape, and killing (especially the rape) make this so incredibly disturbing that it's difficult to muscle through. I found that A Clockwork Orange was not only offense because of its disturbing content, it was personally offensive in so many ways. Frankly, these extremely rare and offensive movie experiences are not quite the reason I enjoy films in the first place; stories can still be thought-provoking while not morally offend and damage the viewer internally. In addition, a viewer looking to study the work of Stanley Kubrick can still experience some of cinema's greatest and transcendent experiences without feeling like their conscience has blackened.
It's understandable that not everyone feels this way; just as stated before, opinions about this film are all across the board. As time has passed however, A Clockwork Orange has stood out has one of Kubrick's finest and has been adored by die-hard fans so much its fan base has grown over the years.
The best advice to give is to see it for yourself. Much like all other Kubrick films, relying on anyone's opinion won't help one bit. Seeing it and deciding for yourself is the best course of action. That being said, despite it's strong artistic merit, I wouldn't recommend seeing it simply because of the morally offensive and sickening content that most don't appreciate. Overall, it's been the hardest one to review in a long time because it's not a simple: see it or don't see it. There's much more to this picture than that. If you do decide to see it though, be warned and well prepared. If not, that's probably just fine too.
Few films are as sensational or infamous as Stanley Kubrick's "A Clockwork Orange". It's impossible to sit through ACO and not have a reaction; whether it be shock, disgust or amazement. The savage tale of a brutal young droog and his subsequent "reformation" by the government is as shocking and thought-provoking as ever.
While the film's depictions of violence and sex are what it's most known for, ACO works on far deeper levels. The disturbing portrayal of youth and its satirical depiction of a government's attempts to create a better society are brilliant, but the most fascinating aspect of ACO is the questions it poses about good and evil. While the crimes Alex commits at the beginning of the film are atrocious, what the government does to him is worse. The film presents the absolute worst aspects of man, but shows that even these are still favorable to a man without the choice. People can denounce the film because of its brutal content, but the importance of the questions it poses can't be denied.
Equally excellent to the film's content is the effort by the crew. Kubrick's perfectionism pays off well, as ACO in one of his most visually striking films. Malcolm MacDowell is nothing short of amazing as Alex. Kubrick's use of surreal imagery and set pieces, as well as the ingenious use of music to compliment the on-screen action, creates a world that perfectly reflects the protagonist's behavior and the government's policies.
A Clockwork Orange is by no means an easy film to get through, as many will be turned off by the scenes of violence and rape. But this masterpiece is far more complex than a simple romp through a world of youthful violence. It's a rare example of film-making that demands that the viewer actually think. Real horrorshow all around, Oh my brothers.
While the film's depictions of violence and sex are what it's most known for, ACO works on far deeper levels. The disturbing portrayal of youth and its satirical depiction of a government's attempts to create a better society are brilliant, but the most fascinating aspect of ACO is the questions it poses about good and evil. While the crimes Alex commits at the beginning of the film are atrocious, what the government does to him is worse. The film presents the absolute worst aspects of man, but shows that even these are still favorable to a man without the choice. People can denounce the film because of its brutal content, but the importance of the questions it poses can't be denied.
Equally excellent to the film's content is the effort by the crew. Kubrick's perfectionism pays off well, as ACO in one of his most visually striking films. Malcolm MacDowell is nothing short of amazing as Alex. Kubrick's use of surreal imagery and set pieces, as well as the ingenious use of music to compliment the on-screen action, creates a world that perfectly reflects the protagonist's behavior and the government's policies.
A Clockwork Orange is by no means an easy film to get through, as many will be turned off by the scenes of violence and rape. But this masterpiece is far more complex than a simple romp through a world of youthful violence. It's a rare example of film-making that demands that the viewer actually think. Real horrorshow all around, Oh my brothers.
In a dystopian world, Alex DeLarge (Malcolm McDowell) leads his 3 followers in ultraviolence. Eventually, he is arrested for killing an old lady. In prison, he finds the violence in religion to be calming. He volunteers for an experimental treatment program. The treatment makes him ill when confronted with violence and sex. He is released and is confronted by the violence that he himself promoted.
This is almost experimental in its examination of sex and violence in society. It is an unique surreal film. The ideas behind it may be lost to people who sees this simply as an artistic violent movie. No matter how one dissects this, Malcolm McDowell's performance is beyond reproach. He shows his great acting abilities.
This is almost experimental in its examination of sex and violence in society. It is an unique surreal film. The ideas behind it may be lost to people who sees this simply as an artistic violent movie. No matter how one dissects this, Malcolm McDowell's performance is beyond reproach. He shows his great acting abilities.
i just saw this movie about a day ago, and it completely blew me away, namely the main character, protagonist, hero? Alex. we love, hate, and or just plain utterly confused about how we feel of Alex. Alex is the greatest villain ever because he is ourselves, he is the worst of ourselves. hes the deep dark place inside you that rises to the surface eventually, and then pushed down just as fast because it terrifies you. the way Alex stares into the camera in the first scene just freaks me out, he has a little smirk on his face that seems to say you may hate me, but you'll never be rid of me, because there can never be good without the bad, and i am the bad.
