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The Sorrow and the Pity (1969)

Le chagrin et la pitié (original title)
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An in-depth exploration of the various reactions by the French people to the Vichy government's acceptance of Nazi invasion.

Director:

Marcel Ophüls
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Nominated for 1 Oscar. Another 6 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Georges Bidault Georges Bidault ... Himself
Matthäus Bleibinger Matthäus Bleibinger ... Himself - Wehrmacht Soldier in the Auvergne (as Mathaus Bleibinger)
Charles Braun Charles Braun
Maurice Buckmaster Maurice Buckmaster ... Himself - Former Head of the British Underground
Emile Coulaudon Emile Coulaudon ... Himself - Former Head of the Auvergne Maquis
Emmanuel d'Astier de la Vigerie Emmanuel d'Astier de la Vigerie ... Himself - Founder of the Liberation Movement
René de Chambrun René de Chambrun ... Himself - International Lawyer (as Count René de Chambrun)
Christian de la Mazière ... Himself - Aristocratic Former Nazi
Darquier de Pellepoix Darquier de Pellepoix ... Himself - Handshake with Heydrich (archive footage)
Jacques Doriot Jacques Doriot ... Himself - Head of the French Popular Party, 1942 (archive footage)
R. Du Jonchay R. Du Jonchay ... Himself - Head of the Resistance Movement (as Colonel R. du Jonchay)
Jacques Duclos Jacques Duclos ... Himself - Former Secretary of the Clandestine Communist Party
Anthony Eden ... (as Lord Avon)
Sgt. Evans Sgt. Evans
Marcel Fouche-Degliame Marcel Fouche-Degliame ... Himself - Director of the Combat Movement (as Marcel Degliame-Fouche)
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Storyline

From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and resistance fighters from Clermont-Ferrand. They comment on the nature, details and reasons for the collaboration, from anti-Semitism, xenophobia, and fear of Bolsheviks, to simple caution. Part one, "The Collapse," includes an extended interview with Pierre Mendès-France, jailed for anti-Vichy action and later France's Prime Minister. At the heart of part two, "The Choice," is an interview with Christian de la Mazière, one of 7,000 French youth to fight on the eastern front wearing German uniforms. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

The Most Important Fact Film Ever Made See more »


Certificate:

PG | See all certifications »
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Details

Language:

French | German | English

Release Date:

25 March 1972 (USA) See more »

Also Known As:

The Sorrow and the Pity See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Quotes

Georges Bidault: Some people are resistants by nature. In other words, some people are naturally headstrong. Others on the contrary, try to adapt to the circumstances, and get what they can out of it. If you are a resistant over everything and nothing, you're exaggerating. But if you accept everything, you're lying.
See more »

Connections

Referenced in Angel: Conviction (2003) See more »

Soundtracks

Ça Sent si Bon la France
Music by Louiguy
Lyrics by Jacques Larue
Performed by Maurice Chevalier
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User Reviews

 
Still So Relevant Today
1 June 2004 | by KrustallosSee all my reviews

I've just seen this at the National Film Theatre.

I concur with most of the comments from the other users. Certainly Ophuls' directorial hand is evident throughout, the editing, cutting, juxtaposition, reaction shots etc are all part of the construction of his argument, although his interviewees are obviously allowed to account for themselves at some length.

What I found most surprising was the amount of humour in the film. Because of Woody Allen's use of it in "Annie Hall" I thought it would be gruelling, but there were a number of laugh out loud moments, starting with the resistance leader whose main stated reason for fighting the Germans was that they were monopolising the best meat.

Emmanuel d'Astier de la Vigerie was also a total star. His comment about the sociological make-up of the Resistance - essentially misfits and malcontents, people with nothing to lose - was very telling. A number of other interviewees made similar points - the main collaborators were the bourgeoisie - the resistance was mainly based on workers, peasants, communists, youth and weirdos of various sorts. Compare that with the sitation in the '60s when the film was made and with the situation now in the western democracies.

Anthony Eden was another major surprise. The popular image of him now is of a buffoon, the man who screwed up Suez, but in the extended interview here he displays immense charisma, intelligence and humanity. And if they make a film of his life Jeremy Irons is a shoo-in for the role.

The Nazis, meanwhile, are clearly cut from the same cloth as the neo-fascists presently enjoying something of a resurgence in most of Europe. All the same arguments made in exactly the same way by the same sort of people. This (plus the smugness of the former Wehrmacht officer still wearing his medals) was probably the most chilling thing about the film.

The final obvious resonance is with Iraq. From the German soldiers baffled and outraged by the fact that some French were trying to kill them, to the French establishment referring to the Resistance as terrorists, (yes that was the exact word they used), to the initial acceptance of the Occupation turning to hatred as reprisals against the Resistance grew, many testimonies throw a radically new light on the present situation. To draw direct parallels would be a mistake - even the Gaullists were not as reactionary as Zarqawi or Muqtada al Sadr - but nonetheless there is a lot to learn from then about now, and about the difference between how events are perceived at the time and by History.

Another user comment complains about the amount of politics in the film. It's true that some knowledge is presupposed and the film would obviously mean more to those who lived through those times. However Ophuls has said that one of his main motivations was to show that the idea that you can divorce politics from everyday life is exactly what made collaboration possible.

These are just a few of the thoughts provoked by the film, which holds many more insights and surprises and I am sure repays as many viewings as Alvy Singer gave it. It's perhaps not as shocking or affecting as "Shoah" (on which it's surely the strongest influence) but then it's a different story. It shows us the best of humanity as well as the worst and neither are always where you might expect to find them.

Incidentally, it looks like the reportedly poor quality of the DVD may be down to the original film stock rather than the transfer.


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