5.4/10
73
4 user 1 critic

La casa de las palomas (1972)

The widow Alexandra and her schoolgirl daughter Sandra live together in a luxurious villa in Spain. When Fernando, an old love of Alexandra's, appears in town the two rekindle their love ... See full summary »

Director:

Claudio Guerín (as Claudio Guerin Hill)

Writers:

Leonardo Martín (screenplay), Miguel Rubio (screenplay) | 2 more credits »
Reviews
1 win. See more awards »

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Cast

Cast overview:
Ornella Muti ... Sandra
Lucia Bosé ... Alexandra
Glen Lee Glen Lee ... Fernando
Carmen de Lirio ... Marilú
Caterina Boratto ... Virginia
Luis Dávila ... Enrique
Blanca Sendino Blanca Sendino
Concha Goyanes Concha Goyanes ... María
Kiti Mánver ... Elisa
Fernando Sánchez Polack ... Sirviente de Fernando
Juana Azorín Juana Azorín
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Storyline

The widow Alexandra and her schoolgirl daughter Sandra live together in a luxurious villa in Spain. When Fernando, an old love of Alexandra's, appears in town the two rekindle their love affair until Alexandra finds that he is being paid to be the companion of a rich older woman. Written by Ørnås

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Spain | Italy

Language:

Spanish

Release Date:

21 February 1972 (Spain) See more »

Also Known As:

Violation of Laura See more »

Filming Locations:

Córdoba, Andalucía, Spain

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in ¡No firmes más letras, cielo! (1972) See more »

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User Reviews

The House of Bird Droppings?
25 June 2004 | by dwingroveSee all my reviews

Fans of Claudio Guerin Hill's sublimely weird horror classic The Bell of Hell would do well to realise that this, his first feature film, is nothing like it. The House of Doves is a soppy romantic melodrama, drowning in soft-focus photography and syrupy music. It also boasts continuity so atrocious that Lucia Bose seems to wear three separate outfits in the course of one conversation.

The lovely Lucia plays a glamorous widow, living with her nymphet daughter (Ornella Muti) in a remote corner of southern Spain. When an old flame (Glen Lee) drops by in his jazzy red sports car, the couple resume their affair - until she finds out he's been the paid gigolo of a much older woman (Caterina Boratto). Understandably miffed, Lucia shows him the door. He gets revenge by seducing the daughter...

The film does improve remarkably at this point. The randy rotter lures the innocent girl to the mysterious 'House of Doves' - a place of assignation done up like a plush 19th century brothel! All over the house, doves flutter about and flap their wings in slow-motion - a 'poetic' way to illustrate Muti's first orgasm. Bose, we start to suspect, is no stranger to this house. It all gets progressively more twisted, as pseudo-Romantic slop gives way to Surrealist psychodrama.

Lucia Bose, fortunately, is an actress we watch no matter what - like Greta Garbo or Charlotte Rampling - and her magnetism does help us overlook the script's absurdity. (Why, for example, is the 'House of Doves' not encrusted with droppings?) The best I can say for Muti is that she seems to have begun her career very much as she meant to go on. No acting, but lots of energetically faked rumpy-pumpy. At least both ladies look gorgeous, thanks to lyrical camerawork by Fernando Arribas.

An arty but half-baked effort, The House of Doves is no threat to Lolita or Pretty Baby in the 'sexy schoolgirl' stakes. Very few people will enjoy this film. Fewer still, I suspect, will admit it.


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