"A Clockwork Orange," directed by Stanley Kubrick and based on Anthony Burgess's novel, is a seminal work of dystopian cinema that continues to provoke discussion and debate decades after its release.
Set in a near-future society, the film follows Alex DeLarge, captivatingly played by Malcolm McDowell. Alex is a charismatic yet violent delinquent whose love for "ultraviolence" and classical music takes viewers on a dark, surreal journey. McDowell's performance is nothing short of extraordinary, embodying the charming yet disturbing nature of his character with a magnetic presence that captivates and unsettles.
Kubrick's direction is masterful, blending stark imagery with a distinctive visual style that enhances the film's unsettling themes. The use of vivid colors and striking compositions makes for a stunning aesthetic that complements the narrative's turmoil. Furthermore, the iconic soundtrack juxtaposes classical music against the horrific acts depicted, creating an almost dissonant harmony that lingers in the viewer's mind.
The film's exploration of the concept of free will is profound. Through the brutal conditioning Alex undergoes as part of a government experiment designed to reform him, Kubrick raises disturbing questions about the nature of choice, the morality of societal control, and the essence of humanity itself. As Alex is stripped of his ability to choose evil, viewers are forced to contemplate whether a life without the freedom to make immoral decisions is truly a life worth living.
"A Clockwork Orange" is not merely a film; it is an experience that elicits deep emotional reactions and forces audiences to grapple with uncomfortable truths about society and human nature. Its striking visuals, memorable performances, and thought-provoking narrative make it a timeless classic in cinematic history.
This film is both a landmark of artistic achievement and a chilling commentary on the duality of man. For anyone willing to confront the darker aspects of existence, "A Clockwork Orange" remains an essential watch, challenging our perceptions of morality, authority, and the very essence of free will.
Set in a near-future society, the film follows Alex DeLarge, captivatingly played by Malcolm McDowell. Alex is a charismatic yet violent delinquent whose love for "ultraviolence" and classical music takes viewers on a dark, surreal journey. McDowell's performance is nothing short of extraordinary, embodying the charming yet disturbing nature of his character with a magnetic presence that captivates and unsettles.
Kubrick's direction is masterful, blending stark imagery with a distinctive visual style that enhances the film's unsettling themes. The use of vivid colors and striking compositions makes for a stunning aesthetic that complements the narrative's turmoil. Furthermore, the iconic soundtrack juxtaposes classical music against the horrific acts depicted, creating an almost dissonant harmony that lingers in the viewer's mind.
The film's exploration of the concept of free will is profound. Through the brutal conditioning Alex undergoes as part of a government experiment designed to reform him, Kubrick raises disturbing questions about the nature of choice, the morality of societal control, and the essence of humanity itself. As Alex is stripped of his ability to choose evil, viewers are forced to contemplate whether a life without the freedom to make immoral decisions is truly a life worth living.
"A Clockwork Orange" is not merely a film; it is an experience that elicits deep emotional reactions and forces audiences to grapple with uncomfortable truths about society and human nature. Its striking visuals, memorable performances, and thought-provoking narrative make it a timeless classic in cinematic history.
This film is both a landmark of artistic achievement and a chilling commentary on the duality of man. For anyone willing to confront the darker aspects of existence, "A Clockwork Orange" remains an essential watch, challenging our perceptions of morality, authority, and the very essence of free will.
Director's Trademarks: A Guide to Stanley Kubrick's Films
Director's Trademarks: A Guide to Stanley Kubrick's Films
2001: A Space Odyssey and Eyes Wide Shut are just the beginning of Stanley Kubrick's legacy. Are you up to speed on the film icon's style?
Did you know
- TriviaMalcolm McDowell's eyes were anesthetized for the torture scenes so that he would film for periods of time without too much discomfort. Nevertheless his corneas got repeatedly scratched by the metal lid locks.
- GoofsMany of the continuity errors are not in fact errors. Stanley Kubrick purposely included many continuity errors as a way of creating a feeling of disorientation for the audience. That is why people's positions change, props are reorganized, and hats (and other articles of clothing) appear and disappear.
- Crazy creditsThere are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick.
- Alternate versionsIn 1973, a new version of "A Clockwork Orange" was released to theaters with an MPAA rating of "R", replacing the previous "X". The new version contained approximately 31 seconds of replacement, less lascivious footage for two scenes: the high speed (2 fps) orgy in Alex's bedroom, and the Ludovico rape scene. The bedroom scene was made more comical by having one of the girls fall off the bed and Alex joins her down there. The Ludovico rape scene was altered in that the scenes with the first two droogs was from the side and waist-up, so it is less explicit. The third droog was removed completely and replaced with a close-up of one of the doctor's face as they are watching Alex's treatment.
- ConnectionsEdited from Triumph of the Will (1935)
- SoundtracksSymphony No.9 in D Minor, Opus 125 Choral: II. Scherzo. Molto vivace
Written by Ludwig van Beethoven
Recorded by Deutsche Grammophon Gesellschaft
Details
- Release date
- Countries of origin
- Language
- Also known as
- Naranja mecánica
- Filming locations
- Binsey Walk, Southmere Lake, Thamesmead South, London, England, UK(Alex puts Dim in water - houses demolished)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,200,000 (estimated)
- Gross US & Canada
- $26,617,553
- Gross worldwide
- $27,034,174
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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